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Arthur Yvor Winters

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Arthur Yvor Winters

Profile

Gender
Male
Born
1900-10-17 (Chicago, Illinois, U.S.)
Died
1968-01-25 (Los Altos, California, U.S.) age 67
Nationality
United States
Languages
English
Residence History
Chicago (born — until 1919) → Santa Fe (sanatorium/recuperation) → Los Altos (long-term residence while at Stanford) → Boulder (University of Colorado attendance)

Career

Occupations
Poet, Literary critic, Professor
Active Years
1920-1968
Affiliations
Stanford University, Department of English (faculty)
Influenced By
Irving Babbitt, Imagism and early modernist poets, Native American poetry (influence on imagery and themes)
Influenced
Robert Pinsky, Robert Hass, Donald Hall, Philip Levine, Edgar Bowers

Education

University of Chicago
Period: 1917–1918
Country: United States
Attended for four quarters in 1917–18; did not complete a degree there.
University of Colorado at Boulder
Degree: BA, MA
Period: 1923–1925
Year of Graduation: 1925
Country: United States
Received BA and MA in 1925.
Stanford University
Department of English / English Literature
Degree: PhD
Period: 1930–1934
Year of Graduation: 1934
Country: United States
Completed PhD in 1934 and remained on the Stanford faculty thereafter.

Awards

Bollingen Prize for Poetry
1961
Work: Collected Poems
Organization: Bollingen Prize Board
Result: Winner

Awards & Nominations

Works

Major Works

Diadems and Fagots

1921 Poetry

An early collection that shows Winters' initial modernist experiments alongside emerging neoclassical tendencies.

ImagismForm and order

Primitivism and Decadence: A Study of American Experimental Poetry

1937 Critical study / Essays

A critical examination of American experimental poetry arguing for the primacy of reason and poetic form.

CriticismReason and form

Collected Poems

1952 Poetry (Collected)

A major collection of Winters' poems; revised in 1960 and the basis for his 1961 Bollingen Prize.

Order and moralityClarification of perception

Bibliography

  • Diadems and Fagots (1921)
  • The Immobile Wind (1921)
  • The Magpie's Shadow (1922)
  • Notes on the Mechanics of the Image (1923)
  • The Bare Hills (1927)
  • The Proof (1930)
  • The Journey and Other Poems (1931)
  • Before Disaster (1934)
  • Primitivism and Decadence (1937)
  • Maule's Curse (1938)
  • Poems (1940)
  • The Giant Weapon (1943)
  • The Anatomy of Nonsense (1943)
  • Edwin Arlington Robinson (1946)
  • In Defense of Reason (1947)
  • To the Holy Spirit (1947)
  • Three Poems (1950)
  • Collected Poems (1952, revised 1960)
  • The Function of Criticism (1957)
  • On Modern Poets (1959)
  • The Early Poems of Yvor Winters, 1920–1928 (1966)
  • Forms of Discovery (1967)
  • Uncollected Essays and Reviews (1976)
  • The Collected Poems of Yvor Winters (1978, intro by Donald Davie)
  • Uncollected Poems 1919–1928 (1997)
  • Uncollected Poems 1929–1957 (1997)
  • Yvor Winters: Selected Poems (2003, ed. Thom Gunn)

Style & Themes

Literary Style
Neoclassical clarity and formalityStrong emphasis on meter and rhythmAnalytical, logical style in criticism
Recurring Motifs
Form and orderDisintegration vs. control of feelingEthics and reason

Health

  • Tuberculosis
    1918–1920
    Spent two years recuperating in Santa Fe; produced some early poems during recovery.
  • Throat cancer
    1967–1968
    Died of throat cancer in 1968; affected late-career activity.

Legacy

Yvor Winters was an influential 20th-century American poet and critic who championed form and reason in poetry. He mentored many notable poets and received recognition such as the Bollingen Prize.

Archives

  • Stanford University Libraries (papers and related materials)
  • Los Altos History Museum (local historical materials)

Quotes

  • A poem in the first place should offer us a new perception . . . bringing into being a new experience.
    Source: Primitivism and Decadence (as quoted) (1937)
  • To say that a poet is justified in employing a disintegrating form in order to express a feeling of disintegration, is merely a sophistical justification for bad poetry... poetic form is by definition a means to arrest the disintegration and order the feeling.
    Source: Primitivism and Decadence (excerpt) (1937)

Trivia

  • Edited the literary magazine Gyroscope with his wife from 1929 to 1931.
  • Was involved in editing Hound & Horn from 1932 to 1934.
  • The Collected Poems (revised 1960) was the basis for his 1961 Bollingen Prize.
  • Taught and mentored many notable poets, including Robert Pinsky, Robert Hass, and Donald Hall.