World Literary Awards

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Song Sugwon

ソング・スグォン

Song Sugwon

Aliases: Song Soo-Kwon

Profile

Gender
Male
Born
1940-03-15 (Goheung County, South Jeolla Province)
Died
2016-04-04 (South Jeolla Province) age 76
Nationality
韓国, South Korean
Languages
Korean
Religion
Unknown
Residence History
South Jeolla Province

Career

Occupations
poet, writer, teacher, educational researcher
Active Years
1980-2016

Education

Suncheon Normal School
Country: Korea
Goheung Junior High School
Country: Korea
Sorabol Arts College
Creative Writing
Degree: 創作文学学位
Country: Korea

Awards

Ministry of Culture and Information Arts Award
Organization: Ministry of Culture and Information
Result: 受賞
Geumho Cultural Foundation Arts award
Organization: Geumho Cultural Foundation
Result: 受賞
Jeollanam-do Culture award
Organization: Jeollanam-do
Result: 受賞
Sowol Poetry Prize
1987
Result: 受賞

Awards & Nominations

Works

Major Works

At the Temple Gate

1980 Poetry
bitternesssouthern dialects

Dreaming Island

1982 Poetry
regional differenceshistory

Once Again At the Temple Gate

1985 Prose
common people

Bibliography

  • At the Temple Gate (1980), Dreaming Island (1982), Mute Porcelain (1984), Bird! Bird! O Bluebird! (1986), Our Land (1988), Even in Sleep I Smile at the Thought of You (1991), Watchman on a Starry Night (1992), Wildflower World (1999), Green Prison (1999), Pacheonmu (2001), Planting a Joseon Plum Tree in the Frozen Ground (2005), A Country Road or a Liquor-Barrel (2007), Magpie food, Once Again At the Temple Gate (1985), Love Folds Its Huge Wings (1989), Journey to the South (1990), Indigo World (1998), Mandala Sea (2002)

Style & Themes

Literary Style
Bitterness as salient sentimentpreserving southern dialects flavordignified masculine identity
Recurring Motifs
lives of common peopleregional cultureconsciousness of history

Legacy

Modern South Korean poet emphasizing bitterness, regional dialects, and lives of common people in classical Korean lyricism style.

Quotes

  • Bitterness is the most salient sentiment in this Song Sugweon's work; but his poetry emphasizes not the typical sentiment of a weak bitterness giving rise to self-contempt, but rather, within that bitterness, a dignified masculine identity of immanent intimacy and power. He has published many works that succeed in preserving the flavor and style of the southern dialects, designed to inspire the people through a consciousness of history and regional differences.
    Source: Korea Literature Translation Institute