National Book Award for Translated Literature なしょなるぶっくしょう(ほんやくぶんがく)
Edition 3 (2020)
Winners
10 peopleKazu, a laborer born in Soma, Fukushima, comes to Tokyo before the Olympics, works around Ueno, and eventually lives on the margins of Ueno Park. Through the memories of his ghost wandering the station and the park, the novel quietly layers family loss, poverty, disaster, the imperial system, and the shadows cast by urban prosperity.
The voice of one dead man left amid the crowds of Ueno Station illuminates postwar Japan and its unseen poverty.
Waclaw, an oil-rig worker in the Atlantic, loses his colleague and closest friend Matyas on a stormy night. Driven by grief, he moves through Morocco, Hungary, Malta, Italy, and finally his German hometown, confronting labor, memory, male intimacy, and the difficulty of returning to his own life.
A quiet, piercing journey novel about a man who loses a friend at sea and searches again for the shape of his own life.
A grandfather living abroad returns to Sweden every six months and steps back into the lives of his adult children. His son wants to end an old arrangement with him, while his daughter faces a turning point of her own. The novel portrays the unspoken contract that binds a family and the wounds parents and children pass on to one another, with both wit and pain.
Does staying a family mean being bound to the past, or can it become a way to remake those bonds?
On Colombia's Pacific coast, in a poor village pressed between the sea and the jungle, middle-aged Damaris takes in an orphaned puppy and begins to love it as the daughter she never had. Loneliness, thwarted motherhood, a cooled marriage, and a harsh natural world converge as affection gradually turns into obsession and violence.
A compact tropical gothic in which excessive love for a dog exposes the violence hidden inside loneliness and loss.
This novella begins with the violence and murder of a Palestinian girl in the Negev Desert in August 1949, during the Nakba, and follows a woman in present-day Ramallah as she traces the remnants of that event. By layering two narratives across different times, it renders erased voices, movement under occupation, fear, and the wounds the past leaves in the present with quiet tension.
From one minor detail, the outlines of erased history and continuing violence come into view.
After the 1979 Iranian Revolution, a family whose Tehran home has been burned flees to the northern village of Razan to protect both their lives and intellectual freedom. Bahar, the thirteen-year-old daughter who has died, narrates a story of family loss in which the living and the dead, folklore and political violence, continually cross paths.
At the moment her mother receives an enlightenment in a greengage tree, the family's tragedy is retold on the border between history and myth.
Kim Jiyoung lives with her husband and young daughter on the outskirts of Seoul when she begins speaking in the voices of other women, including her mother and friends. Framed as a psychiatrist's account, the novel follows her from birth through school, work, marriage, and motherhood, revealing the sexism and silences that accumulate inside an ordinary life.
Through one woman's life, the discrimination embedded in daily routines quietly comes into focus.
In a village in Tamil Nadu, an elderly farming couple are given a frail black kid by a mysterious, giant-like stranger and raise her as Poonachi. Through the goat's perceptions, the novel turns drought, hunger, livestock bureaucracy, caste, and color hierarchy into an unsettling force behind an apparently pastoral life.
The life of a small black goat reflects both the cruelty of a world meant to protect the vulnerable and the flashes of tenderness that remain within it.
In the fictional Gulf Coast village of La Matosa, the body of a woman known as the Witch is found in an irrigation canal. Through overlapping voices, the novel traces the loneliness, violence, poverty, and misogyny surrounding the murder and the lives drawn into its wake.
Rumors around the Witch's death expose the roots of violence buried in the village.
A short novel that recasts the myth of Athena in contemporary Sweden. Anna, a twelve-year-old girl, is born from the head of her father Conrad; he is taken to a psychiatric hospital, while she is sent to a foster family. Faith, language, loneliness, and longing for her father converge as the book portrays a girl slipping away from ordinary reality through a mythic premise and sharply focused psychological writing.
The loneliness of a girl born as myth reverberates painfully through the landscape of modern family life and psychiatric care.