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Askia M. Touré

アスキア・M・トゥーレ

Askia M. Toure

Aliases: Rolland Snellings
Pen Names: Askia Muhammad TouréUsed after conversion and in literary/public activities

Profile

Gender
Male
Born
1938-10-13 (Raleigh, North Carolina)
Nationality
United States
Languages
English
Religion
Islam Baptized in 1970 Baptismal Name: Askia Muhammad Touré
Residence History
La Grange, Georgia (childhood) → Dayton, Ohio → New York City (1950s–1960s) → San Francisco, California (teaching period) → Boston, Massachusetts (residence and work)

Career

Occupations
Poet, Essayist, Editor, Academic/Professor
Active Years
1960-
Affiliations
Journal of Black Poetry (editor), Black Dialogue (editor), Black Star (editor), Afro World (founding/organizing), San Francisco State University (faculty)
Influenced By
W.E.B. Du Bois, William Butler Yeats, Pablo Neruda, Langston Hughes
Influenced
Larry Neal (collaborator / movement formation), Amiri Baraka (influence within Black Arts Movement), Later Black Arts Movement writers and younger African American poets

Education

Roosevelt High School (Dayton)
Period: 1952–1956
Year of Graduation: 1956
Country: United States
High school graduation
Art Students League of New York
Visual Arts
Period: 1960–1962
Year of Graduation: 1962
Country: United States
Studied illustration/visual arts; helped catalyze poetic development.

Awards

Modern Poetry Association Award
1952
Organization: Modern Poetry Association
Result: 受賞
Columbia University Creative Writing Grant
1969
Organization: Columbia University
Result: 受賞(助成)
American Book Award
1989
Organization: American Book Award organization
Result: 受賞
Gwendolyn Brooks Lifetime Achievement Award
1996
Organization: Gwendolyn Brooks Institute
Result: 受賞(生涯業績)
Stephen E. Henderson Poetry Award
2000
Work: Dawnsong
Organization: Awarding organization
Result: 受賞

Awards & Nominations

Works

Major Works

African Affirmations: Songs for Patriots: New Poems, 1994 to 2004

2007 Poetry

Collection of poems from 1994 to 2004 focusing on African pride, resistance, and memory.

African heritageResistanceMemory

Dawnsong!: The Epic Memory of Askia Touré

1999 Poetry / Epic memory

Poetic weaving of personal and historical memory addressing black awakening and the evolution of a black aesthetic.

Black aestheticMemorySelf-definition

From the Pyramids to the Projects: Poems of Genocide & Resistance!

1990 Poetry / Political poetry

Poems addressing historical and contemporary oppression, linking African history and urban life.

GenocideResistanceAfrica and the diaspora

Juju: Magic Songs for the Black Nation

1972 Poetry / Political poetry

A collection described as 'magic songs' for the Black nation, using symbolic and ritualized language.

RitualBlack communitySymbolism

Songhai

1972 Poetry

Title references the Songhai Empire; poems refer to African history and cultural roots.

HistoryRootsEthnic consciousness

Bibliography

  • African Affirmations: Songs for Patriots: New Poems, 1994 to 2004
  • Dawnsong!: The Epic Memory of Askia Touré
  • From the Pyramids to the Projects: Poems of Genocide & Resistance!
  • Juju: Magic Songs for the Black Nation
  • Songhai

Style & Themes

Literary Style
Politically charged, militant poetic voiceIncorporation of jazz rhythms and colloquial cadencesSymbolic and ritualistic language use
Recurring Motifs
African heritageResistance and liberationCollective memorySelf-definition and pride

Legacy

Askia Touré is known as a central voice of the Black Arts Movement, significantly shaping black consciousness and cultural self-definition. Through his poetry, editorial work, and teaching he influenced subsequent generations and contributed to the development of an Africa-rooted aesthetic.

Trivia

  • Born as Rolland (or Roland) Snellings.
  • Served in the United States Air Force from 1956 to 1959.
  • Studied visual arts at the Art Students League (1960–1962) before shifting to poetry.
  • Helped teach one of the country's first Africana studies programs at San Francisco State University.
  • Converted to Islam in 1970 and took the name Askia Muhammad Touré.
  • Worked extensively as an editor (e.g., Journal of Black Poetry) and was involved in founding Afro World.
  • Participated in a 1961 protest at the United Nations against the assassination of Patrice Lumumba.