Toucan Prize (Tukan-Preis)
1 appearances
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Edition 1 (1965) Winner
ホルスト・ラングェ
Horst Lange
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Bauhaus school Weimar | — | Architecture-related | — | 1921 | Germany |
| University of Berlin | — | Art history, literature, theatre | — | 1925- | Germany |
| University of Breslau | — | Art history | — | — | Germany |
A novel about a protagonist's awakening sexuality, visions of murder, and a sect-dominated village, exploring fate, guilt, and taboo themes.
Explores submission to dark, formless powers and inevitable fate.
Three stories about a doomed organist-composer Hermes on a path of self-discovery at the front.
Indictment of moral corruption and materialism in post-war Germany.
A doomed young couple in Berlin during the air-raids of the war's end.
Key figure of Inner Emigration during the Third Reich. Provided important example of magical realism influencing post-war German literature like Schnurre and Grass. Marginalized post-war but revived by 1979 war diaries publication.
Today no gods are visible. And if they were visible, one would not believe in them anymore. This mankind is therefore so helpless and so abandoned that it falls prey to its seducers without resistance, because they are no longer capable of separating good from evil.
The apocalypse has already existed for a long time next to our bourgeois cosiness, the plush sofa. Fire falls from the skies and the disorder which man has caused is growing to infinity.