National Poetry Series
1 appearances
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Edition 31 (2009) Winner
ジュリー・カー
Jurī Kā
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Barnard College | — | — | BA | 1984–1988 | United States |
| New York University | — | — | MFA | 1995–1997 | United States |
| University of California, Berkeley | — | — | Ph.D. | 2002–2006 | United States |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 2009 | National Poetry Series | — | — | National Poetry Series | 受賞 |
| 2009 | Ahsahta Press Sawtooth Poetry Prize | 100 Notes on Violence | — | Ahsahta Press | 受賞 |
| 2011 | National Endowment for the Arts Fellowship for Poetry | — | — | National Endowment for the Arts | フェローシップ授与 |
A poetry collection that uses marriage as a starting point to investigate relation and interconnection.
Explores roles and bonds of mother and child, questions of family, history, and identity.
A poetic exploration using fragments and lines as a structuring principle.
An experimental poetry collection composed of brief notes that examine violence from multiple angles.
A meta and experimental collection on books, attack, and textuality.
Julie Carr is regarded as an experimental voice in contemporary poetry, known for work on motherhood, family, and violence. As an educator and co-publisher of Counterpath Press, she has contributed to the poetry community.
In her first book, Mead: an Epithalamion, Julie Carr employed marriage as both a theme and as the starting point for her poetic inquiries into relation and interconnection.