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Patrick Roland Cullinan

パトリック・ローランド・カリナン

Patorikku Rōrando Karinan

Profile

Gender
Male
Born
1932-05-21 (Pretoria)
Died
2011-04-14 (Cape Town) age 77
Nationality
South African
Languages
English
Residence History
Pretoria → Eastern Transvaal → Cape Town

Career

Occupations
Poet, Biographer, Sawmill owner, Farmer, University lecturer
Active Years
1963-2008
Affiliations
Bateleur Press, University of the Western Cape
Influenced By
John Betjeman, W. B. Yeats, Eugenio Montale, Rimbaud, Dante
Influenced
Lionel Abrahams, Gus Ferguson, Guy Butler, Douglas Livingstone, Stephen Watson

Education

Charterhouse School
Unknown
Period: 不明
Country: England
Magdalen College, University of Oxford
Italian and Russian
Period: 不明
Country: England
Read Italian and Russian

Awards

Slug Award
Organization: Unknown
Result: 受賞
Olive Schreiner Prize
Organization: English Academy of South Africa
Result: 受賞
Pringle Award
Organization: Unknown
Result: 受賞 (3回)
Sanlam Literary Award
Organization: Unknown
Result: 受賞
Merit Award (Cape Town Historical Society)
Organization: Cape Town Historical Society
Result: 受賞
Cavaliere
2003
Work: Translations of Eugenio Montale's poetry
Organization: Republic of Italy
Result: 受賞

Awards & Nominations

Works

Major Works

The Horizon Forty Miles Away

1973 Poetry

Early poetry collection reflecting Transvaal landscape.

Personal themesMetaphysical themes

Today Is Not Different

1978 Poetry

Poetry collection.

The White Hail in the Orchard

1984 Poetry

Contains 'versions' (loose translations) of Eugenio Montale's Italian poetry.

Selected Poems 1961-1991

1992 Poetry

Selected poems.

Escarpments

2008 Poetry

Significant new collection spanning over thirty years, published just before his death.

Bibliography

  • The Horizon Forty Miles Away. Polygraph (1963)
  • Today is not Different. David Philip (1978)
  • The White Hail in the Orchard. David Philip (1984)
  • I Sing Where I Stand: Versions from the Afrikaans of Phil du Plessis: Poesie 1892–1984. Vooraand (1985)
  • Selected Poems, 1961–1991. Artists' Press (1992)
  • Selected Poems, 1961–1994. Snailpress (1994)
  • Mantis Poets: Guy Butler/Patrick Cullinan. David Phillips Publishers (1998)
  • Transformations. Snailpress (1999)
  • Escarpments (Poems 1973–2007). Umuzi Random House (2008)
  • Lionel Abrahams: A Reader. (ed) Ad Donker (1988)
  • Dante in South Africa. (ed with Stephen Watson) Centre for Creative Writing, University of Cape Town (2005)
  • Robert Jacob Gordon 1743–1795: The Man and His Travels at the Cape. Winchester Struik (1992)
  • Imaginative Trespasser: Letters from Bessie head to Patrick and Wendy Cullinan 1963-1977. Johannesburg: Wits University Press (2005)
  • Matrix. Snailpress (2002)

Translations by Author

  • Versions (loose translations) of Eugenio Montale's poetry
  • Versions from the Afrikaans of Phil du Plessis

Style & Themes

Literary Style
LyricalCarefully craftedIn the tradition of W. B. Yeats
Recurring Motifs
Transvaal landscapePersonal, emotional, and metaphysical themes

Legacy

Arguably the most prominent South African poet at the end of the 20th century, recognized for his poetry and translations of Italian poetry.

In Popular Culture

  • Grandfather was Sir Thomas Cullinan, namesake of the Cullinan Diamond.

Quotes

  • I spent seven years, from the age of 14 to 21 in Europe (mainly, because I had no choice, in England), so I certainly ingested a great deal of European-ness. Therefore, when I came back to South Africa at the age of 21, I had a problem. Was I in fact a European, or an African? I remember sitting in a cottage in the Eastern Transvaal, on the Escarpment, thinking it through one night. When I woke up in the morning, I didn't have to think of it any longer: I was an African, and I always would be.
    Source: New Contrast Literary Journal (1992)
  • To talk of 'literature', of good writing, of art may be obscene or almost obscene in a society as self-destructing, engrossed in conflict as this one is. But the important word is almost. For however cluttered by violence and potential annihilation a society may find itself, it is the writers and the artists who portray the reality of this process... There are multiple ways of telling the truth.
    Source: The Bloody Horse, first edition (1980)

Trivia

  • Grandfather Sir Thomas Cullinan gave his name to the Cullinan Diamond.
  • Co-founded Bateleur Press with Lionel Abrahams.
  • Founded The Bloody Horse journal to re-establish poetry's standing in South Africa.