We Are Okay
After leaving for college in New York, Marin cuts herself off from everything in her old life and remains alone in the dorm over winter break. When her friend Mabel comes to visit, Marin is forced to face her life with her grandfather, her loss, and the truths she could not say.
Work Information
Memories sealed inside loneliness gradually loosen when a closest friend arrives.
We Are Okay is a story in which Marin revisits her past within the enclosed space of a winter college dorm. Her life with her grandfather, the absence of her mother, and her distance from her closest friend gradually come into view, making the novel a tender account of reconnecting after grief. No Japanese standalone edition was confirmed, so in Japan it is mainly available as an imported English-language book.
Review Summaries
-
Critical response praises the spare, poetic style and the care with which fragile emotions are handled. The novel is read less for dramatic incident than for the emotional changes brought by silence and reunion.
-
Reader response centers on empathy for the quiet voice and its treatment of grief. Some find the introspective pace demanding, making the novel one that depends on emotional space and restraint.
Book Information
- Publisher
- Dutton Books for Young Readers
- Published
- 2017-02-14
- Pages
- 240 pages
- Language
- 英語
- Size
- 13.8 x 2.4 x 20.5 cm
- ISBN-13
- 9780525425892
- ISBN-10
- 0525425896
- Price
- 3289 JPY
- Category
- 洋書/Teen & Young Adult
NATIONAL BESTSELLER • An achingly beautiful novel about grief, the enduring power of friendship, and the healing effects of kindness, from the award-winning author of Hold Still WINNER OF THE MICHAEL L. PRINTZ AWARD • ONE OF TIME ’S BEST YOUNG ADULT BOOKS OF ALL TIME • KIRKUS REVIEWS BEST YOUNG ADULT BOOK OF THE CENTURY “ Short, poetic and gorgeously written . . . The world LaCour creates is fragile but profoundly humane.” — The New York Times Book Review You go through life thinking there’s so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks—not even her best friend, Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit, and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart. An intimate whisper that packs an indelible punch, We Are Okay is Nina LaCour at her finest. This gorgeously crafted and honest portrayal of grief will leave readers urgent to reach across any distance to reconnect with the people they love. Praise for We Are Okay “ Nina LaCour treats her emotions so beautifully and with such empathy .” —Bustle ★ “Exquisite . ” — Kirkus ★ “LaCour paints a captivating depiction of loss, bewilderment, and emotional paralysis . . . raw and beautiful .” — Booklist ★ “Beautifully crafted . . . . A quietly moving, potent novel .” — SLJ ★ “A moving portrait of a girl struggling to rebound after everything she’s known has been thrown into disarray.” — Publishers Weekly ★" Bittersweet and hopeful . . . poetic and skillfully crafted." — Shelf Awareness “So lonely and beautiful that I could hardly breathe. This is a perfect book .” —Stephanie Perkins, bestselling author of Anna and the French Kiss “ As beautiful as the best memories , as sad as the best songs, as hopeful as your best dreams.” —Siobhan Vivian, bestselling author of The Last Boy and Girl in the World “You can feel every peak and valley of Marin’s emotional journey on your skin, in your gut. Beautifully written, heartfelt, and deeply real .” —Adi Alsaid, author of Never Always Sometimes and Let’s Get Lost
Nina LaCour is the author of the widely acclaimed Hold Still , The Disenchantments , and Everything Leads to You . She is also the coauthor, with David Levithan of You Know Me Well . Formerly a bookseller and high school English teacher, she now writes and parents full time. A San Francisco Bay Area native, Nina lives with her family in Martinez, California. www.ninalacour.com
Reviews
-
Great book
Initially confusing, but it becomes captivatingly sad. Hard cover is currently affordable, so it's worth buying!
-
Feels like drowning
It’s not bad but I feel like the Mc didn’t have a character development
-
“The truth was unconfined, unadorned. There was no poetic language to it, no yellow butterflies, no epic floods. There wasn't a town trapped underwater or generations of men with the same name destined to make the same mistakes. The truth was vast enough to drown in.” I’m struggling to decide how to describe what this book is about, in fear of not doing it justice. I suppose it is a book about grief, loneliness and relationships. I think that’s all you really need to know going in as too much would be too much. For me, this book resembles a fine wine, it deserves to be sipped and savoured, not rushed or disturbed. So enjoy the taste without too many preconceptions or distractions. My review will not linger on any specifics, but I hope to convey why I loved reading it the best I can without going in to too much detail. Firstly, I just wanted to address how beautiful the cover art for this book is. For some reason, the artwork really speaks to me, I notice different details each time I look at it and I think it captures the whole story so perfectly. I love the illustrated cover artworks the most so this is most likely why I am drawn to it. I would honestly frame this on my wall if I had a print of this. I appreciate the cover art has little to do with the writing inside so I will swiftly move on, I just wanted to address it for anyone who cares about pretty-looking books! I have never read any of Nina LaCour’s books before but found myself instantly clicking with her writing style. I cannot describe exactly what it is that made it feel right because the writing is mostly very simple and there wasn’t anything particularly unusual about it. But she told the story so beautifully. I liked that it was less than 300 pages because nothing felt too dragged out or unnecessary. Everything that was included felt crucial to the story and this was so nice to read. I liked how the story flicked between past and present, I thought this was handled really well. I’m often sceptical when writers do this as it is often unnecessary or just plain confusing. But I loved how LaCour created two distinctive tones between the two time periods and two places. The transition between the two felt very effortless but the contrast was very effective. In particular, I felt a real sense of warmness reading the chapters set in the past and a sense of coldness whilst reading the chapters set in the present. I thought this set up the contrasting tones perfectly. In the acknowledgements, LaCour addresses how this story emerged from her own grandfather’s death. This experience with grief felt very clear whilst reading the novel. I’m sure anyone whose ever lost a loved one can relate to Marin’s thoughts, emotions and actions. LaCour describes grief so beautifully and organically and I loved reading every word. Not only this, but I felt a really genuine representation of what it is to feel lonely and isolated. Somehow the snowy setting amplified all these feelings with a real sense of emptiness. And yet, despite all these themes, it never felt overly dark or depressing at all. All the way through you can feel a glimmer of hope and the chapters set in the past help to balance out darkness with splashes of sunlight. I also really appreciated the literary and art references. They felt careful and deliberate at opposed to thrown into the mix. The liked how the artworks mentioned tied in with the themes in the story. This seems like a pretty obvious thing to say, but this isn’t always managed so well in every novel. It actually made me want to look up the artworks and literature mentioned as I’m sure those who are familiar with these pieces can probably take away something deeper beneath the surface-level. Although, as someone who wasn’t familiar with many of these references, I still appreciated why they were there and what they were portraying. They certainly made the writing feel more literary and deepened the themes that were already established. I loved how LaCour represented all sorts of relationships throughout the book. The story is focused on grandparents, parents and young adults. I think for this reason, it’s a novel that would appeal to many ages, especially as the themes are so universal to every stage of life. I liked the dynamic relationships between the characters and found this was more important than the plot—which I loved. I’ve always preferred character-driven novels over plot-driven novels and this one is certainly character-focused. Having said this, the plot was structured really well with a surprising climax. There’s usually something that niggles me about a book, but I really can’t fault anything in this one. The whole book felt so perfectly crafted, from the cover design to the final sentence. Overall, I thought this book was just so beautiful. Although this is technically a young adult novel, I’m somewhat glad I didn’t read this as a teenager. I’m sure I would have still enjoyed it, but the themes feel a lot more mature. There’s nothing particularly adult in the content that would be inappropriate for younger readers, I just think it’s one of those books you could return to throughout your life and appreciate different things each time. For this reason, it’s definitely one I want to reread in the future.
-
La novela me encantó, muestra lo compleja que puede ser la amistad, el amor, el duelo y las relaciones familiares. El libro llegó a tiempo y en excelente estado.
-
It is a book of grief, loneliness, friendship, teen queers, and above all Love. Story of a girl who leaves her past life behind, to each single person and thing, and move on. Only waiting for someone from the past to connect her back, love her back, make her know that she is loved and needed, and not everyone betrays. From the beginning to the end, Marina is grieving, but she gets a closure by the end and she goes back to where she comes from. The entire book looks like one interpretation of the painting - the two Fridas and what the two girls, Marina and Mabel were interpreting of it.
-
Beautiful story. I like Marin very much. She put words into things I never thought it was possible. I don’t feel connected to her but she is more like me than any other characters of books I’ve read before. She wonders about things I thought I was the only one. It’s short but beautiful.
-
A perfect depiction of how grief grabs a hold of you. Devoured this book in a few hours but the characters will not leave me.