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Samuel Barclay Beckett

サミュエル・バークレイ・ベケット

Samuel Barclay Beckett

Pen Names: Andrew BelisPseudonym used for some early writings and manuscripts

Profile

Gender
Male
Born
1906-04-13 (Foxrock, Dublin, Ireland)
Died
1989-12-22 (Paris, France) age 83
Nationality
Ireland
Languages
English, French
Religion
Church of Ireland (Anglican)
Residence History
Dublin (birth and early life) → Paris (long-term residence) → Roussillon, Vaucluse (hiding during WWII) → Chelsea, London (periods in the 1930s) → La Ferté-sous-Jouarre (cottage)

Career

Occupations
playwright, poet, novelist, literary critic
Active Years
1929-1989
Affiliations
Aosdána (elected Saoi)
Memberships
Aosdána (Irish affiliation of artists), American Academy of Arts and Sciences (Foreign Honorary Member)
Influenced By
James Joyce, Marcel Proust, Henri Bergson, Arthur Schopenhauer
Influenced
Harold Pinter, Tom Stoppard, Václav Havel, John Banville, J. M. Coetzee, Jon Fosse

Education

Portora Royal School
Secondary education
Period: 1919–1923
Year of Graduation: 1923
Country: Northern Ireland (then: Ireland)
School attended by, among others, Oscar Wilde
Trinity College Dublin
Modern literature and Romance languages / Modern Languages
Degree: B.A.
Period: 1923–1927
Year of Graduation: 1927
Country: Ireland
Elected a Scholar in Modern Languages in 1926
École Normale Supérieure (lecteur d'anglais)
English lecturer
Period: 1928–1930
Country: France
Served as a lecteur d'anglais (English lecturer)

Awards

Croix de Guerre
1945
Organization: French government
Result: recipient
Resistance Medal (Médaille de la Résistance)
Organization: French government
Result: recipient
International Publishers' Formentor Prize
1961
Organization: Formentor Prize Committee
Result: shared
Nobel Prize in Literature
1969
Work: For his writing — in new forms for the novel and drama — in the destitution of modern man acquires its elevation.
Organization: Nobel Foundation
Result: winner
Honorary Doctorate (Trinity College Dublin)
1959
Organization: Trinity College Dublin
Result: recipient
Obie Awards (Off-Broadway)
1958
Work: Endgame
Organization: The Village Voice / Obie Awards
Result: recipient

Awards & Nominations

Works

Major Works

Waiting for Godot

1952 Play (tragicomedy / Theatre of the Absurd)

Two vagrants wait for the mysterious Godot; through their repetitive waiting the play explores meaninglessness, human dependence, and the absurd.

absurditymeaninglessnesswaiting and time
Adaptations
  • [Stage (premiere)] Waiting for Godot (premiere) / Roger Blin (1953)
Translations
  • Author translated his own works between English and French (including Godot)

Molloy

1951 Novel (experimental)

A two-part novel focusing on interior monologue; the prose becomes increasingly stripped and fragmented.

solitudememoryexistence
Translations
  • Originally written/published in French; English version produced by the author

Malone Dies

1951 Novel

Continues themes from Molloy; focuses on interior monologue and the tension between speech and silence.

language and silencelife and death

The Unnamable

1953 Novel (experimental)

The final part of a loosely linked trilogy; explores the compulsion to speak versus the desire for silence. Contains the famous line about continuing.

compulsion to speaksilenceerosion of self

Murphy

1938 Novel (satire / black humour)

An early novel about a man seeking mental equilibrium; mixes humour with bleakness.

madnesshumourexistential void

Endgame

1957 Play (tragicomedy)

Four characters in a confined space enact repetitive routines that underline the futility and comic despair of existence.

confinementrepetitionmeaninglessness of life
Adaptations
  • [Stage] Endgame (various stage productions) (1957)

Bibliography

  • More Pricks Than Kicks (short stories, 1934)
  • Murphy (novel, 1938)
  • Watt (novel, written 1941–1945, published 1953)
  • Molloy / Malone Dies / The Unnamable (trilogy, 1951–1953)
  • Waiting for Godot (play, 1952/1953)
  • Endgame (play, 1957)
  • Collected Poems / What is the Word (poetry, 1989)

Adaptations

  • Film (short film, 1965)
  • International stage productions and televised performances (e.g. Godot)

Translations by Author

  • Contributed to French translations of James Joyce (e.g. Anna Livia Plurabelle)

Translations of Works

  • Works translated into many languages; Beckett often translated between English and French himself

Style & Themes

Literary Style
minimalism (stripping away of excess)black comedytheatre of the absurd techniquesexperimental, fragmentary prose
Recurring Motifs
isolation and alienationmemory and recollectionlimits of languagerepetition and stasis

Health

  • Declining health in late life (unspecified)
    1980s(特に晩年)
    He continued writing and translating but health problems in late life likely affected his work. His final poem 'What is the Word' grapples with difficulty finding words.

Legacy

One of the foremost 20th-century writers and playwrights. Established key works of the Theatre of the Absurd (notably Waiting for Godot) and has exerted wide and lasting influence on theatre, literature, music, and film.

Museums

  • No single dedicated museum; exhibitions and collections held across institutions

Academic Societies

  • Aosdána (elected Saoi)
  • Samuel Beckett Society (international)

Archives

  • Harry Ransom Center (collections)
  • Trinity College Dublin (manuscripts)
  • Washington University in St. Louis (collections)
  • University of Reading (Beckett International Foundation)
  • Houghton Library (Harvard)

In Popular Culture

  • Honoured in Dublin by the Samuel Beckett Bridge; commemorative coins and stamps issued
  • Biopics and stage revivals continue (e.g. the biopic 'Dance First')
  • Influenced numerous composers, playwrights, and filmmakers

Quotes

  • “you must go on, I can't go on, I'll go on.”
    Source: The Unnamable (1953)

Trivia

  • The only Nobel literature laureate to have played first-class cricket and thus to appear in Wisden
  • He never sold or gave away the manuscript of Waiting for Godot and refused a film translation of the play
  • Directed that his gravestone should be 'any colour, so long as it's grey'