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3476 new books
John Kessel
A witty reimagining of Jane Austen and Frankenstein in which Mary Bennet meets Victor Frankenstein and the novel turns into a gothic thought experiment.
Kathy Lynn Emerson
A practical guide that focuses on craft, structure, and the habits that help a writer shape a stronger book.
C. D. Wright
Wright’s collection braids personal lyric with a broad political meditation, moving between Mexico, the Iraq War, and intimate domestic scenes. Its experimental forms sharpen questions of place, violence, and responsibility.
Thomas J. Ferraro
A book that follows its subject through conflict, memory, or discovery, with a strong emphasis on character and atmosphere.
Frank Bidart
This is Frank Bidart’s first book of lyrics—his first book not dominated by long poems. Narrative elaboration becomes speed and song. Less embattled than earlier work, less actively violent, these new poems have, by conceding time’s finalities and triumphs, acquired a dark radiance unlike anything seen before in Bidart’s long career. Mortality—imminent, not theoretical—forces the self to question the relation between the actual life lived and what was once the promise of transformation. This plays out against a broad landscape. The book opens with Marilyn Monroe, followed by the glamour of the eighth-century Chinese imperial court (seen through the eyes of one of China’s greatest poets, Tu Fu). At the center of the book is an ambitious meditation on the Russian ballerina Ulanova, Giselle , and the nature of tragedy. All this gives new dimension and poignance to Bidart’s recurring preoccupation with the human need to leave behind some record or emblem, a made thing that stands, in the face of death, for the possibilities of art. Bidart, winner of the 2007 Bollingen Prize in American Poetry, is widely acknowledged as one of the significant poets of his time. This is perhaps his most accessible, mysterious, and austerely beautiful book.
A. F. Moritz
Moritz’s poetry collection examines mortality, ethics, civilization, and the natural world with a calm but alert voice. Its poems move between inward reflection and social awareness.
Peter Hennessy
Winner of the Orwell Prize for Political Writing, Peter Hennessy's Having it So Good: Britain in the Fifties captures Britain in an extraordinary decade, emerging from the shadow of war into growing affluence. The 1950s was the decade in which Roger Bannister ran the four-minute mile, Bill Haley released 'Rock Around the Clock', rationing ended and Britain embarked on the traumatic, disastrous Suez War. In this highly enjoyable, original book, Peter Hennessy takes his readers into front rooms, classrooms, cabinet rooms and the new high-street coffee bars of Britain to recapture, as no previous history has, the feel, the flavour and the politics of this extraordinary time of change. 'Utterly engaging ... a treat. It breathes exhilaration' Libby Purves, The Times 'If the Gods gossip, this is how it would sound' Philip Ziegler, Spectator Books of the Year 'A particular treat ... fine, wise and meticulously researched' Andrew Marr 'Stands clear of the field as our best narrative history of this decisive decade' Peter Clarke, Sunday Times 'A compelling narrative ... Hennessy's love of the flesh and blood of politics breathes on every page' Tim Gardam, Observer 'The late Ben Pimlott once described Hennessy as "something of a national institution". You can forget the first two of those five words' Guardian Peter Hennessy is Attlee Professor of History at Queen Mary College, London, and the Director of the Mile End Institute of Contemporary British Government, Intelligence and Society. He is the author of Never Again: Britain 1945-51 (winner of the NCR and Duff Cooper Prizes), Having it So Good: Britain in the Fifties (winner of the Orwell Prize); the bestselling The Prime Minister and The Secret State.
Elizabeth Strout
A linked story cycle centered on the blunt, complicated Olive Kitteridge and the community around her.
E. Lockhart
Sophomore Frankie becomes fascinated by an all-male secret society and begins to expose how it works from the outside. Using both her romantic life and her intelligence, she unsettles the school’s power structure in a sharp YA novel.
Douglas A. Blackmon
An investigative history that exposes the forced labor and racial domination that continued after emancipation.
Jeffrey Ford
A novel where fantasy and reality blur as family, memory, and the town's hidden history surface through strange events.
Paula J. Giddings
Pulitzer Prize Board citation to Ida B. Wells, as an early pioneer of investigative journalism and civil rights icon From a thinker who Maya Angelou has praised for shining “a brilliant light on the lives of women left in the shadow of history,” comes the definitive biography of Ida B. Wells—crusading journalist and pioneer in the fight for women’s suffrage and against segregation and lynchings Ida B. Wells was born into slavery and raised in the Victorian age yet emerged—through her fierce political battles and progressive thinking—as the first “modern” black women in the nation’s history. Wells began her activist career when she tried to segregate a first-class railway car in Memphis. After being thrown bodily off the car, she wrote about the incident for black Baptist newspapers, thus beginning her career as a journalist. But her most abiding fight would be the one against lynching, a crime in which she saw all the themes she held most dear coalesce: sexuality, race, and the law.