Betrayal: How Black Intellectuals Have Abandoned the Ideals of the Civil Rights Era
An essayistic critique of black intellectuals who drifted away from civil-rights ideals, rethinking public life and racial politics.
Work Information
A sharp argument about responsibility, ambition, and the retreat of civil-rights ideals.
Houston A. Baker Jr. examines race and power in the United States through the role and choices of black intellectuals.
Book Information
- Publisher
- Columbia Univ Pr
- Published
- 2008-04-30
- Pages
- 242 pages
- Language
- 英語
- Size
- 16 x 2.31 x 22.94 cm
- ISBN-13
- 9780231139649
- ISBN-10
- 0231139640
- Price
- 9276 JPY
- Category
- 洋書/Politics & Social Sciences/Politics & Government/International & World Politics/Asian
Houston A. Baker Jr. condemns those black intellectuals who, he believes, have turned their backs on the tradition of racial activism in America. These individuals choose personal gain over the interests of the black majority, whether they are espousing neoconservative positions that distort the contours of contemporary social and political dynamics or abandoning race as an important issue in the study of American literature and culture. Most important, they do a disservice to the legacy of W. E. B. Du Bois, Martin Luther King Jr., and others who have fought for black rights. In the literature, speeches, and academic and public behavior of some black intellectuals in the past quarter century, Baker identifies a "hungry generation" eager for power, respect, and money. Baker critiques his own impoverished childhood in the "Little Africa" section of Louisville, Kentucky, to understand the shaping of this new public figure. He also revisits classical sites of African American literary and historical criticism and critique. Baker devotes chapters to the writing and thought of such black academic superstars as Cornel West, Michael Eric Dyson, and Henry Louis Gates Jr.; Hoover Institution senior fellow Shelby Steele; Yale law professor Stephen Carter; and Manhattan Institute fellow John McWhorter. His provocative investigation into their disingenuous posturing exposes what Baker deems a tragic betrayal of King's legacy. Baker concludes with a discussion of American myth and the role of the U.S. prison-industrial complex in the "disappearing" of blacks. Baker claims King would have criticized these black intellectuals for not persistently raising their voices against a private prison system that incarcerates so many men and women of color. To remedy this situation, Baker urges black intellectuals to forge both sacred and secular connections with local communities and rededicate themselves to social responsibility. As he sees it, the mission of the black intellectual today is not to do great things but to do specific, racially based work that is in the interest of the black majority.
Houston A. Baker Jr. is Distinguished University Professor at Vanderbilt University. He is the author of I Don't Hate the South: Reflections on Faulkner, Family, and the South ; Turning South Again: Re-thinking Modernism/Re-reading Booker T. ; Black Studies, Rap, and the Academy ; Blues, Ideology, and Afro-American Literature: A Vernacular Theory , and a number of other studies of African American literature and culture. He is a published poet whose most recent volume is Passing Over .
Reviews
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Self aggrandizing
Unnecessarily verbose, loquacious, and zero data points
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The Art of Betrayal: Radical Lamentations of Therapeutic Alienation
"Nothing is easier to find than sins and shortcomings among human beings, regardless of their race. The question is: How much of a causal factor these moral failings have been in history and to what extent have they been effects rather than causes?" Thomas Sowell "O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe." Langston Hughes "Honor and dishonor come from speaking, and the tongue of mortals may be their downfall. Do not be called double-tongued and do not lay traps with your tongue; for shame comes to the thief, and severe condemnation to the double-tongued. In great and small matters cause no harm, and do not become an enemy instead of a friend; for a bad name incurs shame and reproach; so it is with the double-tongued sinner." Book of Sirach 5.13-6.1 (1) With ideological sophistry and a penchant for "verbal virtuosity", Baker engages his readers with boorish, garrulous, anecdotal, radical, and "autobiographical critique"(2) of both black centrist and black neoconservative intellectuals. Without surprise then, given his overall theatrical posture, he also displays throughout the book a mostly unforgiving spirit toward them simply because of their public square critiques and portrayal of pre-civil rights and post-civil rights black America which he implicitly suggests is a betrayal of Dr. King's "progressivism"; specifically, any unfavorable portrayal of the black majority, short of pictorial clenched fists raised in the air against white supremacist amerikkka while in pursuit of civil rights, yields accusations of blackface minstrels, house slaves, and Amos n' Andy sellouts seeking white approval. In this regard, Baker's fiery retorts are in keeping with a long standing taboo in the black community which often leads to cultural excommunication for those blacks who criticize the black majority where "whites" may also hear in the public square. Curiously, "The Future of the Race", coauthored by Henry Gates and Cornel West, eloguently attests to this very tradition. With some surprise on the other hand however, this reviewer found that his overtly expressed appreciation for supposedly empirically based racial discourse to be particularly disingenuous as he eventually leads his reader to an epiphanic moment of his very own: that black plight is due to plutocratic phantoms such as "national deterioration", "white supremacy" and the Reagan/Bush Compromise of inverted values while "black structures of feeling" remain oppressed. (3) Meticulously searching the endnotes for even one grant funded quasi-experimental design rigorously testing his religio-political beliefs will leave the reader bereft of any such empirically-based studies. Instead, the reader will encounter only antiquated though somewhat imaginative epideictic rhetoric suffused with radical convenantal fealty. Consequently, for purposes of this abbreviated review, my common sense analysis of his discourse and treatment of the works of John McWhorter and Shelby Steele should suffice as templates with which to dissect the many other analytical embellishments he proffers as "hermeneutical and poetically interpretive protocols of Dr. Du Bois"; indeed, a more authentic disciple of Dr. King no less with a profundity of "earned conclusions" steeped in a "stern commitment to the best practices of the humanities". (4) Firstly, with respect to the essay critiquing McWhorter's major theme found in "Winning The Race", that of `the meme of therapeutic alienation', this reader surprisingly found very little of a direct refutation; ironically instead, one will find an almost deliberate evasion of such by Baker because alienation, the real issue that he ignores even while attempting to deconstruct meme, is nevertheless manifest throughout the black community i.e. as is commonly found even in his political laments for "Little Africa"; thus, any public square critiques shared by these particular black centrists and neoconservatives which specifically hold members of the black community collectively and individually responsible for culturally alienating tendencies he manifestly regards, throughout the book, as unfairly 'blaming the victim'. And for this sin, in particular, he issues forth very harsh rebukes with selective political excommunication. Well, what then is this therapeutic alienation: "The nut of the issue is that these [informed race warriors] want neither justice nor healing. What people [like Baker] are seeking is sadly not what they claim to be seeking. They seek one thing: indignation for its own sake. And that means that the alienation that they are expressing is disconnected from current reality." Interestingly, along with alienation, this concept of meme also parallels another McWhorterian discussion pertaining to 'New Double Consciousness' found in his "Authentically Black", Chapter 1, pps 1- 5: "Black America today is permeated by a new kind of double consciousness that has strayed far beyond the one DuBois examined in 1903. To wit, a tacit sense reigns among a great many black Americans today that the authentic black person stresses personal initiative and strength in private but dutifully takes on the mantle of victimhood as a public face...In daily life this assumption is encapsulated in the often heard phrase, 'We can't let whites off the hook'...Many ideological tendencies in the black community are based neatly in this 'whites on the hook' idea, virtually unquestioned and spiritually resonant."(5a) And so with both alienation and double consciousness in mind, Baker's critique strategically digresses to an inaccurate focus upon and criticism of the quasi-evolutionary concept of "meme"; meme being only one of several analogues used by McWhorter to better understand how ways of adaptation may begin as purposeful action but may devolve into lingering, reflexive and sometimes self-defeating gestures or theatrics even after conditions prompting such have changed. As a result, his criticism subtly leads his reader into an archaic philosophical argument based on a strawman premise; this is so because with judicious indifference, Baker seems to conscientiously detach McWhorter's actual use of meme, properly understood as a religio-political "filter", from therapeutic alienation which characterizes much of black-leftist race-based psychology. Even more specifically, regarding Baker's development of this strawman detour is the fact that it's the Black-Democrat-Left which argues "racism in the air" via white supremacy in 21st century America; further still and curiously, Baker specifically does not inform the reader of McWhorter's previous discussion of skeumorphy and path dependence, found in the same chapter, as a backdrop to understanding how these cultural filters may lead to alienation. Again, this is key to understanding Baker's overall thematic critique as he appears, throughout the book, to be in denial of his own therapeutic alienation all the while criticizing black intellectuals who have chosen to address this cultural phenomena within the public square.(5b) Similarly and again with yet another layer of irony, his essay also fails to note that a significant part of "Winning The Race" includes a meta-analyses of all black sociological thought from the prestigious American Journal of Sociology, beginning in 1991 to 1999 (6); this is extremely pertinent to this review as Baker made clear from the onset that "in this book I always ground my analyses in critical, rhetorical, cultural studies readings of actual texts published by the black intellectuals I critique...[,yet] I freely state that the present book is not bound by methodological protocols considered de rigueur by a number of putatively empirically based scholarly disciplines that have been vastly influential in the modern academic world."(7) To wit, while accusing McWhorter of non-academic stewardship in the area of racial dialogue despite his clearly delineated meta-analyses specifically addressing alienation, Baker on the other hand simply excuses himself, without explanation, from presenting vaguely beloved correlational studies which substantiate his own critiques--again, only a vain search will result by reviewing the endnotes; thematically speaking, this reader's impression is that his use of these very types of political shibboleths are probably mostly sustained by a wayward dialectic of outdated, mothball revolutionary dogma and therapeutic meme. Secondly, with respect to the essay critiquing Steele's "Content Of Our Character" and "White Guilt," one finds exemplified a radical(8) racial theodicy employing allegorical villainy with invidious transgressions of political identity and Nietzschean ressentiment. Here, having entered stage Left, the audience initially listens to airbrush lamentations of historical Burkean conservatism, most foul, conducted within a political-theatrical backdrop in which dark parodies and corridors of US history are vociferously recounted; ah yes, the sins of dead white males are once again revived with liturgical piety where they remain in the cherished annuals of perpetuity. A piety often mimicking the accusatorial rhetoric found in historical Jewish-Christian dialogue involving the charge of "deicide" and locus of responsibility.(9) Slowly emerging from such a Bakeran stage, a dialectic of master morality(read: White Corporate Amerikkka) and slave morality(read: Black Power) become diabolically intertwined for which Steele initially becomes willing purveyor if not but tentatively; if not but with rudimentary competence; alas, as this melancholic story unfolds though, Baker's fictional Steele succumbs, yea, commits sins of "fortunate fall"(10); traitorous, duplicitous, and self-serving interests lead this fictional Steele to partake of neoconservative persiflage and to "profitable gold of his own authorship." (11) Thus, Steele's actual affirmations of Civil Rights Act measures are reducible to scriptural philistinism, per Baker, because of his heretical belief that "racial power subverts moral power"(12); poetic interpretative license, indeed, as Baker also suggests that MLK regarded the results of the Civil Rights Act of 1964 as only paltry gains. And yet, can any honest reader really disagree with this Steelean insight as it ironically comes to reflect the heart of Baker's master morality inquisition. Baker unwittingly gives answer to this question. Let's hear Baker's oration then: "Blacks have not even engineered independent bootstrap programs for their own uplift. Instead, they have continuously insisted--despite what Steele sees as indisputable evidence to the contrary--that they are not yet free. They dare to claim that white supremacist sinners are not genuinely penitent and have yet to relinquish even a modicum of their powerful global supremacy." (12) And so, Baker too--despite his duplicitous accusations directed toward Steele--believes that racial power does indeed subvert moral authority after all although he exempts similar scrutiny of his beloved Black Power. Of note, "black power" and the politics of "black liberation" trace their roots to 60's marxist-militant, separatist groups whose tactics MLK never embraced or practiced within public or private domains. Though Martin Luther King did describe himself as a democratic socialist, he adamantly rejected Far-Left radicalism as Douglas Sturm's essay aptly makes plain(see endnote, 13a); as a result, Gandhian-based peaceful protests of MLK and radical Black Power represent opposite ends of a racial uplift continuum no matter Baker's rhetoric which co-opts liberal civil rights phraseology--highly indicative, actually, of a reaction formation just as "acting white" represents yet another. Baker like other members of the progressive Black Left, such as Micheal Eric Dyson, engage in willful historical eisegesis in their attempt to portray Dr. King as a liberal Democrat who was transformed into a Far-Left radical during the last two years of his life. As a man of the Left, Dr. King identified many systemic challenges with which radicals could also easily agree while each pursued "radically" different methods i.e. Christian Integrationism vs. Black Nationalism.(13b) Subsequently and with mischaracterization then, Baker projects redemptive value onto the politics of black liberation while he subtly, sardonically misrepresents the importance of `will to power' ideology embraced by such movements.(13c Thirdly, as with black liberation, so too in like manner, Baker's use of "global supremacy" remains of interest as it captures his overall thematic critique of Steele's examination of "global racism" found in White Guilt, Chapter 6, The New Consciousness; to this end and with unique insight provided by ex-radicals, David Horowitz and Peter Collier, they explain what lies behind his use of global supremacy: "In the intellectual cartology of the Left, the Third World is the oppressed world, the world where the weak are perpetually at war with the strong--of noble blacks and predatory whites, of permanent victims and perennial innocents. Embarrassed by their defense of totalitarian superstates like Stalinist Russia and Maoist China, the progressives have found in the third world an arena in which the banners of the Red Internationals can be taken out of mothballs and again held high. On the third world battlefields, the equations of moral superiority work again. Marxist revolutionaries always appear as guileless Davids, while America and its allies are always guilty Goliaths. Third World peoples are the "victims" not only of present predations by imperialism but victims, too, of the long half-life of its past offences. Thus even when Third World revolutionaries are guilty they are innocent, because of the "imperialist legacies" they inherent. If they embrace terror as a weapon in their struggle, this terror is justified by their accumulated "rage"...In all cases, they are morally exculpated in advance by a single explanation: the devil made them do it." (14) Continuing, Baker's criticism of Steele in this regard was particularly illustrative of the Left's duplicity. Baker makes two(2) statements which he uses to criticize Steele essentially for proffering a "conversionist discourse"--blaming the victim--and denying agency to African Americans. Here are his statements: a.) Baker interprets Steele as saying, `It is not the agency of the oppressed...but the weakness of the oppressor that creates conditions of possibility for black freedom.' And b.) Baker says, `Instead they(blacks) have continuously insisted that they are not yet free...they dare to claim that white supremacist sinners are not genuinely penitent and have yet to relinquish even a modicum of their powerful global supremacy.' My, how the rhetorical dereliction deepens still further my fellow reviewer as Baker becomes an unwitting protagonist yet a second time; providing support for Steele's global argument in that Baker's statements are actually logical collolaries used as ideological icons promulgated by the Black Left to keep whites on the hook; amazingly still, there is yet more dereliction of rhetorical duty that awaits the reader to be discovered as it is Baker who actually denies agency to those who engage in drug trafficking while piously labeling Stephen Carter as a `trickster' who he describes as someone who speaks `words that seem to mean something they don't.' Textual criticism indeed? Substituting harsh laments for reasoned analysis, Baker once again appears to be completely unaware of the fact that the black left has yet to provide an adequate answer as to when an African American who has benefited from affirmative action yet criticizes it would ever have this critical view seriously considered as part of the ongoing debate--history teaches that affirmative action legislation was debated as only a temporary intervention within a Title VII backdrop.(15) How can such a self-proclaimed textual critic who supposedly possesses critical studies acumen continue to make such glaring, academic philological mistakes? The answer, this reviewer suggests, is found in therapeutic meme. Fourthly and simply put, "Betrayal" is an example of a critical studies genre for which its revolutionary dogma and storytelling have long since lost any practical connection to contemporary cultural issues of the present day; thus, his readers are subjected to yet more outdated critiques of black intellectuals who have examined, in the public square, current political beliefs and behavioral attributes that continue to adversely effect Little Africa, writ large; it's cultural and political alienation as well as inner city stereotypes of "bad behaviour" addressed by each of the black intellectuals critiqued by Baker which has earned each of them his ire; an alienation, by the way, which is also rooted in a "structuralism vs bad behavior" politics that Baker explores in his attempt to dismiss black centrist critiques of inner city pathologies. However, what Baker does not inform his reading audience of is that his use of "structuralism" traces its genesis to the 1960s Kerner Commission Report which concluded that the plight of Little Africa was both institutional and structural in nature; and within this historical backdrop, black progressives remain religio-politically transfixed and unmovable with the passage of time--even some 45 years later. Thus, his continued reliance upon a 1960s perspective about "structuralism" as an explanation for self-sabotaging behaviour in the black community is yet another illustration of that ever evolving therapeutic meme that McWhorter so eloquently dicussess; and this is why Baker takes aim at McWhorter's use of the meme of therapeutic alienation: it's an incisive poetically-revelatory, rhetorical device. Baker's response to these writers, without much surprise, basically focused upon Leftist leitmotifs such as the vicissitudes of structuralism, private prison industrial-complex, drug-industrial complex, white supremacy, and other whimsically erudite, yet self-alienating visions; these leitmotifs, this reviewer suggests, are symptomatic of new black double consciousness "in the air", in da' public square. In the words of Horowitz and Collier, "This progression was inevitable. Radicals are the permanently unsatisfied among us, the resentful nihilists of the utopian cause...Marxism long appeared to be free from racist taint because the messianic force on which it pinned its hopes was not an ethnic or racial group but an economic class. In the sixties, radicals lost all hope that the working class would ever become a revolutionary force. Instead, they transferred their destructive faith to substitute candidates: women, gays, and blacks. It was in this crucible that radical feminism and the gay and black liberation movements of the New Left were forged."(16) In that spirit, Baker's revisionist pen reveals that there is still a governmental white conspiracy against blacks in an America which elected an African-American President; this invective has remained part of a rhetorical arsenal of the Left for well over 45 years now. And so, though members of the radical black bourgeoisie, the Talented Tenth, often feign compassion for the economic plight of "Little Africa" as measured by statistical disparity, this "Tenth" along with their fellow Marxist traitors(read: neoconservative) have together long ago taken flight to suburbia--such "friends like these".(17) Consequently, reading his book provoked a disparaging image of a religious, existentialist fellow-traveler wandering 40 years within an outdated, public ideological desert with piteous longsuffering while so many have already privately chosen to cross Jordan's unimpeded waters into Canaan's plenteous bounty; and of his alienating political desert, well, it's portrayed with Ralph Ellisonian like tragi-comic relief throughout the many pages of his Betrayal which poetically finds its genesis in an epiphenomenal imagination peculiar to his generation of radicals who wilfully continue to refuse to become partakers of MLK's "beloved community". Theatrically bereft of Beulah's land while defiantly forsaking and denying its liberality of manna and freedom, these radicals mostly remain diffident toward King's Dream on the Mall and choose instead to wander in a self-imposed desert of social justice mirages; thematically, inauthentic blackface minstrels of the New Left tragically haunted by an illusionary radical faith which is bound and fixated to an audience and past that no longer even exist.(18) And so, what then of the elite Vanderbilt University Dr. Baker? Alas, and what say you of the many brutal kleptocracies found on the continent of Mother Africa that still await your poetically interpretative protocols of DuBoisian measure? (19) "There's matter in these sighs, these profound heaves. You must translate: `tis fit we understand them." Hamlet, 4.1.1-2 "By nature free, not overruled by fate Inextricable or strict necessity...For how Can hearts, not free, be tried whether they serve Willing or no, who will but what they must By destiny and can no other choose?" Paradise Lost, Book 5.527-534 Endnotes (1) Thomas Sowell, Black Rednecks and White Liberals, p. 262.; Langston Hughes, "Let America Be America Again"; The New Oxford Annotated Apocrypha, Augmented Third Edition 2007, p. 107-108. (2) Betrayal, p. 182; see Thomas Sowell's, 'Intellectuals and Society', regarding verbal virtuosity as well as his "Visions Of The Anointed". (3) Betrayal, p. 184, 190, 192. (4) Betrayal, p. xvi-xvii. (5a) Winning The Race, p. 5 and p.6: This is therapeutic alienation: alienation unconnected to, or vastly disproportionate to, real-life stimulus, but maintained because it reinforces one's sense of psychological legitimacy, via defining oneself against an oppressor characterized as eternally depraved; Shelby Steele's, White Guilt, p. 34: By the mid-sixties white guilt was eliciting an entirely new kind of black leardership, not selfless men like King who appealed to the nation's moral character but smaller men, bargainers, bluffers, and haranguers--not moralists but specialists in moral indignation--who could set up a trade with white guilt. The most striking irony of the age of white guilt is that racism suddenly became valuable to the people who had suffered it. (5b) Baker's Archaic Argument: He sardonically accuses McWhorter of using a "naturalistic fallacy" with his introducion of 'the meme of therapeutic alienation'; suggesting that McWhorter is both unscholarly and biased for supposedly inferring non-natural properties, like meme, from naturalistic evolutionary processes. To the contrary, a careful reading of McWhorter shows that his initial use of meme, as an informal cultural-analogue to genes, was clearly explained within a backdrop of both skeumorphy and path dependence. Plus, McWhorter's discussion of other kinds of filters(political viewpoints and worldviews which lead to maladaptive behaviors for the black majority) are commonly found throughout his many other writings. Even a simple review of meme, a concept which is quasi-evolutionary in nature, reveals that cultural ideas are simply transmitted from one person to another via writing, speech, and political ideology--it's actually a very straightforward and commonsensical concept. In characteristic fashion, though, Baker appears to deliberately miscontrue an otherwise simple rendering of meme in keeping with his role as rhetorical redeemer and prophet to the black majority; a prophetic rhetorician who unwittingly preaches such a radical version or gospel of "structural determinism" throughout Betrayal, and with such religio-political conviction, that his structuralism morphs into an allegorical version of genetic determinism; in that sense then, Baker ironically promulgates a very subtle form of mutated naturalistic fallacy as a redemptive measure in keeping with his Duboisian "poetically interpretive protocol." His radical gospel is also revealing in that it exemplifies, very poetically, a dogmatic critical race theory which characteristically uses storytelling and counter-storytelling to explore anecdotal experiences of racial oppression with a bit of political chimera; similarly, such may also be found within the manifesto of the Black Radical Congress of which he is probably affiliated. (5b) Authentically Black, pps 10,11,12,15,21: "What one is considered to be a traitor against is the unwritten agreement that our job is to keep whites feeling guilty, lest they slide off of the hook...For a few, my breaking the unspoken rule elicits sharp contempt, but in most, just a looming discomfort. That particular discomfort is a keystone of modern black identity: a sense that whites are always just on the verge of taking us back to the past, meaning that we must maintain an aggrieved public presence to remind them of their 'duty'...Just why a people who privately emphasize their inner strength feel so deeply that they must keep this so quiet once they step outside? The reason is a particular outgrowth of the New Double Consciousness, another guiding notion so deeply entrenched in modern black thought as to rarely be explicitly declared: Until all racism is extinct in the United States, there remains a devastating obstacle to success for all blacks except those who are lucky or extraordinarily gifted...The black person may know that the white man is not keeping them down, but tends to assume that he is keeping other blacks down...And what this problem means is that when we are told that the oppressor is at fault, it is a seductive drug...Whenever I read one more commentator griping that blacks "play the victim" as a political ploy, I am dismayed that the person is unaware of a grisly psychological stain on a race. All the black Americans out there grousing about 'white supremacy' and smugly dismissing 'black conservatives' as naive sellouts are speaking from [a] private sense of inadequacy. No one who misses this can fully understand the race problem in modern America." (6) Winning The Race, Chapter 7, What About The View From The Ivory Tower; "Moreover, I will venture the assertion--albeit ready to see it contradicted with logical argument--that nothing I have seen by way of chi-squares and regressions in sociologists' arguments deep-sixes the conclusions I have come to." p.256. (7) Betrayal, p. xvi; only three(3) pages before ending the book does he eventually emphasize that he is a "textual critic", p. 214. (8) Betrayal, p. 182. (9) Betrayal, p. 129-131; see Stephen R. C. Hicks's, "Explaining PostModernism: Skepticism and Socialism From Rousseau To Foucault" regarding Nietzschean Ressentiment, particularly Chapter 6; First Things, Number 204, 'The Trial Of Jesus, pps. 39-46, June/July 2010. (10) Betrayal, p. 136 (11) Betrayal, p. 154 (12) Betrayal, pps. 133, 149 (13a) "Martin Luther King, Jr. As Democratic Socialist", The Journal of Religious Ethics, Volume 18, No. 2(Fall, 1990), pps 82, 91: "The suggestion, in short, is that King became radicalized in social thought partially as he assimilated the impact and significance of the Black Power movement, partially as he encountered massive resistance to his campaigns by established political interests, especially in Chicago, and partially as he was forced to acknowledge the deep tragedy of the Vietnam War and its link with American economic structures...On the contrary, however, I shall contend that Martin Luther King, Jr. was a democratic socialist from his student days at Crozer Theogical Seminary, that the ultimate root of his democratic socialist orientation derives from the black religious tradition that formed the deepest fundament of his emotional and intellectual life, and that the change that is discerned in the final years of his life is but a refinement or, perhaps, a shift in focus of his mission, but not a transformation of his basic orientation...Through Hegel, I would suggest, King refined his socialist perspective--in its social diagnosis and in its theory of social change. He was enabled to discern, in a profounder way than before, the inextricable interrelationship of black and white in racist society and of owner and worker in a capitalist system. To be sure, King's democratic socialism was not Marxist in the classical or orthodox sense of that movement; it was instead a democratic socialism derived through the social gospel of Rauschenbusch, modified by the Christian realism of Niebuhr, and governed by the basic philosophical categories of personalist idealism. More deeply, it was inspired by the sensibilities and spirit of the black religious tradition. But it was firmly fixed in his mind and informed his thought and practice as he moved into his career as Baptist preacher and social activist." See also google search for "Red Vocabulary". (13b) See Michael Eric Dyson's, "I May Not Get There With You: The True Martin Luther King, Jr.", "April 4, 1968: Martin Luther King, Jr's Death and How It Changed America", and his "Making Malcolm: The Myth and Meaning of Malcolm X"; Eric J. Sundquist's, "King's Dream"; Clarence B. Jones', "What Would Martin Say?"; and James H. Cone's, "Martin & Malcolm & America: A Dream Or A Nightmare". (13c) Betrayal, p. 148 (14) Destructive Generation: Second Thoughts About The `60s, p.253; see also Google Search for 'PanAfricanism' regarding Baker's use of global supremacy; First Things, Number 204, 'The Morality of Self-Interest', p 54: "Consider the winning policy of the Reagan Administration during the Cold War, which overcame the most prominent collectivist alternative to American Democracy. America did not set out to persuade the Soviet Union to emulate us. We set out to ruin it, and ruin it we did. After Russia repudiated Communism we proposed to assist its reconstruction. In other words, American interest consists of allying with success and containing failure...Washington has swung from a utopian effort to fix the world, to the baffling pretense that the world somehow will fix itself if only America leaves it alone...Instead of a president determined to use American hegemony to rid the world of evil, America has a president determined to rid the world of hegemony." (15) Betrayal, pps. 143, 206, 157; White Guilt, p.35, 38: "Global racism...is racism inflated into a deterministic, structural, and systemic power...enables blacks to frame racism to the scale of white guilt rather than to the scale of white racism--too weak these days to count for much."; Winning The Race, p.257: 'The problem, however, is that the frames of reference of race now entrenched in academic sociology address only a part of the scene they claim to report from. That is, there is nothing in these works, individually or collectively, that belies a basic observation: They misrepresent the reality of the state of black America, in favor of stressing the bad and almost wilfully neglecting the good, or even the possible.' (16) Deconstructing the Left: From Vietnam To The Clinton Era, p. 163; Betrayal, p. 14: 'I will never forgive them.' (17) Betrayal, Chapter 3; only two(2) pages before ending the book does he acknowledge that he is `not claiming to be writing from the black majority trenches.' p.215 (18) Isaiah 62:4 - "No longer will they call you Deserted, or name your land Desolate. But you will be called Hephzibah and your land Beulah; for the LORD will take delight in you, and your land will be married." Footnotes: Hephzibah means my delight is in her. Beulah means married; The Collected Essays of Ralph Ellison, 2003; Shadow and Act by Ralph Ellison, 1995. (19) The Fate of Africa: A History of Fifty Years of Independence by Martin Meredith, 2006; Africa: Altered States, Ordinary Miracles by Richard Dowden, 2010; Out of America by Keith Richburg, 1997; Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa by Jason Sterns, 2011.