Aiken Taylor Award for Modern American Poetry
1 appearances
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Edition 7 (1993) Winner
ジョージ・エドウィン・スターバック
George Edwin Starbuck
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Chadwick School | — | — | — | — | United States |
| California Institute of Technology | — | — | — | — | United States |
| University of California, Berkeley | — | — | — | — | United States |
| American Academy in Rome | — | — | — | — | United States (Rome residency) |
| University of Chicago | — | — | — | — | United States |
| Harvard University | — | — | — | — | United States |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1993 | Aiken Taylor Award for Modern American Poetry | — | — | — | Winner |
| 1982 | Lenore Marshall Poetry Prize | The Argot Merchant Disaster: Poems New and Selected | — | — | Winner |
| 1960 | Yale Series of Younger Poets Competition | Bone Thoughts | — | Yale University Press | Winner |
A collection blending irony and formalist technique. Notable for an experimental presentation in which half the pages were left blank.
A selected collection combining new poems with earlier work, marked by technical skill and witty short lyrics.
A collection that helped reassess his lesser-known work and brought his poetry to a wider readership.
Recognized as a technically adept and witty formalist poet who gained wider appreciation posthumously; influential as a teacher who mentored many later poets.
Often wrongly pigeonholed as a light verse poet, he was a technical master and superb ironist.