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Jena Osman

ジェナ・オスマン

Jena Osman

Profile

Gender
Female
Born
Philadelphia, Pennsylvania, U.S.
Nationality
American
Languages
English

Career

Occupations
Poet, Editor, University professor
Active Years
1989-
Affiliations
Temple University (MFA Creative Writing)
Influenced By
Charles Reznikoff
Influenced
(no specific named individuals listed)

Education

Brown University
Country: United States
University at Buffalo (State University of New York)
Degree: Ph.D.
Country: United States
Ph.D. awarded (year unspecified)

Awards

CLMP Firecracker Award
2020
Work: Motion Studies
Organization: Community of Literary Magazines and Presses (CLMP)
Result: 受賞
National Poetry Series
2009
Work: The Network
Organization: National Poetry Series
Result: 選出(Winner)
Pew Fellowships in the Arts
2006
Organization: The Pew Center for Arts & Heritage
Result: 受賞
Barnard Women Poets Prize
1998
Organization: Barnard College
Result: 受賞
National Endowment for the Arts (grant)
Organization: National Endowment for the Arts
Result: 助成
New York Foundation for the Arts (grant)
Organization: New York Foundation for the Arts
Result: 助成
The Pennsylvania Council on the Arts (grant)
Organization: The Pennsylvania Council on the Arts
Result: 助成
Fund for Poetry (grant)
Organization: Fund for Poetry
Result: 助成

Awards & Nominations

Works

Major Works

A Very Large Array: Selected Poems

2023 Poetry

A selected collection spanning over 30 years, gathering work from out-of-print books and journals.

retrospectivecollected poems

Motion Studies

2019 Poetry / essay-poems

Consists of three essay-poems connecting meditations on 19th-century science with commentary on contemporary technology.

history of sciencetechnology and societyobservation and description

Corporate Relations

2014 Poetry / documentary poetics

Inspired by the 2010 Supreme Court decision Citizens United v. FEC, structured around twelve Supreme Court cases that granted constitutional rights to corporations.

law and politicscorporate powerdocumentary poetics
Adaptations
  • [Choral work] Sound From the Bench / Ted Hearne (作曲)

The Network

2010 Poetry

An experimental collection presenting fragmented, networked perspectives on community, publicity, and information circulation.

communityinformationpublicness

An Essay in Asterisks

2004 Poetry / experimental

A collection of experimental poems interrogating meaning through manipulation of language and annotation.

formal experimentationlanguage manipulation

The Character

1999 Poetry

A poetry collection exploring relations of the individual, society, and language. Published by Beacon Press.

individualitylanguage and subjectivity

Jury

1996 Poetry

Contains poetic experiments themed around trials and judgment.

trialjudgment

Amblyopia

1993 Poetry

A collection engaging themes of vision and perception. Published by Avenue B.

visionperception

Twelve Parts of Her

1989 Poetry

An early collection containing fragments and poems on bodily representation.

fragmentsbody

Bibliography

  • A Very Large Array: Selected Poems (2023)
  • Motion Studies (2019)
  • Corporate Relations (2014)
  • The Network (2010)
  • An Essay in Asterisks (2004)
  • The Character (1999)
  • Jury (1996)
  • Amblyopia (1993)
  • Twelve Parts of Her (1989)

Adaptations

  • Corporate Relations inspired composer Ted Hearne's choral piece "Sound From the Bench"

Style & Themes

Literary Style
experimental poetrydocumentary poeticshybrid essay-poems
Recurring Motifs
court records and rulingscorporate power and politicsscience and technologylanguage and documentation

Legacy

Jena Osman is recognized for combining documentary methods with experimental forms in contemporary poetry. Her use of court and public records has influenced peers and scholars, and she has taught and mentored writers for many years.

In Popular Culture

  • Her poetry inspired works in other fields, such as a choral piece.

Quotes

  • Osman credits her time working on Chain as "central to [her] development as a poet."
    Source: Temple News / Wikipedia article (2002)

Trivia

  • Co-founded and edited the literary magazine Chain (1994–2005) with Juliana Spahr.
  • Used actual court records as source material in her ongoing "Court Reports" project.
  • Corporate Relations (Burning Deck) structured around Supreme Court cases and inspired a choral work.