World Literary Awards

← Back to Home

Leslie Scalapino

レスリー・スカラピノ

Resurī Sukarapino

Profile

Gender
Female
Born
1944-07-25 (Santa Barbara, California, U.S.)
Died
2010-05-28 (Berkeley, California, U.S.) age 65
Nationality
United States
Languages
English
Residence History
Santa Barbara (birthplace) → Berkeley (raised and longtime residence) → Oakland (founded and ran O Books) → Extensive travel (Tibet, Bhutan, Japan, India, Mongolia, Yemen, Libya, etc.)

Career

Occupations
poet, playwright, publisher, essayist, editor, teacher
Active Years
1974-2010
Affiliations
Bard College (taught in MFA program for 16 years), Mills College (instructor), San Francisco Art Institute (instructor), California College of the Arts (instructor), San Francisco State University (instructor), UC San Diego (instructor), Naropa University (instructor), O Books (founder/operator), Poets in Need (board member)
Influenced By
Beat poets, Language poets, Lyn Hejinian
Influenced
Contemporary experimental poets and scholars

Education

Reed College
Literature / Literature
Degree: B.A.
Period: 1962–1966
Year of Graduation: 1966
Country: United States
Received B.A. in Literature
University of California, Berkeley
English / English/English Literature
Degree: M.A.
Country: United States
Earned an M.A. in English (year not specified in sources)

Awards

Poetry Center Award
1988
Work: Way
Organization: Poetry Center
Result: 受賞
Lawrence Lipton Prize
1988
Work: Way
Organization: Lawrence Lipton Prize
Result: 受賞
American Book Award
1988
Work: Way
Organization: Before Columbus Foundation
Result: 受賞

Awards & Nominations

Works

Major Works

Way

1988 long poem / experimental poetry

A long experimental poem that re-examines language and experience through fragmentary narration and conceptual/visual maneuvers.

languageperceptionselfconceptual rebellion

O and Other Poems

1976 poetry

One of her early poetry collections, containing experimental pieces and poetic fragments.

linguistic experimentimagery

The Return of Painting, The Pearl, and Orion: A Trilogy

1991 fiction / inter-genre

A trilogy crossing fiction and experimental essays, notable for visual motifs and fragmented narration.

visual representationfragmentationreconstruction of narrative

It's go in horizontal: Selected Poems 1974-2006

2008 poetry (selected poems)

A selected poems volume collecting representative works from 1974 to 2006, tracing Scalapino's poetic experiments.

timelanguagetravel

Bibliography

  • O and Other Poems (1976)
  • The Woman who Could Read the Minds of Dogs (1976)
  • Instead of an Animal (1978)
  • This eating and walking is associated all right (1979)
  • Considering how exaggerated music is (1982)
  • that they were at the beach — aeolotropic series (1985)
  • Way (1988)
  • Crowd and not evening or light (1992)
  • Sight (with Lyn Hejinian, 1999)
  • New Time (1999)
  • The Tango (with Marina Adams, 2001)
  • Day Ocean State of Stars' Night: Poems & Writings 1989 & 1999-2006 (2007)
  • It's go in horizontal, Selected Poems 1974-2006 (2008)
  • The Return of Painting (1990)
  • Defoe (1995)
  • Dahlia's Iris — Secret Autobiography and Fiction (2003)
  • Zither and Autobiography (2003)
  • Floats Horse-Floats or Horse-Flows (2010)
  • The Dihedrons Gazelle-Dihedrals Zoom (2010)

Style & Themes

Literary Style
experimentalinter-genrepostmodern techniquesfragmentary and visual expression
Recurring Motifs
limits of language and narrationtravel and cross-cultural experiencememory and fractured selfvisual imagery

Legacy

Scalapino is regarded as a leading figure in American experimental and inter-genre writing; through O Books and her teaching she influenced many poets. Her work is widely anthologized and considered an important example of poetic experimentation.

Archives

  • Leslie Scalapino Papers, MSS 668, Special Collections & Archives, UC San Diego Library

In Popular Culture

  • Leslie Scalapino Memorial Lecture and other commemorative events

Quotes

  • A solitary, an original. What other way could there be for someone with a mind so electric, independent and restless except out into the space-time conundrum? Because she is thoroughly modern, every moment of experience is interrupted and unstable, accompanied by introspection and sidelong glimpses at the social. The poet here is a horrified witness, a perpetual child, a sexually alert female who keeps looking back to believe what she has seen.
    Source: Fanny Howe (blurb on Scalapino)

Trivia

  • Founded O Books in 1986 and ran it until 2010.
  • Taught for 16 years in the Bard College MFA program.
  • Published more than thirty books of poetry, prose, plays, and essays during her lifetime.
  • Traveled to Tibet, Bhutan, Japan, India, Mongolia, Yemen, Libya, among other places; these travels influenced her writing.