-
第5回(1984年) Winner
Charles Olson
チャールズ・オルソン
Charles John Olson
プロフィール
- 性別
- 男性
- 生誕
- 1910-12-27 (Worcester, Massachusetts, U.S.)
- 死没
- 1970-01-10 (New York City, U.S.) 59歳
- 国籍
- United States
- 言語
- English
- 居住地歴
- Worcester, Massachusetts → Gloucester, Massachusetts → New York City, New York → Washington, D.C. → Key West, Florida → Buffalo, New York
経歴
- 職業
- poet, educator, scholar, essayist, public servant
- 活動期間
- 1932年〜1970年
- 所属
- Black Mountain College, State University of New York at Buffalo (SUNY Buffalo), University of Connecticut (archives/research collections), American Civil Liberties Union (ACLU)
- 影響を受けた人物
- Herman Melville, Ezra Pound, William Carlos Williams, Alfred North Whitehead (philosophical influence)
- 影響を与えた人物
- Robert Creeley, Allen Ginsberg, Denise Levertov, Robert Duncan, Ed Dorn
学歴
| 学校 | 学部 | 学科 | 学位 | 期間 | 国 |
|---|---|---|---|---|---|
| Wesleyan University | English | English | B.A. | 1928-1932 | United States |
| Wesleyan University | English | English | M.A. | 1932-1933 | United States |
| Harvard University | American Civilization (doctoral program) | American Studies | — | 1936-1939 | United States |
Wesleyan University
English
/ English
学位:
B.A.
期間:
1928-1932
卒業年:
1932
国:
United States
Graduated Phi Beta Kappa; continued with M.A. and Melville research.
Wesleyan University
English
/ English
学位:
M.A.
期間:
1932-1933
卒業年:
1933
国:
United States
Master's thesis on Herman Melville.
Harvard University
American Civilization (doctoral program)
/ American Studies
期間:
1936-1939
国:
United States
Completed coursework but did not finish dissertation; no degree conferred.
受賞歴
| 年 | 賞名 | 対象作品 | 部門 | 主催 | 結果 |
|---|---|---|---|---|---|
| — | Guggenheim Fellowship | Call Me Ishmael (research) | — | John Simon Guggenheim Memorial Foundation | 受賞 |
Guggenheim Fellowship
対象作品:
Call Me Ishmael (research)
主催:
John Simon Guggenheim Memorial Foundation
結果:
受賞
受賞・候補エディション
American Book Awards
1回登壇
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第9回(1988年) Winner
作品
代表作
Call Me Ishmael
1947年 literary criticismA study derived from Olson's M.A. thesis on Herman Melville's Moby-Dick; bridges his scholarly work and poetic interests.
Melville studiesliterary history
Projective Verse
1950年 essay / poetic theoryAn essay advocating a poetics based on breath, open construction, and the visual presentation of the poem on the page.
projective versebreath-based metervisual poetics
The Distances
1960年 poetryA collection showing Olson's development in poetry, containing long poems and fragmentary images.
sense of placehistoricityindividual and community
The Maximus Poems
1953年 epic / long poemAn epic centered on Gloucester, Massachusetts, weaving history, geography, and voice to explore communal ideals; Olson's major poetic project.
topography and placeAmerican historycommunity and self
全著作
- Call Me Ishmael (1947)
- Projective Verse (1950)
- In Cold Hell, in Thicket (1953)
- The Maximus Poems (multiple volumes, 1953–)
- The Distances (1960)
- Human Universe and Other Essays (1965)
- Selected Writings (1966)
翻案
- Documentary 'Polis Is This' (dir. Henry Ferrini)
作風・主題
- 文体
- projective verse (breath-based metre)experimental visual-aural poetics emphasizing page layout
- 頻出モチーフ
- Gloucester/Dogtown topographylayers of history and mytharchaeological perspectiveprocess-philosophy influences
健康
-
liver cancer1969-1970Heavy smoking and drinking contributed; surgery was planned but not carried out; died in 1970.
評価・遺産
Central figure of the Black Mountain poets and a bridge from modernism to postmodernism; his place-based epic work and poetics have had major influence on subsequent generations.
資料所蔵先
- University of Connecticut Archives and Special Collections (Charles Olson Research Collection)
- Simon Fraser University Special Collections (Charles Olson records)
大衆文化への影響
- Henry Ferrini's documentary 'Polis Is This'
引用
-
I describe myself not so much as a poet as an 'archaeologist of morning.'
出典: Mayan Letters and correspondence / essays
豆知識
- Reported height approximately 204 cm (6 ft 8 in).
- Participated in early psilocybin experiments under Timothy Leary in 1961.
- Known to have used the term 'postmodern' in a 1951 letter to Robert Creeley.