Georg Büchner Prize
1回登壇
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第27回(1951年) Winner
ゴットフリート・ベン
Gottfried Benn
| 学校 | 学部 | 学科 | 学位 | 期間 | 国 |
|---|---|---|---|---|---|
| University of Marburg | Faculty of Theology | Theology | — | 1900s | Germany |
| Kaiser Wilhelm Academy | Military medicine / Medical faculty | Medicine | MD | 1900s–1912 | Germany |
| Friedrich Wilhelm University of Berlin | — | — | — | 1900s | Germany |
| 年 | 賞名 | 対象作品 | 部門 | 主催 | 結果 |
|---|---|---|---|---|---|
| 1951 | Georg Büchner Prize | — | — | Deutsche Akademie für Sprache und Dichtung | winner |
A collection using medical and pathological imagery— corpses, decay and the body—representative of early German Expressionism and Benn's shockingly direct voice.
A postwar collection showing a calmer, more composed aesthetic—often seen as representative of Benn's later 'static' poetic phase.
An autobiographical work recounting his medical experiences, literary career, and reflections on the interwar and postwar periods.
Gottfried Benn is regarded as a major 20th-century German poet—an early Expressionist voice and a representative of the later 'static' poetry. His temporary sympathy for National Socialism complicates his reception, but awards like the Georg Büchner Prize and postwar recognition led to reevaluation.
“The solitary molar of a hooker, who had died a missing person, held a gold filling. As if by silent agreement, the rest had fallen out. The mortician knocked out the filling, pawned it and went dancing. Because, he said, only earth should return to earth.”