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Edition 27 (2006) Winner
Josh Kun
ジョシュ・クン
Josh Kun
Profile
- Gender
- Male
- Nationality
- United States
- Languages
- English
- Residence History
- Los Angeles, California, USA → Riverside, California, USA
Career
- Occupations
- author, academic, music critic, professor
- Active Years
- 1993-
- Affiliations
- USC Annenberg School for Communication and Journalism, USC Department of American Studies and Ethnicity (joint appointment), University of California, Riverside (former affiliation), Norman Lear Center, Idelsohn Society for Musical Preservation (co-founder), Reboot Stereophonic (co-founder)
- Influenced By
- Abraham Zevi Idelsohn
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Harvard School (Harvard-Westlake predecessor) | — | — | — | — | United States |
| Duke University | College of Arts and Sciences | Literature | B.A. | 在学〜1993年 | United States |
| University of California, Berkeley | Graduate (Ethnic Studies) | Ethnic Studies | Ph.D. | — | United States |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 2016 | MacArthur Fellowship | — | — | John D. and Catherine T. MacArthur Foundation | 受賞 |
| 2006 | American Book Award | Audiotopia: Music, Race, and America | — | Before Columbus Foundation | 受賞 |
| 2007 | Unity Award in Media | — | — | unknown | 受賞 |
| — | Fellow of the Ucross Foundation | — | — | Ucross Foundation | フェロー |
Awards & Nominations
Works
Major Works
Audiotopia: Music, Race, and America
2005 Academic / Music studiesA study of music and race in America, examining urban culture and listening environments; explores social and cultural connections through music.
And You Shall Know Us by the Trail of Our Vinyl: The Jewish Past As Told by the Records We've Loved and Lost
2008 Nonfiction / Music historyExplores Jewish-American musical history through records; co-authored/co-edited volume.
The Song Is Not the Same: Jews and American Popular Music
2011 Edited volume / Music studiesAn edited volume examining Jews and American popular music; annual volume of the USC Casden Institute.
Black and Brown Los Angeles: A Contemporary Reader
2011 Edited reader / Urban studiesA reader addressing intersections of Black and Latinx communities in Los Angeles and contemporary understandings of the city (co-edited).
Bibliography
- Audiotopia: Music, Race, and America (2005)
- Re-Assembling Tijuana (exhibition-related work, 2009)
- And You Shall Know Us by the Trail of Our Vinyl (2008, co-authored)
- The Song Is Not the Same (2011, editor)
- Black and Brown Los Angeles (2011, co-edited)
Adaptations
- Exhibition 'Last Exit USA' (Steve Turner Contemporary, 2009) and other curated shows
Style & Themes
- Literary Style
- A blend of scholarly analysis and journalistic critiqueDescriptive writing combining cultural history and musicology
- Recurring Motifs
- cultural hybridity through musicborder and migration narrativesmemory and archives
Legacy
Josh Kun is an influential scholar in popular music studies, intersections of race and culture, U.S.–Mexico border musical exchanges, and Jewish-American musical history; he has fostered broad public and academic conversations through books, exhibitions, and public humanities work.
Museums
- Steve Turner Contemporary Gallery Los Angeles, California, USA
- Contemporary Jewish Museum (co-curated exhibitions) San Francisco, California, USA
Academic Societies
- Norman Lear Center (USC)
- American Quarterly (editorial board)
Archives
- USC archives and related library holdings
In Popular Culture
- Contributions and features in media and radio (The New York Times, NPR, etc.)
Quotes
-
Cultural and musical hybridity is a way immigrant communities actively, not passively, express their diaspora.
Source: "What Is an MC If He Can't Rap to Banda?" (American Quarterly) (2004)
Trivia
- Co-founder of the Idelsohn Society for Musical Preservation.
- Co-founder of Reboot Stereophonic, a nonprofit label focused on recovering lost records.
- Named a MacArthur Fellow in 2016.
- Won the American Book Award in 2006 for Audiotopia.