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Book Information

Publisher
Knopf
Published
2010-06-08
Pages
288 pages
Language
英語
Size
16.71 x 2.62 x 24.28 cm
ISBN-13
9780307592835
ISBN-10
9780307592835
Price
8319 JPY
Category
洋書/Mystery & Thrillers/Thrillers/Psychological & Suspense

NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” ( The Chicago Tribune ) . One of the New York Times ’s 100 Best Books of the 21st Century • One of The Atlantic ’s Great American Novels of the Past 100 Years • A Kirkus Reviews Best Fiction Book of the Century • A Los Angeles Times Best Fiction Book of the Last 30 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect . . . Darkly, rippingly funny . . . Egan possesses a satirist’s eye and a romance novelist’s heart.”— The New York Times Book Review

Jennifer Egan is the author of The Keep, Look at Me, The Invisible Circus, and the story collection Emerald City. Her stories have been published in The New Yorker, Harper’s Magazine, GQ, Zoetrope, All-Story, and Ploughshares, and her nonfiction appears frequently in The New York Times Magazine. She lives with her husband and sons in Brooklyn.

Reviews

  • 文句なしのピューリッツァー賞受賞作

    それぞれの章が異なる人物の視点から書かれており、しかも年代順ではない、というユニークな構成の小説。 現在ではないかと思われるニューヨーク市を舞台にした1章は、有名な音楽プロデューサーBennie Salazarのアシスタントを務めるSashaの、孤独でやるせない生活の一シーンを映し出す。2章で読者は1章で名前だけ登場したBennieの現在を知り、3章でBennieが若かりし頃にパンクロックバンドをやっていた頃の仲間に出会う。4章以降も、現在、過去、未来を飛び移りながら、Bennieを今の仕事に導いたメンターのLou、Bennieの離婚した妻、Sashaの大学時代の友人、恋人、叔父、と多くの人物が登場する。 著者が「goon squad」とタイトルにつけたように、それぞれの語り手は、「なんでこんなことをするのだ?」とどやしつけたくなるような(本人もそう感じているらしき)「どうしようもない奴(goon)」ばかりである。 だがA部がB部(1部2部ではなく、AとBというところもユニーク)に移る頃、突然これらの登場人物が愛おしくなってくる。情けないことをやらかし、それに押しつぶされそうになり、それでも生き続け(ることができたら)、成長して人生に何らかの意義を見いだす。そして「幸福」も。 全ページがスライドプレゼンテーションという12章が、ストレートに胸にじんとくる暖かい章だというのも面白い。小説全体にBGMとしてロックが流れているのが聞こえるような気がするのもすばらしい。 文句なしの受賞作である。

  • good

    good

  • 英語力が必要

    ピューリッツァー賞受賞作。作者ならではのセンスやノリ、言い回しも本作の大きな魅力なのだと思います。が、残念ながら見慣れない単語が多く、意味がよく分りませんでした。語彙に自信がないと相当辛いです。矢張りこういった賞を貰うような本は、ふつうのマスマーケット作品とは全然違うのですね。私は十分に楽しめませんでした、悲しい・・・。

  • 際立つ第12章の不思議な抒情性は必見です。

    この小説のピュリツァー賞受賞理由は、間違いなく第12章の存在だろう。Great Rock and Roll Pausesのタイトルがつけられたこの章は、パワーポイントで書かれたプレゼンテーション用の図表原稿のようだが、実にこの作品中で最も抒情的であるから不思議だ。作者の力量に感服する。 2020年の近未来、主人公サーシャは遍歴の後、二人の少年の母になっている。13歳の兄は自閉症気味で一日中ロック聴いている。しかも一旦終わったと思われる曲が、そのあと劇的に再スタートするあのロック特有のエンディングの休止(pause)技法を執拗に聴きつづける。そんな兄の姿とそれを見つめる親たちの姿を弟がパワーポイントで記録するのだ。まるで未来の小説スタイルを予言するかのように。 作品の扉にはプルーストの『失われた時をもとめて』の一節が引用されている。時はたえず流れ現在もすぐに失われ過去になる。しかし失われた時間は過去にだけあるのではなく、未来を生きる子どもの中に受け継がれる。ロック曲が中断(pause)した後、また再開するように。

  • GREAT

    ALL IN ORDER.

  • This is a novel in 13 chapters, each of which forms its own short story. It deals with people in the music industry, most notably a woman called Sasha and her boss Benny Salazar. It spans a period of some 40 to 50 years, from the 1970s to the 2020s or 2030s - so, obviously, some of it is set in the future. As I began reading, I grew fond of the character the first chapter centers on, Sasha, who works in the music industry and is struggling with her kleptomania. Going on reading, I found that none of the other chapters took up her perspective again. I find this a difficult thing to deal with when I am reading a novel: I hate getting to know a character, beginning to feel for them and their conflicts, and then see them completely abandoned in later chapters. So, some pages into chapter 3 or 4, I found myself getting impatient, even angry at the author. I decided to give the book the benefit of the doubt (after all, it's a Pulitzer Prize winner!) and continued. And I found myself rewarded. This book gets better with every chapter. While each of them tells the story from a different point of view, they all blend together and tell a fascinating story about people and their lives. We begin to learn more about Sasha - her adolescence, her experiences as a lost young woman, her way towards a little more happiness... We also learn more about the other characters and get to see what happens to them, where they came from etc. The novel grew thus more and more fascinating the more I kept reading. Egan even dares to tell one of the chapters as a "slideshow diary" and it works. Time and its passing are an important topic - the novel's title is somewhat illuminated by the statement of one of the characters that "time is a goon" as well as the characters personal development over these years, their loss of youth, their way to - if not happiness - a feeling of contentment. If you like an experimental narrative structure and if you enjoy to follow characters' development over time, this will be a rewarding read.

  • I didn’t know what to expect from this book. Bought it years ago, tried it and couldn’t make any progress. That was on me. Coming back to it I can now appreciate the talent and the imagination. But mostly the connection with a world far from mine. Glad I returned.

  • Libro di trame intrecciate e salti temporali. Ci sono tanti personaggi legati l'un l'altro che possono anche avere piu' di un pezzo loro dedicato. Direi che tra i temi centrali c'e' la produzione della musica, ma c'e' tanto altro, anche parti umoristiche. I personaggi non sono mia banali.

  • This is one of the best books I have read. It is a masterpiece. She doesn't get the credit she deserves. Her writing is magical, tough, characters are brilliantly drawn and she captures the craziness of life. All in one.

  • Complexo, deliciosamente bem escrito. Te leva para situações tão especificas que ao mesmo tendo se desdobram em realidades mundanas. Amei. Definitivamente foi reler

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