Set in a New Zealand gold-mining town in the 1860s, this novel uses an astrological structure and multiple viewpoints to entangle disappearances, gold, desire, and fate. Its precision of construction and mystery-driven momentum emerge at the same time.
Through the journey of two siblings searching for the Blue Bird of Happiness, this fantasy play finds hope and imagination in the everyday world. As a fable, it also turns back on the human impulse to search for happiness itself.
Winston Graham's The Little Walls won the first Crossed Red Herring Award, now known as the Gold Dagger Award. Why did he do it? The purpose of Philip Turner’s journey to Amsterdam is to investigate the apparent suicide of his bother Grevil. He has not seen him for several years. His enquiries lead him from Holland to Capri in search of a mysterious girl to whom Grevil had written a cryptic farewell note. What part does the shadowy Jack Buckingham play? Why can he not be found? Martin Coxon is the only man who has ever known Buckingham well, but it is the girl who seems to have all the answers if she can be persuaded to talk.
A group of code-loving children turns a class trip to Alcatraz into a treasure hunt mystery. Playful puzzles keep the reader involved and make it a lively middle-grade mystery.
When a squirrel survives a vacuum-cleaner accident and gains unlikely powers, Flora’s family life begins to change in unexpected ways. The novel blends humor with comic-book style storytelling.
Elisa Biagini, Diana Thow, Sarah Stickney, Eugene Ostashevsky, Angelina Oberdan
Poetry. Translated from the Italian by Diana Thow, Sarah Stickney, and Eugene Ostashevsky. Introduction by Angelina Oberdan. THE GUEST IN THE WOOD offers selections from L'ospite / The Guest (2004) and Nel Bosco / Into the Wood (2007). Cryptic, searching, probing, these are innovative poems of the mysteries of the body, of everyday life, of mortality. In the preface, Angelina Oberdan compares Biagini's concise diction to Emily Dickinson, her lines to Kay Ryan, her terseness to Ellen Bryant Voight. Oberdan writes that in her intense interaction with contemporary American poets, many of whom she has translated into Italian, Biagini "started to feel the responsibility to write about the taboo or what makes us uncomfortable." "There's masochism and martyrdom as in family life and love gone weary. Domestic images of food, kitchenware, ironing board, are laced with the threat of violence in which the poet might eat her guest, or be eaten. Maps lead nowhere. Yet anyone reading these surreal poems will find in them a mirror. For are we not each lost? Are we not each entrapped? Are we not each fearfully mortal? Of our inescapable human situation, Biagini has created, as if under a spell, a rare and compelling beauty."—Alicia Ostriker
The second volume of the Thomas Cromwell trilogy follows Cromwell through the political storm surrounding Anne Boleyn's downfall in 1535 England, as he tries to navigate the king's whims and the nation's crisis.