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Edition 11 (1990) Winner
Adrienne Kennedy
アドリエンヌ・ケネディ
Adrienne Kennedy
Profile
- Gender
- Female
- Born
- 1931-09-13 (Pittsburgh, Pennsylvania, U.S.)
- Nationality
- United States
- Languages
- English
- Residence History
- Pittsburgh (birthplace) → Cleveland (grew up) → New York City (longtime residence and work) → Ghana (short residency)
Career
- Occupations
- playwright, professor, poet
- Active Years
- 1960-
- Affiliations
- Women's Theatre Council (founding member), PEN (served on board), International Theatre Institute (representative), Signature Theatre Company (playwright-in-residence)
- Memberships
- PEN America, International Theatre Institute, Dramatists Guild of America
- Influenced By
- Samuel Beckett, Orson Welles (admired actor/director), Greek tragedy (e.g. Euripides)
- Influenced
- Branden Jacobs-Jenkins (and subsequent generations of playwrights), Many playwrights and directors in American theater
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Ohio State University | College of Education | Education | BA | 1949–1953 | United States |
| Columbia University | — | — | — | 1954–1956 | United States |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1963 | Stanley Drama Award | — | — | New York City Writers Conference at Wagner College | 受賞 |
| 1964 | Obie Award (Distinguished Play) | Funnyhouse of a Negro | — | Obie Awards | 受賞 |
| 1996 | Obie Award (Best New American Play) | June and Jean in Concert / Sleep Deprivation Chamber | — | Obie Awards | 受賞 |
| 2008 | Obie Award (Lifetime Achievement) | — | — | Obie Awards | 受賞(生涯功労) |
| 1967 | Guggenheim Fellowship | — | — | John Simon Guggenheim Memorial Foundation | フェローシップ |
| 1967 | Rockefeller Foundation Grant | — | — | Rockefeller Foundation | 助成 |
| 1970 | Rockefeller Foundation Grant | — | — | Rockefeller Foundation | 助成 |
| 1972 | National Endowment for the Arts Fellowship | — | — | National Endowment for the Arts | フェローシップ |
| 1990 | American Book Award | — | — | Before Columbus Foundation | 受賞 |
| 1994 | Lila Wallace Reader's Digest Writers' Award | — | — | Lila Wallace / Reader's Digest Fund | 受賞 |
| 2003 | Anisfield-Wolf Book Awards (Lifetime Achievement) | — | — | Anisfield-Wolf Book Awards | 受賞(生涯功労) |
| 2006 | PEN/Laura Pels International Foundation for Theater Award | — | Master American Dramatist | PEN America | 受賞 |
| 2021 | Dramatists Guild Lifetime Achievement Award | — | — | Dramatists Guild of America | 受賞(生涯功労) |
| 2022 | American Academy of Arts and Letters Gold Medal for Drama | — | — | American Academy of Arts and Letters | 受賞 |
| 2023 | New York Drama Critics Circle Special Citation | — | — | New York Drama Critics Circle | 特別表彰 |
| 2003 | Honorary Doctorate of Letters (Ohio State University) | — | — | Ohio State University | 授与(名誉博士号) |
| 1988 | Manhattan Borough President's Award for Excellence in the Arts | — | — | Manhattan Borough President's Office | 受賞 |
| — | Pierre Lecomte du Noüy Award | — | — | — | — |
Awards & Nominations
-
Edition 68 (2003) Lifetime Achievement Award
-
Edition 16 (2022) Winner
Works
Major Works
Funnyhouse of a Negro
1964 PlayA one-act play that uses surreal, symbolic imagery to dramatize a black woman's psychological fragmentation and the effects of racial violence and identity conflict.
Ohio State Murders
1992 PlayCenters on Suzanne Alexander recounting the discrimination and violence she experienced as a student, intertwining personal trauma with a narrative about murders tied to her past.
- [Stage (Broadway)] Ohio State Murders (Broadway production) / Kenny Leon (2022)
He Brought Her Heart Back in a Box
2018 PlayOne of her later plays composed of symbolic images and lyrical fragments, dealing with memory, loss, love and violence.
Bibliography
- Funnyhouse of a Negro (1964)
- The Owl Answers (1965)
- A Rat's Mass (1967)
- Ohio State Murders (1992)
- He Brought Her Heart Back in a Box (2018)
- People Who Led to My Plays (memoir, 1987)
- Deadly Triplets (novella, 1990)
Adaptations
- Ohio State Murders — 2022 Broadway production (James Earl Jones Theatre, dir. Kenny Leon)
Style & Themes
- Literary Style
- surrealist, fragmentary, lyrical dramasymbolic expression with ritualistic repetition
- Recurring Motifs
- race and identitymemory and familyviolence and traumarepetition and dreamlike imagery
Legacy
Adrienne Kennedy reshaped late-20th-century American theater with her surreal, lyrical plays that explore Black experience, memory and familial fragmentation in experimental forms. She has inspired generations of playwrights, received numerous honors and has seen renewed recognition through Broadway productions and inclusion in the Library of America.
Academic Societies
- Dramatists Guild of America
- PEN America
Archives
- Harry Ransom Center (Adrienne Kennedy Papers)
- Schlesinger Library (Radcliffe Institute, Harvard University) collection
In Popular Culture
- Featured in theater festivals and reading series (e.g., Round House Theatre digital festival)
Quotes
-
I want them to realize that they're listening to a very articulate, thoughtful American Black woman and, perhaps, they should pay attention to what she's saying.
Source: Interview with Time Out (regarding Broadway production) (2022)
Trivia
- Made her Broadway debut at age 91 with Ohio State Murders in 2022.
- Used the pen name 'Adrienne Cornell' for a short story publication.
- Her first produced play evolved from a 1960 one-act and gained attention with the 1964 production of Funnyhouse of a Negro.