World Literary Awards

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Adolf Endler

アードルフ・エンドラー

Adorufu Endorā

Profile

Gender
Male
Born
1930-09-20 (Düsseldorf)
Died
2009-08-02 age 78
Nationality
German
Languages
German
Residence History
Leipzig → Prenzlauer Berg, Berlin

Career

Occupations
lyric poet, essayist, prose author
Active Years
1960-2009
Affiliations
Deutsche Akademie für Sprache und Dichtung
Memberships
Writers’ Association of the GDR (expelled 1979)
Influenced By
Kurt Schwitters, Alfred Jarry, Karl Kraus, Georg Christoph Lichtenberg, François Rabelais, Hans Henny Jahnn
Influenced
Karl Mickel, Heinz Czechowski, Sarah Kirsch, Volker Braun

Education

Johannes R. Becher Institute of Literature
Literature
Period: 1955-1957
Year of Graduation: 1957
Country: Germany

Awards

Literatur-Förderpreis zum Kunstpreis der Akademie der Künste
1978
Organization: Academy of the Arts, West Berlin
Result: 受賞
Heinrich-Mann-Preis
1990
Organization: Academy of the Arts East Berlin
Result: 受賞(エルケ・エルブと共同)
Brandenburgischer Literaturpreis
1994
Result: 受賞
Kritikerpreis der SWF-Bestenliste
1995
Result: 受賞
Brothers Grimm Prize of the City of Hanau
1995
Organization: City of Hanau
Result: 受賞
Rahel Varnhagen von Ense-Medaille
1996
Result: 受賞(ブリギッテ・シュライアー=エンドラーと共同)
Ehrengabe der Deutschen Schillerstiftung
1998
Organization: German Schiller Foundation
Result: 受賞
Peter Huchel Prize
2000
Result: 受賞
Literature Prize of the City of Bremen
2000
Organization: City of Bremen
Result: 受賞
Bundesverdienstkreuz 1st Class
2001
Result: 受賞
Hans-Erich Nossack Prize
2003
Result: 受賞
Rainer Malkowski Prize
2008
Result: 受賞(クルト・ドラヴェルトと共同)

Awards & Nominations

Works

Major Works

Tarzan am Prenzlauer Berg

1984 memoir

Memoir about life at Prenzlauer Berg

oppositional literaturesubcultural activities

Der Pudding der Apokalypse

1999 poetry

Poems from 1963-1998

poetic experimentation

Nebbich. Eine deutsche Karriere

2005 autobiography

Surrealist anti-autobiography

East German life

Bibliography

  • Erwacht ohne Furcht, Gedichte 1960
  • Weg in die Wische, Reportagen und Gedichte 1960
  • Das Sandkorn, Gedichte, Mitteldeutscher Verlag 1974/1976
  • Die Kinder der Nibelungen, Gedichte 1964
  • In diesem besseren Land, Lyrik-Anthologie gemeinsam mit Karl Mickel 1966
  • Nackt mit Brille, Gedichte 1975
  • Zwei Versuche, über Georgien zu erzählen, Reisebericht 1976
  • Verwirrte klare Botschaften, Gedichte 1979
  • Nadelkissen, Prosa 1980
  • Akte Endler, Gedichte aus 30 Jahren 1981/1988
  • Tarzan am Prenzlauer Berg, Tagebuch 1984
  • Ohne Nennung von Gründen, Prosa 1985
  • Schichtenflotz, Prosa 1987
  • Nächtlicher Besucher, in seine Schranken gewiesen. Eine Fortsetzungszüchtigung 1989
  • Vorbildlich schleimlösend, Prosa 1990
  • Den Tiger reiten, Essays 1990
  • Die Antwort des Poeten, Roman 1992
  • Tarzan am Prenzlauer Berg. Sudelblätter 1981–1993 1994
  • Warnung vor Utah, Reisebuch 1996
  • Der Pudding der Apokalypse. Gedichte 1963–1998 1999
  • Trotzes halber, Gedichte 1999
  • Das Greisenalter, voilà 2001
  • Schweigen Schreiben Reden Schweigen. Reden 1995–2001 2003
  • Uns überholte der Zugvögelzug. Alte und neue Gedichte 2004
  • Nebbich. Eine deutsche Karriere 2005
  • Krähenüberkrächzte Rolltreppe. Neunundsiebzig kurze Gedichte aus einem halben Jahrhundert 2007
  • Nächtlicher Besucher, in seine Schranken gewiesen. Eine Fortsetzungs-Züchtigung 2008

Style & Themes

Literary Style
challenging socialist realismexperimental lyric poetrysubcultural expression
Recurring Motifs
oppositionPrenzlauer Berg life

Health

  • long illness
    晩年
    cause of death

Legacy

Played a central role in subcultural activities challenging socialist realism in the GDR; known as the father of the oppositional literary scene at Prenzlauer Berg.

Academic Societies

  • Deutsche Akademie für Sprache und Dichtung

Quotes

  • A lot of people connect liberalization with the fact that the GDR for international reason didn't want to have any trouble. The GDR wanted to be thought of in the international community as something very decent and without blemish. That was something we went along with. Our only means of power was to threaten to make an international fuss. If a book had been published in the west, and then the author had been sent to jail, there would have been a fuss. There must have been five hundred of us who had written letters or who had collected signatures. There weren't three hundred thousand people, but there were always ten or twenty thousand refractory people who as a rule wanted to stay in the GDR, but who, out of some sort of defiance or whatever, weren't ready to put up with it.
    Source: Interview March 15th, 1992 (1992)
  • He admired those who play with language like Kurt Schwitters and Alfred Jarry, astute minds like Karl Kraus and Georg Christoph Lichtenberg and great epic writers like François Rabelais and Hans Henny Jahnn. It was only after the political turnaround of 1989 that people noticed that he does not compare at all unfavourably with them – but not too late, thank goodness.”
    Source: Tagesspiegel