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Edition 30 (2009) Winner
Houston A. Baker Jr.
ヒューストン・A・ベイカー・ジュニア
Houston A. Baker Jr.
Profile
- Gender
- Male
- Born
- 1943-03-22 (Louisville, Kentucky, U.S.)
- Nationality
- United States
- Languages
- English
- Residence History
- Louisville, Kentucky (birth and youth) → Washington, D.C. (Howard University) → Los Angeles (UCLA) → New Haven (Yale University) → Philadelphia (University of Pennsylvania) → Durham (Duke University) → Nashville (Vanderbilt University)
Career
- Occupations
- Writer, Scholar, Professor, Literary critic
- Active Years
- 1970-
- Affiliations
- Vanderbilt University, Duke University, University of Pennsylvania, University of Virginia, Yale University
- Memberships
- Modern Language Association (MLA), Organizations in African American studies
- Influenced By
- Frederick Douglass, Zora Neale Hurston, Richard Wright, Ralph Ellison, Amiri Baraka, Toni Morrison
- Influenced
- Richard J. Lane (literary theorist), Hortense Spillers (literary and cultural critic), Henry Louis Gates Jr. (comparative literature and African American studies scholar)
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Howard University | — | Department of English | A.B. | — | United States |
| University of California, Los Angeles (UCLA) | — | English (Victorian literature) | M.A., Ph.D. | — | United States |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 2009 | American Book Award | Betrayal: How Black Intellectuals Have Abandoned the Ideals of the Civil Rights Era | — | Before Columbus Foundation (American Book Award) | 受賞 |
Awards & Nominations
Works
Major Works
The Journey Back: Issues in Black Literature and Criticism
1980 Literary criticismArgues for situating black aesthetics within historical contexts and adopts an interdisciplinary approach to read African American texts as 'in motion', critiquing earlier idealized accounts of black aesthetic formation.
Blues, Ideology, and Afro-American Literature: A Vernacular Theory
1984 Literary criticism / Studies of music and cultureDevelops a vernacular theory treating blues music as a foundational matrix for African American artistic production, linking orality and literary forms and introducing concepts like 'blues geographies.'
Modernism and the Harlem Renaissance
1987 Literary history / CriticismChallenges Euro-American models of modernism for understanding the Harlem Renaissance and re-evaluates Afro-American modernism by situating literature in conversation with contemporaneous music, art, and philosophy.
Workings of the Spirit: The Poetics of Afro-American Women's Writing
1993 Literary criticism / Feminist studiesAnalyzes Afro-American women's writing in relation to orality and autobiography, exploring poetics and expressions of spirituality in their texts.
Betrayal: How Black Intellectuals Have Abandoned the Ideals of the Civil Rights Era
2009 Criticism / Social commentaryCritically examines black intellectuals and public responsibility, arguing there is a gap between Civil Rights-era ideals and contemporary intellectual practice.
The Trouble with Post-Blackness
2015 Social criticism / Literary criticismA critical examination of the concept of 'post-blackness' and contemporary issues of black identity and cultural representation.
Bibliography
- Long Black Song: Essays in Black American Literature and Culture (1972)
- Singers of Daybreak: Studies in Black American Literature (1974)
- A Many-Colored Coat of Dreams: The Poetry of Countee Cullen (1974)
- No Matter Where You Travel, You Still Be Black (poems, 1979)
- The Journey Back: Issues in Black Literature and Criticism (1980)
- Spirit Run (poems, 1982)
- Blues, Ideology, and Afro-American Literature: A Vernacular Theory (1984)
- Modernism and the Harlem Renaissance (1987)
- Workings of the Spirit: The Poetics of Afro-American Women's Writing (1993)
- Black Studies, Rap, and the Academy (1993)
- Turning South Again: Re-Thinking Modernism/Re-Reading Booker T (2001)
- Betrayal: How Black Intellectuals Have Abandoned the Ideals of the Civil Rights Era (2009)
- The Trouble with Post-Blackness (2015)
Style & Themes
- Literary Style
- interdisciplinarycombines orality and textual analysistheory grounded in historical contextat times polemical and provocative
- Recurring Motifs
- bluesoralityautobiographyexploration of black aestheticsreconsideration of the South and modernism
Legacy
Houston A. Baker Jr. is a major figure in African American literary studies whose work expanded understandings of black aesthetics by foregrounding blues and orality. He founded the Center for the Study of Black Literature and Culture at the University of Pennsylvania, served as MLA president and editor of American Literature, and has had both significant scholarly influence and public controversies (notably over comments during the 2006 Duke lacrosse case).
Academic Societies
- Modern Language Association (MLA)
- Academic groups in African American studies
Archives
- University of Pennsylvania archives / Center for the Study of Black Literature and Culture
- Vanderbilt University special collections
In Popular Culture
- Comments during the Duke lacrosse case drew widespread media attention and debate beyond academia
Quotes
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I had been discriminated against and called 'Nigger' enough to think that what America needed was a good Black Revolution.
Source: Memoir and interviews; summarized in I Don't Hate the South (2007) and related writings (2007) -
We must 'journey back'—to re-affirm the richness and complexity of black aesthetic history.
Source: The Journey Back (1980) (1980)
Trivia
- Founded the Center for the Study of Black Literature and Culture at the University of Pennsylvania in 1987.
- Served as president of the Modern Language Association (MLA).
- Served as editor of the journal American Literature.
- Generated controversy over comments related to the 2006 Duke lacrosse case.