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Emil Staiger

エミール・シュタイガー

Emil Staiger

Profile

Gender
Male
Born
1908-02-08 (Kreuzlingen, Switzerland)
Died
1987-04-28 (Horgen, Switzerland) age 79
Nationality
Swiss
Languages
German
Residence History
Kreuzlingen (birthplace) → Zurich (university and long-term residence) → Horgen (place of death)

Career

Occupations
Germanist, Literary critic, Translator, Professor
Active Years
1932-1987
Affiliations
University of Zurich
Memberships
British Academy (Corresponding Member)
Influenced By
Georg Wilhelm Friedrich Hegel, Friedrich Wilhelm Joseph Schelling, Friedrich Hölderlin
Influenced
Students and literary public across Europe, Subsequent scholars in hermeneutics and literary criticism
Nominations
Nominated for Nobel Prize in Literature (1964)

Education

University of Geneva
Studied theology and classical subjects
Period: 1920年代
Country: Switzerland
Initially studied theology, later switched to German and classical philology.
Ludwig Maximilian University of Munich
German and Classical Philology
Period: 1920年代–1930年代
Country: Germany
One of the universities he attended alongside Geneva and Zurich.
University of Zurich
German and Classical Philology
Degree: 博士(Ph.D. 相当)
Period: ~1932
Year of Graduation: 1932
Country: Switzerland
Received doctorate in 1932 with a thesis on Annette von Droste-Hülshoff.

Awards

Gottfried Keller Prize
1962
Organization: Gottfried Keller Prize Committee
Result: 受賞
Nobel Prize in Literature (nomination)
1964
Organization: Nobel Prize Committee
Result: ノミネート
Sigmund Freud Prize
1966
Category: 科学的散文への功績
Organization: Prize awarding body
Result: 受賞
Zürich Literature Prize
1966
Organization: City of Zurich / awarding body
Result: 受賞
Pour le Mérite (for Science and Arts)
1966
Organization: Pour le Mérite
Result: 授章
British Academy (Corresponding Member)
1971
Organization: The British Academy
Result: 選出(Corresponding Member)
Austrian Decoration of Honor for Science and Art
1975
Organization: Republic of Austria
Result: 受章

Awards & Nominations

Works

Major Works

Die Zeit als Einbildkraft des Dichters

1939 Literary criticism

An early collection of critical essays discussing the poet's sense of time and imagination.

time-consciousnesspoetic imaginationhermeneutics

Basic Concepts of Poetics

1946 Literary theory / Poetics

A systematic treatment of central concepts in poetics, advocating a text-centered approach to interpretation.

poeticstext-centered approachinterpretive method
Translations
  • English translation: Basic Concepts of Poetics (translated by Janette C. Hudson)

The Art of Interpretation

1955 Hermeneutics / Criticism

A representative work presenting a method of interpretation focused on the text itself.

hermeneuticstextual focusautonomy of poetic language

Goethe Studies (three volumes)

1952 Philology / Author studies

A detailed three-volume study of Goethe's early works (published 1952–1959).

Goethe studies19th-century German literaturetextual analysis

Bibliography

  • Die Zeit als Einbildkraft des Dichters (1939)
  • Basic Concepts of Poetics (1946)
  • The Art of Interpretation (1955)
  • Goethe Studies (1952–1959)

Translations by Author

  • Translations of Aeschylus into German
  • Translations of Sophocles into German
  • Translations of Euripides into German
  • Translations of Virgil into German
  • Translations of Tasso into German
  • Translations of Poliziano into German
  • Translations of Milton into German

Translations of Works

  • Basic Concepts of Poetics — English translation by Janette C. Hudson

Style & Themes

Literary Style
Precise, text-centered close readingSensitivity-based interpretive methodClear and analytical prose
Recurring Motifs
Autonomy of poetic languageThe attitude of 'first understand what grabs us'Recurring return to Goethe and classical authors

Legacy

Emil Staiger was an important Germanist and critic who advocated a text-centered hermeneutics. Based in Zurich, he influenced students and cultural life across Europe, contributed translations and criticism, and made significant contributions to Goethe studies and poetics.

Academic Societies

  • British Academy (Corresponding Member)

Archives

  • Yale University Archives

Quotes

  • The poet's word, the word for its own sake, is valid, nothing behind it, about or below it.
    Source: The Art of Interpretation and related lectures (1955)

Trivia

  • Member of the Swiss National Front from 1932 to 1934, from which he publicly distanced himself in 1935.
  • Wrote a long-running column for the Neue Zürcher Zeitung.
  • Recorded nomination for the Nobel Prize in Literature in 1964.