Mythopoeic Awards
1 appearances
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Edition 29 (1999) Winner
チャールズ・ヴェス
Chāruzu Vessu
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Virginia Commonwealth University | — | — | BFA | — | United States |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1999 | World Fantasy Award | Stardust | Best Artist | World Fantasy Convention | Winner |
| 1991 | World Fantasy Award | Sandman #19 | Best Short Story | World Fantasy Convention | Winner |
| 2019 | Hugo Award | The Books of Earthsea: The Complete Illustrated Edition | Best Art Book | World Science Fiction Society | Winner |
| 2019 | Hugo Award | — | Best Professional Artist | World Science Fiction Society | Winner |
| 2019 | Locus Award | The Books of Earthsea: The Complete Illustrated Edition | Best Art Book | Locus Magazine | Winner |
| 2019 | Locus Award | — | Best Artist | Locus Magazine | Winner |
| 2023 | Locus Award | — | Best Artist | Locus Magazine | Winner |
| 1991 | Eisner Award | — | Best Single Issue | Comic-Con International | Winner |
| 1997 | Eisner Award | — | — | Comic-Con International | Winner |
| 2002 | Eisner Award | Rose | Best Painter/Multimedia Artist | Comic-Con International | Winner |
Prose novella by Neil Gaiman to which Vess contributed 175 paintings.
Self-published comic series illustrating adaptations of traditional Scottish and English ballads.
Complete illustrated edition of Ursula K. Le Guin's Earthsea novels and stories.
Meta-fictional adaptation of Shakespeare's play, first comic to win World Fantasy Award.
American fantasy artist renowned for illustrations of myths and fairy tales. Multiple winner of Hugo, Locus, World Fantasy, and Eisner Awards. Famous for collaborations with Neil Gaiman and Ursula K. Le Guin.
I don’t think she believed me when I said I wanted to collaborate. But, after four years and lord knows how many emails, she sent me a copy of her latest book... and her dedication to me was ‘To Charles, the best collaborator ever.’
Through the lens of Charles' art, the Silken Folk of my stories are neither entirely human, nor overly insectile: and their beauty is slightly monstrous, yet altogether bewitching.