South African Literary Awards (SALA)
1 appearances
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Edition 7 (2011) Winner
フィリッパ・ヤア・デ・ヴィリエ
Firippa Yaa de Virie
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Rhodes University | — | Journalism | — | — | South Africa |
| University of the Witwatersrand | — | Dramatic Art and Scriptwriting | Honours | — | South Africa |
| Lecoq International School of Theatre | — | Mime and theatre | — | — | France |
| Lancaster University | — | Creative Writing | MA | — | United Kingdom |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 2009 | National Arts Festival/de Buren Writing Beyond the Fringe Prize | — | — | National Arts Festival | Winner |
| 2011 | South African Literary Award | The Everyday Wife | Poetry | — | Winner |
An extraordinary debut collection of poetry, that is provocative and original, mirroring the transitions of self and country.
Silence-smashing poems that are sensitive, unafraid to be erotic, sometimes tragic, and always irreverent.
The collection is dotted like gemstones with poems of delight at the world, even as she never loses sight of the post-industrial reality of degenerating modernity in which we live.
Noted South African poet and performance artist exploring race, identity, sexuality, class, and gender in the South African context.
I became Phillippa Yaa when I found my biological father, who told me that if he had been there when I was born, the first name I'd have been given would be a day name like all Ghanaian babies, and all Thursday girls are Yaa, Yawo, or Yaya. So by changing my name I intended to inscribe a feeling of belonging and also one of pride on my African side.
Because I wasn't told that I was adopted until I was twenty, I lacked a vocabulary to describe who I am and where I come from, so performing and writing became ways to make myself up.