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Holly Hughes

ホリー・ヒューズ

Holly Hughes

Profile

Gender
Female
Born
1955-03-10 (Saginaw, Michigan)
Nationality
United States
Languages
English
Residence History
Saginaw, Michigan → New York City → Ann Arbor, Michigan

Career

Occupations
performance artist, playwright, professor, editor
Active Years
1980-
Affiliations
University of Michigan Stamps School of Art & Design, WOW Café Theater (associated)
Influenced By
Sam Shepard, John Waters, Charles Busch
Influenced
subsequent generations of queer solo performers, younger writers and performers associated with WOW Café and new queer theatre
Nominations
Lambda Literary Award (Drama) finalist (1997) — Clit Notes

Education

Kalamazoo College
Degree: B.A.
Period: 1973-1977
Year of Graduation: 1977
Country: United States
Faculty/department not specified in available sources

Awards

National Endowment for the Arts (grant)
Organization: National Endowment for the Arts
Result: grant recipient (一部経歴で助成が問題化したことがある)
Obie Award (Special Citation)
1994
Organization: Obie Awards
Result: 受賞
Lambda Literary Award (Drama)
1999
Work: O Solo Homo (editor, with David Román)
Category: ドラマ / 演劇
Organization: Lambda Literary
Result: 受賞
Guggenheim Fellowship
2010
Organization: John Simon Guggenheim Foundation
Result: 受賞

Awards & Nominations

Works

Major Works

The Well of Horniness

1983 solo performance / performance art

An early breakthrough piece addressing sexual representation and female desire through frank, solo-performance theatricality.

sexualityfemininitybodily expression

The Lady Dick

1984 solo performance / essayistic theatre

A piece involving linguistic play and humor around body and identity, frequently discussed in later criticism and performances.

identityhumorembodiment

Dress Suits to Hire

1987 play / theatre

A play written and performed by Hughes; critics described it as poetic while also channeling a B-movie sensibility.

female subjectivitycultural parody

Clit Notes

1996 solo monologue / performance

A solo performance in which Hughes portrays herself at different ages, her mother, and various lovers—addressing sex, the body, generations, and memory.

generationsfamilysexual self-expression

O Solo Homo (editor, with David Román)

1998 anthology (queer performance)

An anthology collecting queer solo performances; Hughes's own 'Clit Notes' is included.

queer performancesolo theatre

Bibliography

  • The Well of Horniness (1983)
  • The Lady Dick (1984)
  • Dress Suits to Hire (1987)
  • World Without End (1989)
  • Clit Notes (1996)
  • O Solo Homo (1998, edited with David Román)
  • Animal Acts: Performing Species Today (2010, edited with Una Chaudhuri)
  • Memories of the Revolution: The First Ten Years of the WOW Café Theater (2015, co-edited)

Style & Themes

Literary Style
feminist/queer theatrical expressionmonologue-centered performanceexperimental, essayistic narration
Recurring Motifs
sexuality and desirebody and imagegenerations and memoryhumor and camp

Legacy

Holly Hughes is a central figure in 1990s culture-war debates and queer theatre; through solo performance she provoked conversation about sexual self-expression and embodiment. As an educator she has influenced generations of theatre practitioners.

In Popular Culture

  • The controversy over the NEA Four is widely cited as emblematic of the culture wars
  • Influenced civic protest events such as the 2017 'Not My President's Day' series

Quotes

  • While Ms. Hughes's more poetic writing recalls Sam Shepard, the campy B-movie side of her sensibility shows her to be equally in tune with John Waters's movies and Charles Busch's drag extravaganzas.
    Source: Stephen Holden, The New York Times (1988) (1988)

Trivia

  • One of the NEA Four whose NEA funding was vetoed in 1990, becoming emblematic of the culture wars.
  • Married cultural anthropologist Esther Newton in 2015.
  • Organized the 'Not My President's Day' series of performances protesting the Trump presidency in 2017.
  • Won the Lambda Literary Award in 1999 for the anthology 'O Solo Homo'.