Speaker for the Dead (Ender)
A sequel to Ender’s story in which the adult Ender travels to a new world as a 'Speaker' and tells the stories of the dead. It explores misunderstanding with an alien species, cultural friction, atonement, reconciliation, and deep questions of ethics and religion.
Work Information
The grown Ender takes on the role of revealing the truth of the dead.
Winner of the 1987 Hugo Award for Best Novel, this Orson Scott Card novel extends Ender's story into religious and ethical territory. Japanese editions have been published under the title 死者の代弁者.
Book Information
- Publisher
- Tor Books
- Published
- 1986-03-01
- Language
- 英語
- Size
- 16.21 x 2.72 x 23.95 cm
- ISBN-13
- 9780312937386
- ISBN-10
- 0312937385
- Price
- 3346 JPY
- Category
- 洋書/Science Fiction & Fantasy/Science Fiction
In the aftermath of his terrible war, Ender Wiggin disappeared, and a powerful voice arose: The Speaker for the Dead, who told the true story of the Bugger War. Now, long years later, a second alien race has been discovered, but again the aliens' ways are strange and frightening...again, humans die. And it is only the Speaker for the Dead, who is also Ender Wiggin the Xenocide, who has the courage to confront the mystery...and the truth. Speaker for the Dead , the second novel in Orson Scott Card's Ender Quintet, is the winner of the 1986 Nebula Award for Best Novel and the 1987 Hugo Award for Best Novel. THE ENDER UNIVERSE Ender series Enders Game / Ender in Exile / Speaker for the Dead / Xenocide / Children of the Mind Enders Shadow series Enders Shadow / Shadow of the Hegemon / Shadow Puppets / Shadow of the Giant / Shadows in Flight Children of the Fleet The First Formic War (with Aaron Johnston) Earth Unaware / Earth Afire / Earth Awakens The Second Formic War (with Aaron Johnston) The Swarm / The Hive Ender novellas A War of Gifts / First Meetings
Orson Scott Card is best known for his science fiction novel Ender's Game and it's many sequels that expand the Ender Universe into the far future and the near past. Those books are organized into the Ender Quintet, the five books that chronicle the life of Ender Wiggin; the Shadow Series, that follows on the novel Ender's Shadow and are set on Earth; and the Formic Wars series, written with co-author Aaron Johnston, that tells of the terrible first contact between humans and the alien "Buggers". Card has been a working writer since the 1970s. Beginning with dozens of plays and musical comedies produced in the 1960s and 70s, Card's first published fiction appeared in 1977 -- the short story "Gert Fram" in the July issue of The Ensign , and the novelet version of "Ender's Game" in the August issue of Analog . The novel-length version of Ender's Game , published in 1984 and continuously in print since then, became the basis of the 2013 film, starring Asa Butterfield, Harrison Ford, Ben Kingsley, Hailee Steinfeld, Viola Davis, and Abigail Breslin. Card was born in Washington state, and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he runs occasional writers' workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University. He is the author many sf and fantasy novels, including the American frontier fantasy series "The Tales of Alvin Maker" (beginning with Seventh Son ), There are also stand-alone science fiction and fantasy novels like Pastwatch and Hart's Hope . He has collaborated with his daughter Emily Card on a manga series, Laddertop. He has also written contemporary thrillers like Empire and historical novels like the monumental Saints and the religious novels Sarah and Rachel and Leah . Card's recent work includes the Mithermages books ( Lost Gate , Gate Thief ), contemporary magical fantasy for readers both young and old. Card lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, He and Kristine are the parents of five children and several grandchildren.
Reviews
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Arrived quickly, and in great shape.
Arrived quickly, and in great shape.
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We shall never cease from exploration
We shall never cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. - T. S. Eliot We start off where the last book ended. Now Ender the writer of “The Hive Queen and the Hegemon”, after traveling three thousand years of penance as a Speaker for the Dead is summoned to a planet where there is a new race and an opportunity to put things right. Even though the author says that you can read this book as a complete story without reading the first novel it is actually part of a five book series. True the essential background will be repeated or contemplated in this volume it is still not as complete as reading the first volume. Once again you can bypass the introduction but then you will have missed crucial information on the author and his intent. The introduction can also be used as part of a good writing course. The first book was thinly veiled as a version of “Starship Troopers” and you can see that somewhere the author must have read some field manuals. In “Speaker for the Dead” you can see that Orson Scott Card knows his Catechism. I used to teach RCIA so he could not fake it. I also come from a strong LDS background. I suspect he spiced it up with a little “Tony Hillerman.” Our main character may have changed focus a tad form the first book but people change, authors change, and we change. The only part of the writing the did not go too smoothly was the inclusion of references to “The Tempest” it seemed a tad forced where other authors such as Dorothy Sayers for example with “stale flat and unprofitable” would not be spotted if one had not read “Hamlet” but it fits her story like a glove. I can see why this book has a problem with being pigeonholed as sci-fi or space opera, etc. as it has all the elements needed to thinly veil a message. What is the message you ask? Read the book. --------------------- FYI I purchased the kindle version and even though I made sure it had Text-to-Speech: Enabled and X-Ray: Enabled, I also purchased Whispersync for Voice (Audible Audiobook) the Audible did not contain the introduction. They used to even read the cover.
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Ender's Gameを越えた!
普通続編ってのは、最初のやつより劣ってるが、 この本は違う。Ender's Gameよりいいかも。 今度は子どものEnderでなく、大人になったEnderの 活躍が見れる。中のいいシーンはいっぱいある。例えば、 Macrosの死をspeakするシーン、piggiesと条約を 結ぶシーン、等々。第1巻よりやや哲学っぽくなってきたが、 まだ耐えられる。実をいうと、結構自分を考えさせる 設問がいつかあった。とにかく、この本はおすすめ!
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I read Enders Game not long ago and I was excited to read this book. I was afraid that I was not going to be able to get into it as much I did in Enders Game but I was more than pleasantly surprised. It was a great book that kept me reading from beginning to end. Honestly, it was hard for me to put down.
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Una storia allo stesso tempo ricca di elementi classici della fantascienza rimescolati però in una storia non complicata ma originale e che tocca vari temi non banali. Ho apprezzato particolarmente l'ideazione e la presentazione degli alieni: apparentemente "molto terrestri" ma in molte cose davvero stranianti.
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La suite parfaite aux aventures d'Enders, peuplée de créatures attachantes et située dans un monde très bien décrit, avec en prime une philosophie plus complexe qu'il n'y paraît.
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I really enjoyed Ender's Game, but Speaker for the Dead was even better. While Ender's Game was written as background for Speaker for the Dead, I think that the books should be read in the order they were published which also makes it chronologically correct: First Ender's Game, then Speaker for the Dead (Ender in Exile is chronologically in between, but I haven't read it yet and it was published years later) In Ender's Game the story evolves around very intelligent children, which makes it interesting for both young and old. Speaker for the Dead seems more mature to me. (Be aware) I'm not sure if the book would be comprehendable and interesting enough for younger kids. The books combine an interesting sci-fi story with intelligence and unusual characters. Personally I enjoy following Ender's thoughts the most. Card describes the characters' reasoning in great detail, which is the interesting part to me while not describing every detail of every landscape or room as so many other fantasy authors do. I really appreciate that since it keeps the story going forward all the time. Even though I have to agree it is not an adventure story in the normal sense, I think in the way it discusses humanity, the impact of truth it never feels boring or too long. There is not a lot of fighting going on, rather an understanding and questions about the way humans treat other species. All in all it is a very intellectual book about how we should also treat each other in understanding our differences. I'm currently reading the third book "Xenocide", and would already recommend reading the whole series.
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As much as I enjoyed Ender's Game, I wasn't really looking forward to Speaker for the Dead. I didn't see, truth be told, that there was much left to exploit in the world outlined in the first book. So, I started reading it with some trepidation. It took a little bit of time to warm up, but before too long I was drawn deeply into the story. By the end, I felt that it was a measurably *better* book than Ender's Game. Not only is it a more confident story, it's also a richer, deeper, and more important story. While Ender's Game toyed with ideas of social context, the role of consent, and the burden of duty, Speaker for the Dead takes on much more important topics. It asks 'what does it mean to be human', and 'what is the value, and utility, of truth'. It's about reaching out between alien races and finding common ground. More than anything else, it's ultimately a story of redemption, through a journey of explicit soul-searching through millenia. It's also a book that delights in language - specifically, an almost fetishistic recitation of truly lovely words. Some of this is a natural byproduct of the Portuguese within, but the words are so well chosen that they just feel good to say out loud. The names and the places are all given a l'il lyrical twist to the point that I now sometimes find myself intoning the words for no reason other than to enjoy the shape they take in my mouth. Not a lot of books have such a deep, integral focus on the poetic of language, and very few of *those* are explicitly narrative works. So, yes - a better book than Ender's Game, and one that made me very enthused about reading the next in the series.
Related Literary Awards
- Hugo Award Edition 34 (1987) ・Winner