John Llewellyn Rhys Prize
1 appearances
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Edition 34 (1975) Winner
デイヴィッド・リップン・ヘア
David Rippon Hare
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Lancing College | — | — | — | 1950s–1960s(中等教育) | United Kingdom |
| Jesus College, Cambridge | English Literature | — | MA (Cantab.) | 1960s | United Kingdom |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1990 | Laurence Olivier Award for Best New Play | Racing Demon | Best New Play | Laurence Olivier Awards (Society of London Theatre) | winner |
| 1996 | Laurence Olivier Award for Best New Play | Skylight | Best New Play | Laurence Olivier Awards (Society of London Theatre) | winner |
| 2003 | Writers Guild of America Award for Best Adapted Screenplay | The Hours (screenplay) | Best Adapted Screenplay | Writers Guild of America | winner |
| 2003 | Academy Award for Best Adapted Screenplay | The Hours | Best Adapted Screenplay | Academy of Motion Picture Arts and Sciences | nominee |
| 2009 | Academy Award for Best Adapted Screenplay | The Reader | Best Adapted Screenplay | Academy | nominee |
| 1985 | Berlin International Film Festival Golden Bear | — | — | Berlin International Film Festival | winner |
| 1998 | Knight Bachelor | — | — | Queen's Birthday Honours | knighted |
| 1979 | BAFTA Award | — | — | British Academy of Film and Television Arts | winner |
A play about postwar Britain and changing expectations; adapted into a 1985 film.
Part of a trilogy about British institutions, focusing on the Church of England and institutional conflict.
A two-character play about an unexpected reunion that examines values and social position.
Screenplay adapted from Michael Cunningham's novel, interweaving the lives of three women.
Adaptation of Bernhard Schlink's novel dealing with postwar Germany and questions of guilt.
David Hare is one of the leading postwar and contemporary British playwrights and screenwriters, known for incisive works about public institutions and power. He has received international recognition across theatre, film and television.
I am interested in the struggle to make procedures work better — right now — not in waiting until some revolution comes along to raze the current system and replace it with perfection.