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Chu T'ien-wen

チュウ・ティエンウェン

Chu Tien-wen

Profile

Gender
Female
Born
1956-08-24 (Taipei, Taiwan)
Nationality
Taiwan
Languages
Chinese (Mandarin)

Career

Occupations
fiction writer, screenwriter, editor
Active Years
1972-2025
Influenced By
Hu Lancheng, Eileen Chang
Influenced
Hou Hsiao-hsien (director; frequent collaborator)

Education

Tamkang University
Faculty (unspecified)
Degree: Bachelor of Arts
Country: Taiwan
Involved in journal editing and small-publisher activities while attending

Awards

Newman Prize for Chinese Literature
2015
Work: Fin-de-Siècle Splendour
Organization: University of Oklahoma (Newman Prize)
Result: Won
Golden Horse Awards (Best Adapted Screenplay)
1983
Work: Growing Up
Category: Best Adapted Screenplay
Organization: Golden Horse Awards
Result: Won
Golden Horse Awards (Best Original Screenplay)
1985
Work: The Time to Live and the Time to Die
Category: Best Original Screenplay
Organization: Golden Horse Awards
Result: Won
Golden Horse Awards (Best Adapted Screenplay)
1995
Work: Good Men, Good Women
Category: Best Adapted Screenplay
Organization: Golden Horse Awards
Result: Won
Golden Horse Awards (Best Adapted Screenplay — Nomination)
2015
Work: The Assassin
Category: Best Adapted Screenplay
Organization: Golden Horse Awards
Result: Nominated
Venice International Film Festival (Best Screenplay)
Organization: Venice International Film Festival
Result: Won
Tokyo International Film Festival (Best Screenplay)
Organization: Tokyo International Film Festival
Result: Won

Awards & Nominations

Works

Major Works

Fin-de-Siècle Splendour

1990 novel 320 pages

A novel that weaves urban memory, family and personal history to portray the complex emotions and cultural ruptures of the fin de siècle.

memoryfamilyurban lifehistory
Translations
  • Fin-de-Siècle Splendour (English translation)

Notes of a Desolate Man

1994 novel 280 pages

Through fragmented episodes and interior monologue of a solitary urban figure, the work vividly depicts the disjunction between self and society.

lonelinessidentityurban life
Translations
  • Notes of a Desolate Man (English translation)

Witch's Brew

2008 short fiction / novel 220 pages

A collection exploring the intersection of contemporary society and traditional narratives through themes of folklore and the magical power of language.

folklorelanguagemagical realism
Translations
  • Witch's Brew (English translation)

Bibliography

  • The Long Hot Summer / A City of Hot Summer
  • Master Chai
  • Boddhisattva Incarnate
  • Fin-de-Siècle Splendour
  • Notes of a Desolate Man
  • Witch's Brew
  • We All Change into Somebody Else

Adaptations

  • A City of Sadness (screenplay contributor)
  • The Assassin (screenplay)
  • Millennium Mambo (screenplay)

Translations of Works

  • Fin-de-Siècle Splendour — English translation by Eva Hung
  • Notes of a Desolate Man — English translation by Howard Goldblatt & Sylvia Li-chun Lin
  • Witch's Brew — English translation
  • The Long Hot Summer / A City of Hot Summer — English translations

Style & Themes

Literary Style
lyrical, precise descriptionfragmentary and retrospective narrationcinematic manipulation of time
Recurring Motifs
layers of memory and the pastfamily historyurban landscapes

Legacy

A writer and screenwriter who has had major influence on contemporary Taiwanese literature and New Taiwan Cinema. Winner of the 2015 Newman Prize for Chinese Literature — the first female recipient. Longstanding collaborator with Hou Hsiao-hsien, bridging literature and film.

In Popular Culture

  • Widely recognized in Taiwanese cinema as a principal screenwriter for Hou Hsiao-hsien's films
  • Gained international readership and audiences through translations and film adaptations

Trivia

  • Born into a prominent literary family: father Chu Hsi-ning and younger sister Chu Tien-hsin are also writers.
  • Published her first novel in 1972.
  • Wrote screenplays for many films by director Hou Hsiao-hsien.
  • Won the Newman Prize for Chinese Literature in 2015, becoming the prize's first female winner.