Whiting Awards
1 appearances
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Edition 14 (1998) Winner
ダブリュー・デイビッド・ハンコック
W. Deibiddo Hankokku
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Bucknell University | — | — | BA | — | United States |
| University of Iowa | Theatre Arts | Playwrights Workshop | MFA | — | United States |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1995 | Obie Award | The Convention of Cartography | Playwriting | The Village Voice | winner |
| 1999 | Obie Award | The Race of the Ark Tattoo | Playwriting | The Village Voice | winner |
| 1998 | Whiting Writers’ Award | — | — | Whiting Foundation | winner |
| 2000 | CalArts/Alpert Award | — | Theatre | CalArts/Alpert Award in the Arts | winner |
| 2000 | Creative Capital Performing Arts Award | — | — | Creative Capital | winner |
| 2001 | Bush Artist Fellowship | — | — | Bush Foundation | winner |
| 1997 | Hodder Fellowship | — | — | Princeton University | winner |
Set in a traveling art museum for a deceased artist named Mike.
About an asylum of criminally insane women performing The Tempest.
Takes place inside a working flea market run by Mr. P. Foster, selling artifacts of his deceased foster father.
Imagined a retrospective and wake for a fictional Afrofuturist artist James Leroy “Uncle Jimmy” Clemens.
An interactive, robot facilitated judicial event.
Known for experimental, nonlinear work blurring artifice and reality, two-time Obie winner with Foundry Theatre. Critics describe it as a 'theater of objects' and memory theater.
…we encounter mystery and authenticity at another level entirely.
theater of objects… a memory theater built as a fire wall against the loss of the past.”
disturbing and powerful… the drama is something that seems to be leaking from the very forms so elaborately carpentered to contain it.”