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Edition 11 (1990) Winner
Miles Davis
マイルス・デイヴィス
Miles Davis
Profile
- Gender
- Male
- Born
- 1926-05-26 (Alton, Illinois, U.S.)
- Died
- 1991-09-28 (Santa Monica, California, U.S.) age 65
- Nationality
- United States
- Languages
- English
- Religion
- Agnostic
- Residence History
- East St. Louis, Illinois → New York City (Manhattan) → Paris, France → Santa Monica, California, U.S. → Upper West Side, New York City
Career
- Occupations
- Musician, Bandleader, Composer
- Active Years
- 1944-1991
- Affiliations
- Miles Davis Quintet, Birth of the Cool (nonet), Charlie Parker Quintet (former member)
- Memberships
- Sovereign Military Order of Malta (honorary), NEA Jazz Masters (honorary)
- Influenced By
- Charlie Parker, Elwood Buchanan, Gil Evans, Ahmad Jamal, Bill Evans
- Influenced
- John Coltrane, Herbie Hancock, Wayne Shorter, Quincy Jones, Brian Eno (influence on ambient music)
Education
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Juilliard School | — | — | — | 1944–1945(在籍、学位取得なし) | United States |
Awards
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1960 | Grammy Award (Best Jazz Composition of More Than Five Minutes Duration) | Sketches of Spain | Best Jazz Composition of More Than Five Minutes Duration | The Recording Academy (Grammy Awards) | 受賞 |
| 1970 | Grammy Award (Best Jazz Performance, Large Group) | Bitches Brew | Best Jazz Performance, Large Group | The Recording Academy (Grammy Awards) | 受賞 |
| 1982 | Grammy Award (Best Jazz Instrumental Performance, Soloist) | We Want Miles | Best Jazz Instrumental Performance, Soloist | The Recording Academy (Grammy Awards) | 受賞 |
| 1986 | Grammy Award (Best Jazz Instrumental Performance, Soloist) | Tutu | Best Jazz Instrumental Performance, Soloist | The Recording Academy (Grammy Awards) | 受賞 |
| 1989 | Grammy Award (Best Jazz Instrumental Performance, Soloist) | Aura | Best Jazz Instrumental Performance, Soloist | The Recording Academy (Grammy Awards) | 受賞 |
| 1990 | Grammy Lifetime Achievement Award | — | — | The Recording Academy (Grammy Awards) | 受賞 |
| 1992 | Grammy Award (Best R&B Instrumental Performance) | Doo-Bop | Best R&B Instrumental Performance | The Recording Academy (Grammy Awards) | 受賞(死後発表) |
| 1984 | Léonie Sonning Music Prize | — | — | Léonie Sonning Music Foundation | 受賞 |
| 1991 | Chevalier of the Legion of Honour | — | — | French Government | 受章 |
| 2006 | Rock and Roll Hall of Fame | — | — | Rock and Roll Hall of Fame | 殿堂入り(追贈) |
Awards & Nominations
Works
Major Works
Kind of Blue
1959 Modal jazz / JazzA landmark album built on modal theory and improvisation. One of the most influential jazz records, selling millions of copies in the U.S.
Bitches Brew
1970 Jazz fusion / Experimental jazzA defining electric-period record incorporating rock, funk and studio techniques. It achieved commercial success and helped spur jazz fusion.
Birth of the Cool
1957 Cool jazz / Nonet arrangementsA compilation of sessions for a nine-piece group that helped define cool jazz, characterized by vocal-like phrasing and orchestral textures.
In a Silent Way
1969 Jazz fusion / Electronic elementsA turning point into electric, space-oriented sound. Long pieces were assembled from multiple takes using studio editing techniques.
Tutu
1986 Contemporary jazz / Pop-influencedAn 1980s studio-driven album using programming and production, notable for strong commercial recognition and collaboration with Marcus Miller.
Bibliography
- Kind of Blue (1959)
- Bitches Brew (1970)
- Birth of the Cool (1957)
- In a Silent Way (1969)
- Tutu (1986)
- Doo-Bop (1992, posthumous)
Adaptations
- Miles Ahead (film, 2015)
- The Miles Davis Story (documentary, 2001)
- Miles Davis: Birth of the Cool (documentary, 2019)
Style & Themes
- Literary Style
- Concise, restrained phrasing as a performerDistinctive sound using mutes (e.g. Harmon mute)Use of studio editing as a compositional tool
- Recurring Motifs
- use of spacemodal playingcross-genre experimentation (jazz → rock/funk/electronic)
Health
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Heroin / substance addiction1950年代前半に最も深刻、1954年以降回復Severely affected playing and life in early 1950s; he later recovered and returned successfully
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Vocal cord polyps / vocal damage1955(手術・その後の喉への負傷で声がかすれた)Left a permanently raspy voice; limited direct impact on trumpet playing
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Diabetes (requiring insulin)1980年代以降Affected general health and mood
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Intracerebral hemorrhage (final stroke)1991年9月(入院→脳出血→死亡)Led to coma and death after life support was removed in 1991
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Pneumonia and respiratory failure1991年(死因の一部)Contributed to death alongside the stroke
Legacy
Miles Davis is regarded as one of the most influential jazz musicians of the 20th century, directly involved in developments from cool jazz and hard bop to modal jazz and jazz fusion. Critical views vary by period, but his innovation and influence remain highly respected.
Museums
- Miles Davis Jazz Studies Collection University of North Carolina at Greensboro (UNCG)
Academic Societies
- NEA Jazz Masters (associated)
Archives
- Woodlawn Cemetery (gravesite)
In Popular Culture
- Biopic 'Miles Ahead' (2015) and multiple documentaries
- 'Kind of Blue' is celebrated as a national treasure in the U.S. and continues to influence generations of musicians
Quotes
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By the age of 12, music had become the most important thing in my life.
Source: Autobiography (Miles: The Autobiography) (1989) -
I prefer a round sound with not too much vibrato, like a round voice in the middle.
Source: Interviews / recollections
Trivia
- His gravestone is inscribed with the opening notes of one of his compositions ('Solar').
- He popularized the use of the Harmon mute, creating a distinctive tone.
- 'Kind of Blue' has sold over five million copies in the U.S. (RIAA certification).