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György Szabados

ジョルジ・サバドシュ

György Szabados

Profile

Gender
Male
Born
1939-07-13 (Budapest)
Died
2011-06-10 (Nagymaros) age 71
Nationality
Hungarian
Languages
Hungarian
Religion
Unknown
Residence History
Budapest, Hungary → Nagymaros, Hungary

Career

Occupations
Jazz pianist
Active Years
1962-2011
Affiliations
Kassák Workshop, MAKUZ (Royal Hungarian Court Orchestra)
Influenced By
Béla Bartók, Endre Ady
Influenced
Mihály Dresch

Awards

San Sebastian Jazz Festival Grand Prize
1972
Category: free jazz
Organization: San Sebastian Jazz Festival
Result: Winner
Ferenc Liszt Prize
1983
Result: Winner
Artisjus
1990
Organization: Artisjus
Result: Winner
Anna Neufeld
1995
Result: Winner
Record of the Year
2001
Work: Time Flies
Organization: Hungary
Result: Winner
Szabó Gábor Life Achievement Award
2001
Organization: Hungarian Jazz Federation
Result: Winner
Kossuth Prize
2011
Organization: President of Hungary
Result: Winner

Awards & Nominations

Works

Major Works

The Wedding

1975 Free jazz

Abstract music recorded with a quartet, well-received in Hungary and abroad.

Hungarian folk music

Adyton

1983 Jazz

Work referencing Hungarian poet Endre Ady.

Hungarian culture

Sons that became deer

1989 Free jazz

Album inspired by the Hungarian Revolution of 1956.

Hungarian Revolution

Bibliography

  • B-A-C-H élmények (1964)
  • The Wedding (1975)
  • Szabados Jazz (1980)
  • Adyton (1983)
  • Szabraxtondos (1985)
  • Sons that became deer (1989)

Style & Themes

Literary Style
ImprovisationalIntegration of Hungarian folk musicAbstract expression
Recurring Motifs
Transylvanian Hungarian folk musicInfluence of BartókHungarian culture and history

Legacy

Known as the 'father' or 'unofficial king' of the Hungarian free jazz movement, pioneer in fusing Hungarian folk music with jazz. Awarded Kossuth Prize.

In Popular Culture

  • Documentary film about his work issued by Duna TV.

Quotes

  • Apart from the occasional moments, it is difficult to find traces of Bartók's music in our music. Hungarian music has such characteristic features that, when they appear, they are immediately linked to Bartók, whereas the real kinship is not with Bartók but, on a much deeper level, with Hungarian music, a world view, and a special taste.
    Source: Interview or description