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Dolores Kendrick

ドロレス・ケンドリック

Dororesu Kendorikku

Profile

Gender
Female
Born
1927-09-07 (Washington, D.C.)
Died
2017-11-07 (Washington, D.C.) age 90
Nationality
United States
Languages
English
Residence History
Washington, D.C. (LeDroit Park) → Belfast (Fulbright exchange)

Career

Occupations
Teacher, Poet
Active Years
1950-2017
Affiliations
Phillips Exeter Academy (Vira I. Heinz Professor Emerita), School Without Walls (designed humanities curriculum)

Education

Dunbar High School (Washington, D.C.)
English
Period: 1940年代
Year of Graduation: 1945
Country: United States
Began writing poetry in high school
Miner Teachers College (Normal School for Colored Girls)
Education / Teachers College
Period: 1945-1947
Year of Graduation: 1947
Country: United States
Studied to become a teacher
Georgetown University
Graduate School / Linguistics
Degree: 修士(言語学)
Period: 1968-1970
Year of Graduation: 1970
Country: United States
Earned as part of the Experienced Teacher Fellowship Program

Awards

Fulbright Teacher Exchange Program
1963
Organization: Fulbright Program
Result: 選抜・参加
Deep South Writers' Award
1965
Work: "Freddie"
Organization: Deep South Writers
Result: 受賞
Poet-in-Residence
1981
Organization: College of the Holy Cross
Result: 任命
Creative Writing Fellowship
1988
Organization: National Endowment for the Arts
Result: 受給
Anisfield-Wolf Book Award
1990
Work: The Women of Plums: Poems in the Voices of Slave Women
Organization: Anisfield-Wolf Book Awards
Result: 受賞
New York New Playwrights Award
1997
Work: Stage adaptation of The Women of Plums
Organization: New York New Playwrights
Result: 受賞
Poet Laureate of the District of Columbia
1999
Organization: Office of the District of Columbia
Result: 任命
Washington, D.C. Hall of Fame (Cultural Arts)
2005
Organization: Washington, D.C. Hall of Fame
Result: 殿堂入り

Awards & Nominations

Works

Major Works

Through the Ceiling

1975 Poetry

An early collection of poems addressing personal experience, urban life, and identity.

urban lifeidentity

Now Is the Thing to Praise

1984 Poetry

A mature collection containing elements of praise and social themes.

praisesocial themes

The Women of Plums: Poems in the Voices of Slave Women

1990 Poetry (historical voices)

A sequence of poems voiced as slave women, addressing history, memory, and women's perspectives; winner of the Anisfield-Wolf Book Award.

slaveryhistorywomen's perspectivesmemory
Adaptations
  • [Theatre] Stage adaptation of The Women of Plums (1997)
  • [Music/Audio] The Color of Dusk (audio adaptation of The Women of Plums) / Wall Matthews, Aleta Greene

Why the Woman Is Singing on the Corner: A Verse Narrative

2001 Poetry (verse narrative)

A verse narrative focusing on storytelling where urban and personal narratives intersect.

urban lifewomenstorytelling

Bibliography

  • Through the Ceiling (1975)
  • Now Is the Thing to Praise (1984)
  • The Women of Plums: Poems in the Voices of Slave Women (1990)
  • Why the Woman Is Singing on the Corner: A Verse Narrative (2001)

Adaptations

  • Stage adaptation of The Women of Plums (won New York New Playwrights Award)
  • The Color of Dusk (audio adaptation of The Women of Plums, with Wall Matthews and Aleta Greene)

Style & Themes

Literary Style
lyricaluse of narrative voicespoetic treatment of historical subjects
Recurring Motifs
women's voicesslavery and memoryurban landscapes of Washington, D.C.

Health

  • cancer
    2017(詳細不明)
    Died in 2017 from complications related to cancer

Legacy

Dolores Kendrick was a Washington, D.C.-based poet best known for The Women of Plums, which gave voice to slave women and earned critical acclaim. She is remembered for contributions to local cultural life and education, serving as Poet Laureate of the District of Columbia and influencing Washington's literary community.

Archives

  • Georgetown University Archives (Commencement Files, etc.)
  • Smithsonian Anacostia Community Museum related materials

In Popular Culture

  • Featured in Library of Congress webcasts and widely profiled in The Washington Post

Trivia

  • The Washington Post referred to her as "Washington's 'first lady of poetry'."
  • The Women of Plums was adapted for the stage and made into an audio project.