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Benode Behari Mukherjee

ベノデ・ベハリ・ムケルジー

Benode Behari Mukherjee

Profile

Gender
Male
Born
1904-02-07 (Behala, Calcutta, Bengal Presidency, British India)
Died
1980-11-11 (India) age 76
Nationality
Indian
Languages
Bengali, English, Hindi
Residence History
Behala (Calcutta) → Garalgachha (ancestral village, Hooghly District) → Santiniketan (Visva-Bharati University) → Kathmandu, Nepal → Mussoorie

Career

Occupations
Painter, Muralist, Art educator, Curator
Active Years
1919-1980
Affiliations
Visva-Bharati University (Santiniketan), Nepal Government Museum (Kathmandu), Banasthali Vidyapith (teacher)
Influenced By
Nandalal Bose, Japanese calligraphy and wash techniques (learned from visiting Japanese artists), Ancient Indian mural and miniature traditions (Ajanta, Mamallapuram), Western modernism (Cubist techniques), Influences from Giotto and Tawaraya Sotatsu
Influenced
Jahar Dasgupta, K. G. Subramanyan, Somnath Hore, Ramkinkar Baij, Satyajit Ray (student/associate)

Education

Kala Bhavana, Visva-Bharati University
Fine Arts
Period: 1919-1925
Country: India
Studied under Nandalal Bose; later joined faculty.
Sanskrit Collegiate School
Country: India
Attended during early schooling.

Awards

Padma Vibhushan
1974
Organization: Government of India
Result: 受賞
Deshikottama (honorary degree)
1977
Organization: Visva-Bharati University
Result: 授与
Rabindra Puraskar
1980
Organization: West Bengal state cultural authorities
Result: 受賞

Awards & Nominations

Works

Major Works

Mural at Hindi Bhavan, Santiniketan (1947)

1947 Mural / Painting

A large-scale mural based on the lives of medieval Indian saints; noted for its conceptual breadth and synthesis of elements from various traditions.

Medieval saintsSpiritual and religious themesEnvironment and architectural context

Bibliography

  • Chitrakar: The Artist — collection of Bengali writings by Benodebehari Mukherjee (various editions)
  • Numerous watercolours and murals (catalogues held by various museums and galleries)

Adaptations

  • The Inner Eye (documentary by Satyajit Ray, 1972)

Style & Themes

Literary Style
Complex fusion of Western modernism and Oriental spiritual traditionsDelicate use of line and wash influenced by calligraphy and East Asian wash techniquesApplication of multi-perspective and faceting (Cubist) techniques
Recurring Motifs
Scenes of saints and religious figuresRelationship between landscape and architectural motifsCalligraphy-like line work and layered washes

Health

  • Cataract and eventual blindness
    1956-1980
    Lost eyesight following an unsuccessful cataract operation in 1956; continued to paint and teach relying on touch, memory and conceptual planning.

Legacy

A leading figure of Contextual Modernism in India and a pioneer in reviving mural practice as a modern expressive form; influential educator and historically significant artist.

Museums

  • National Gallery of Modern Art (New Delhi) New Delhi, India
  • DAG Museums (collections/exhibitions) India (various locations)

Academic Societies

  • Fellow of the Lalit Kala Akademi

Archives

  • Visva-Bharati University archives
  • NGMA collection archives

In Popular Culture

  • Satyajit Ray's documentary 'The Inner Eye' introduced his life and practice to a wider audience.
  • Retrospectives and exhibitions in New Delhi and London in recent years have renewed interest in his work.

Quotes

  • With its conceptual breadth and synthesis of elements from Giotto and Tawaraya Sotatsu, as well as from the art of ancient Indian sites such as Ajanta and Mamallapuram, it is among the greatest achievements in contemporary Indian painting.
    Source: R. Siva Kumar, Oxford Art Online (commentary)

Trivia

  • Became blind after an unsuccessful cataract operation in 1956 but continued to create art and teach.
  • His daughter Mrinalini Mukherjee became a notable artist (sculptor).
  • Had a major impact on modern Indian art through mural work at Santiniketan.
  • Satyajit Ray made a documentary about him in 1972 ('The Inner Eye').