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Saxophone Colossus: The Life and Music of Sonny Rollins

American Book Awards

Saxophone Colossus: The Life and Music of Sonny Rollins

Aidan Levy

The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins, chronicling the gripping story of a freedom fighter and spiritual seeker whose life has been as much of a thematic improvisation as his music Sonny Rollins has long been considered an enigma. Known as the "Saxophone Colossus," he is widely acknowledged as the greatest living jazz improviser, having won Grammys, the Austrian Cross of Honor, Sweden''s Polar Music Prize and a National Medal of Arts from President Barack Obama.

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Work Information

The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins, chronicling the gripping story of a freedom fighter and spiritual seeker whose life has been as much of a thematic improvisation as his music Sonny Rollins has long been considered an enigma.

The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins, chronicling the gripping story of a freedom fighter and spiritual seeker whose life has been as much of a thematic improvisation as his music Sonny Rollins has long been considered an enigma. Known as the "Saxophone Colossus," he is widely acknowledged as the greatest living jazz improviser, having won Grammys, the Austrian Cross of Honor, Sweden''s Polar Music Prize and a National Medal of Arts from President Barack Obama. He is one of our last links to the golden age of jazz--one of only two remaining musicians pictured in the iconic "Great Day in Harlem" portrait. His colossal seven-decade career has been well documented, but the backstage life of the man once called "the only jazz recluse" has gone largely untold--until now. Saxophone Colossus introduces us to the man behind the myth. Based on more than 200 interviews with Rollins himself, family members, friends and collaborators, as well as Rollins'' extensive personal archive, it is the comprehensive portrait of this living legend, tireless civil rights activist and environmentalist. A Depression-era child of the Harlem Renaissance, Rollins'' precocious talent quickly landed him on the bandstand or in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis, the Clifford Brown-Max Roach Quintet, Abbey Lincoln and Dizzy Gillespie. He soon became an icon in his own right, recording fifteen albums under his own name in a staggering three-year span--including Tenor Madness, featuring a blues battle with John Coltrane; Way Out West, which established the pianoless trio; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard, which put the storied jazz venue on the map; and the 1956 classic Saxophone Colossus, credited for introducing calypso to jazz with "St. Thomas." He was even more prolific on the bandstand, performing everywhere from Minton''s Playhouse to Carnegie Hall, Paris''s Olympia Theatre to Tokyo''s Kosei Nenkin Kaikan, making the occasional impromptu appearance at a gritty downtown loft. Yet his meteoric rise to fame was not without its challenges. Early on, he served a ten-month sentence on Rikers Island and faced a battle with heroin addiction that threatened to derail his career. After voluntarily entering the U.S. Public Health Service Hospital in Lexington, Kentucky, he beat his addiction and came back stronger. Willing to sacrifice fame, in 1959, Rollins began a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge, which has since inspired an ongoing campaign to rename the bridge in his honor. In 1968, he took another sabbatical to study at an ashram in India. With the help of his wife and manager Lucille, Rollins returned to performing in 1971, and never left until his retirement in 2012. The course of his life, much like his improvisations, vacillates between revelatory triumph and Sisyphean struggle, sudden bursts of brilliance and unexpected silences, with never a dull moment in between. The story of Sonny Rollins--innovative, unpredictable, larger than life--is the story of jazz itself, and Sonny''s own narrative is as timeless and timely as the art form he represents. Part jazz oral history from the 1940s to the present told in the musicians'' own words, part chronicle of one man''s quest for social justice and spiritual enlightenment, part guidebook on what it means to be an American original, this exhaustively researched account pulses with the rhythm and pathos of a literary novel and the depth and insight of a serious scholarly study. This is the definitive biography of one of the most enduring and influential artists in jazz and American history.

Book Information

Publisher
Da Capo
Published
2022-12-06
Pages
784 pages
Language
英語
Size
16.76 x 6.35 x 24 cm
ISBN-13
9780306902796
ISBN-10
0306902796
Price
6984 JPY
Category
洋書/Biographies & Memoirs/Leaders & Notable People

**Winner of the American Book Award (2023)** ​**Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)** The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the “Saxophone Colossus,” he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden’s Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic “Great Day in Harlem” portrait. His seven-decade career has been well documented, but the backstage life of the man once called “the only jazz recluse” has gone largely untold—until now. Based on more than 200 interviews with Rollins himself, family members, friends, and collaborators, as well as Rollins’ extensive personal archive, Saxophone Colossus is the comprehensive portrait of this legendary saxophonist and composer, civil rights activist and environmentalist. A child of the Harlem Renaissance, Rollins’ precocious talent landed him on the bandstand and in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis and Dizzy Gillespie, or playing opposite Billie Holiday. An icon in his own right, he recorded Tenor Madness, featuring John Coltrane; Way Out West; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard; and the 1956 classic Saxophone Colossus. Yet his meteoric rise to fame was not without its challenges. He served two sentences on Rikers Island and won his battle with heroin addiction. In 1959, Rollins took a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge. In 1968, he left again to study at an ashram in India. He returned to performing from 1971 until his retirement in 2012. The story of Sonny Rollins—innovative, unpredictable, larger than life—is the story of jazz itself, and Sonny’s own narrative is as timeless and timely as the art form he represents. Part jazz oral history told in the musicians’ own words, part chronicle of one man’s quest for social justice and spiritual enlightenment, this is the definitive biography of one of the most enduring and influential artists in jazz and American history.

Aidan Levy is the author of Dirty Blvd.: The Life and Music of Lou Reed and editor of Patti Smith on Patti Smith: Interviews and Encounters . A former Leon Levy Center for Biography Fellow, his writing has appeared in The New York Times , The Village Voice , JazzTimes , and The Nation .

Reviews

  • Libro bellissimo, caldamente raccomandato agli amanti del genere; la spedizione nei termini e nei modi indicati. Imballaggio punto dolente: articolo unicamente avvolto in un cartoncino leggero e sottile, non adatto a proteggerlo da urti e schiacciamenti, con fessure aperte che lasciavano il prodotto a contatto con l'esterno. All'interno del pacchetto il libro era privo di un qualsiasi rivestimento (foglio di plastica o di carta); il prodotto non era rovinato ma leggermente usurato nella sovracoperta e abbondantemente impolverato. AMAZON DEVE CURARE MAGGIORMENTE L'IMBALLAGGIO!!!

  • Estou amando.

  • Nothing here to dislike. It arrived well packaged before the expected date. Thanks all!

  • I love Sonny Rollins. This is a definitive biography.

  • At 715 pages, this is a colossus of a biography, but it is an absolutely riveting read. It took me two weeks to complete, not so much because of the length, but because I spent so much time stopping to underline key passages that were exceptionally thought-provoking and/or that were incredibly moving. Levy is as good a storyteller as he is a researcher. Through Levy, we get to see the full scope of Rollins’ personality. What I love about Rollins is that he’s motivated only by his quest for “the lost chord,” as Levy describes it — a metaphor for Rollins’ desire to play perfectly. Through Levy’s portrayal, we see Rollins as a searcher, an explorer. He left the jazz scene to practice on his own for two years despite having reached a pinnacle of acclaim. He traveled to India to become a student of yoga. He learned about Rosicrucianism and Buddhism and Hinduism. His quest was a musical one, but also an intellectual one, and a spiritual one. Music was always his form of meditation, long before he even realized that was the case. Rollins’ life contains the history of jazz. His admiration, love, and respect for the elders from whom he learned is very inspiring. Coleman Hawkins, Charlie Parker, Lester Young, Thelonious Monk, and Bud Powell are people he speaks of in reverential tones. Then there were his contemporaries — John Coltrane, Jimmy Heath, etc. And then the young lions — Wynton and Branford Marsalis, Joshua Redmon, Roy Hargrove, etc. Reading the story of Rollins’ life is like reading the story of jazz. And it reads like a novel, not like an encyclopedia, due, again, to Levy’s phenomenal storytelling skills. In a lot of ways this book is about the journey of self-discovery and self-actualization that we all must walk, each in our own way. Sonny’s devotion to music was absolute. One of the most telling moments in the book comes when Sonny is forced to evacuate his NYC apartment, in the dark, shortly after the 9/11 attacks. Levy writes, “…the National Guard came to evacuate him and three other stranded residents…. Sonny had to walk down 39 flights of stairs. He grabbed a flashlight and his tenor.” There are many more such moments throughout this book where I felt I had to just put it down for a second and take in the full depth of what I just read. If I could give this book six stars I would.

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