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Guillermo Cabrera Infante

ギジェルモ・カブレラ・インファンテ

Guillermo Cabrera Infante

Aliases: G. Caín / Guillermo Cain
Pen Names: G. CaínPseudonym used in the 1950s for film criticism, Guillermo CainAlternate name used for film screenwriting (e.g., Vanishing Point)

Profile

Gender
Male
Born
1929-04-22 (Gibara, Cuba)
Died
2005-02-21 (London, United Kingdom) age 75
Nationality
Cuba, United Kingdom
Languages
Spanish
Residence History
Gibara (birthplace) → Havana (grew up; primary setting of his work) → Brussels (cultural attaché, 1962–1965) → Madrid (exile) → London (long-term exile; place of death)

Career

Occupations
novelist, essayist, translator, screenwriter, critic
Active Years
1950-2005
Influenced By
James Joyce, Mark Twain, Deep influence of cinema/film
Influenced
Luis Rafael Sánchez, Fernando Velázquez Medina

Education

University of Havana
Journalism
Period: 1950年代
Country: Cuba
Originally intended to study medicine but switched to journalism

Awards

Miguel de Cervantes Prize
1997
Organization: Miguel de Cervantes Prize Committee
Result: 受賞
Premio Biblioteca Breve
1964
Work: Tres tristes tigres (as unpublished novel)
Organization: Seix Barral (publisher)
Result: 受賞

Awards & Nominations

Works

Major Works

Three Trapped Tigers

1966 Experimental novel

An experimental novel portraying Havana's slang and nightlife through play with language. Employs Joycean techniques to render Cuban colloquial variations into literature.

language playHavana nightlifeurban memory
Translations
  • Three Trapped Tigers (English translation)

Infante's Inferno

1979 Novel

An experimental novel set in Havana. The title puns on Ravel's piece and blends reminiscence and fantasy about the city.

Havanamemorylanguage and music
Translations
  • Infante's Inferno (English translation)

A View of Dawn in the Tropics

1974 Novel

A novel treating tropical landscapes and memories, combining experimental elements with lyricism.

landscapememory

Holy Smoke

1985 Fictionalized non-fiction

A fictionalized 'history' of cigars, recording personal attachment to cigar culture and insights.

cigarscultural history

Bibliography

  • Así en la paz como en la guerra (1960)
  • Twentieth Century Job (1963)
  • Tres tristes tigres (1966/1967)
  • Vista del amanecer en el trópico (1974)
  • O (1975)
  • Exorcismos de esti(l)o (1976)
  • La Habana para un Infante Difunto (1979)
  • Holy Smoke (1985)
  • Mea Cuba (1991)
  • Arcadia todas las noches (1995)
  • Delito por bailar el chachachá (1995)
  • Ella Cantaba Boleros (1996)
  • Cine o sardina (1997)
  • Vidas para leerlas (1998)
  • El Libro de las Ciudades (1999)
  • Everything is Made with Mirrors: Nearly Complete Stories (1999)
  • Infantería (2000)
  • La ninfa inconstante (2008, posthumous)
  • Cuerpos divinos (2010, posthumous)
  • Mapa dibujado por un espía (2013, posthumous)

Adaptations

  • Vanishing Point (co-wrote screenplay, credited under alternate name)
  • Under the Volcano (involvement in film adaptation)

Translations by Author

  • Translation of Dubliners into Spanish (1972)

Translations of Works

  • Tres tristes tigres → Three Trapped Tigers (English translation)
  • La Habana para un Infante Difunto → Infante's Inferno (English translation)

Style & Themes

Literary Style
experimentalrich in language playJoycean techniques and polyphonic narration
Recurring Motifs
Havanamusic (bolero, cha-cha-cha, etc.)nightlifewordplay and double meanings

Health

  • sepsis
    2005
    Died of sepsis in 2005

Legacy

Guillermo Cabrera Infante is known for his language play and experimental techniques centered on Havana. Although associated with the Latin American Boom generation, he maintained an independent path. He won the Miguel de Cervantes Prize in 1997 and left a major influence on Cuban and Spanish-language experimental literature.

Archives

  • Princeton University Library, Special Collections (Guillermo Cabrera Infante Papers)

In Popular Culture

  • Co-wrote the screenplay for the 1971 cult film Vanishing Point (credited under an alternate name)

Trivia

  • His parents were founding members of the Cuban Communist Party.
  • Wrote film criticism in the 1950s under the pseudonym 'G. Caín'.
  • Tres tristes tigres shows strong Joycean influence and extensive linguistic experimentation.
  • Went into exile in 1965 and lived in London for many years.
  • Had two daughters (Ana, Carola).