Bialik Prize
1 appearances
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Edition 25 (1957) Winner
ネイサン・アルテルマン
Neisan Aruteruman
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Herzliya Hebrew High School | — | — | — | 1925-1929 | British Mandate Palestine (then) |
| University of Paris (Sorbonne) | — | General studies / literature (attended) | — | 1929-1930 | France |
| Nancy (studies in agronomy) | — | Agronomy | — | 1930-1932 | France |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1946 | Tchernichovsky Prize (for exemplary translation) | Translations of Racine's Phèdre and Shakespeare's Merry Wives of Windsor | 翻訳 | Tchernichovsky Prize awarding body | 受賞 |
| 1947 | Ruppin Prize | Joy of the Poor | 文学 | Ruppin-related organization | 受賞 |
| 1957 | Bialik Prize | — | 文学 | Tel Aviv Municipality (Bialik Prize) | 受賞 |
| 1967 | Tchernichovsky Prize (for translation) | Translations of the plays of Molière | 翻訳 | Tchernichovsky Prize awarding body | 受賞 |
| 1968 | Israel Prize (for literature) | — | 文学 | State of Israel | 受賞 |
Alterman's first major poetry collection, featuring neo-romantic themes and metrical virtuosity.
A kaleidoscopic sequence of 31 interconnected poems narrated by the ghost of a dead man obsessed with a living woman.
Written during the 1948 war, the poem symbolically depicts the founding of the state and the sacrifice of young people; it became a canonical text read on Israel's Remembrance Day.
Nathan Alterman is one of the leading figures of modern Hebrew poetry; through his poems, translations and political commentary he greatly influenced Israeli culture. His portrait has appeared on Israel's 200-shekel banknote since 2016, cementing his place in public memory.
'The Silver Platter' — an image of youths who say the state was not handed to us on a silver platter.