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Empire of the Sun

James Tait Black Memorial Prizes

Empire of the Sun

James Graham Ballard

A novel of wartime Shanghai seen through the eyes of a boy left on his own amid chaos and change.

war fictioncoming-of-ageShanghai

Work Information

War remakes a child’s world without mercy.

Through a boy’s perspective, the novel traces the abnormality of war and the adaptations required to survive it.

Book Information

Publisher
Orion
Published
1984-09-01
Pages
278 pages
Language
英語
Size
15.5 x 2.5 x 23.5 cm
ISBN-13
9780575034839
ISBN-10
0575034831
Price
27564 JPY
Category
洋書/Literature & Fiction/Literary

The heartrending story of British boy Jim's four year ordeal in a Japanese prison camp during the second world war.

* No.17 in the Millennium SF Masterworks series, a library of the finest science fiction ever written * 'One of the brightest stars in post-war fiction' -- Kingsley Amis * 'There are those (I am among them) who would back Ballard as Britain's number one living novelist' -- John Sutherland, Sunday Times * 'This novel, with its brilliant descriptions of an inundated London and an ecology reverting to the Triassic, gained Ballard acceptance as a major author' -- Encyclopedia of Science Fiction

Reviews

  • バラードのファン以外にこそ勧めたい

    Kindle版 Print Length: 331 pages ASIN: B00457WT9E のレビュー J. G. バラードの初期の作品は大昔に翻訳で読んだが、現在のわたしとしては、再読する意欲がない。80年代以降も評価の高い作品を次々に発表しているが、手にとったことはない。 それでこの作品だが、第二次世界大戦を背景にした自伝的小説として読みはじめた。日本人の作品を含め、この時代を扱った小説は山のようにあるので、そのごく一部分しか知らないが、たぶん、かなりの傑作の部類だろう。 自伝的とは言うものの、内容は完全なフィクションである。このkindle版には1995年に発表されたThe End of My War というエッセイが収録されている。それによれば、1930年生まれのジム少年は妹を含めた四人家族。対日戦が1941年12月8日始まったわけだが、その後一年ほどは自宅で過ごすことができ、学校も再開された。家族そろって収容所に入っていたのは二年半。前半は食糧事情も日本軍の対応も穏やかだった。また、上海には中立国のヨーロッパ人もたくさんいて、スイス赤十字からの援助もあった。収容所の責任者は立派な人物で、後に戦犯裁判にかけられたさい、ジムの父のバラード氏が弁護して無罪になったそうだ。 というわけで、この小説のストーリーとはまったく異なる事情だったわけだ。 しかし、この作品に描かれるモノ、臭いとほこり、臓物と膿と血液と小便と大便、ハマダラカとハエとコクゾウムシ、マラリアと脚気、泥とヘドロと油膜、それらのものはみなジム少年のまわりに日常的にあったことだろう。上海在住のブリテン人、召使いやアマ、宣教団体のブリテン人、民間人のアメリカ人、日本兵、ユーラシアン、そして背後にうごめくチャイニーズ、それぞれが少年の目と通して描かれる。 小説の紹介として順序が逆になったが、構成は三部に分かれている。第一部は開戦の日から三か月ほど。第二部は終戦前の三か月ほど。第三部は8月15日以後。つまり真ん中の三年ほどが省かれている。短い41の章に分けられ、各章はスケッチ風の短編小説風である。ただし、SF作品とは違い、読んだあと何がなんだかわからない不条理な作品ではない(あ、不条理とかシュールって便利な言葉だが、いまいち内容がないね)。視点人物はジム少年に固定しているし、話の流れもある。 kindle版には、このほかTravis Elboroughによる2006年のインタビューも収録。スピルバーグ監督の映画を作者は気に入っていて時々見るのだそうだ。へえ、意外だ。たいていの作家は自作の映画化に文句つけたり無視したりするものだが。インタビューの中で自伝で書くつもりはないと語っているが、その後2008年に自伝発表。2009年死去。

  • 中国で日本軍に抑留されていた英国人の視点

    日経の書評で本書の存在を知り、原書で読んでみた。まず魅了されるのが、戦前の上海の煌びやかさである。筆者は巻末のインタビューで、30年代の上海は東洋のパリだったと述べている。英本国が世界恐慌の只中にあって淀んでいた時代だったのに対し、上海の駐在員は、パーティー通いの生活を送っていた。主人公のジムも裕福な生活を送っていた。筆者が本書で描いたのは、これまた巻末のインタビューで述べているとおり、戦前の上海での物質に満たされていた生活の逆説的な空虚さである。上海で生活していた英国人は強制収容所に収容されるのだが、そこで初めて自分の人生に思いを寄せる。本書は筆者の実体験に基づいているが、筆者は、この強制収容所こそが今でも自分の故郷であると述べている。 興味深いの筆者の日本兵への見方である。当然、本書では日本軍による蛮行が描かれているのだが、筆者の日本に対する見方は概してあたたかい。日本の軍用機への憧れや、特攻兵への尊敬の念が率直に描かれている。筆者は、日本兵は捕虜の子供達に対しては親切だったと述べている。他方で、中国人は常に周りとつるむが日本人は周りと群れないと述べているなど、筆者の観察眼には舌を巻く。 本書で最も読み応えがあるのが原爆投下後の展開である。長崎の原爆の爆光は上海でも見えたとのことであり、戦争は終わったとの情報は収容所にももたらされていたが、日本軍の武装解除はなかなか行われない。いきなり中国人がたむろする街に投げ出されるよりも、日本人によって保護される収容所内の方が良いのではないかという葛藤に悩まされる捕虜たち。米軍機が救助物資を投下する一方で、間髪おかずに国共内戦が始まり、戦争が常態化していた中国の現実。 本書は決して読んでいて楽しい本ではないし、英語もなかなか難しい。ただ、日本人の著作を読んでいては絶対に分からない、先の大戦の側面が見えてくる。小説という形ではあるが、先の大戦について多くのことを教えてくれる名著である。

  • War History

    Highly recommended, must read

  • Great Read

    This is the first novel I have read by J G Ballard and I must say I thoroughly enjoyed reading it. Based on his personal experience. Good story, good plot lines, engaging and believable characters, all the ingredients of a great story.

  • Excelente servicio

    Llego en perfectas condiciones y a tiempo

  • Sunset over Shanghai

    "Empire of the Sun" is one of the most haunting books I have ever read. It took me a while to get into the story, as I found the beginning somewhat repetitive, but by a third of the way in I was gripped. It's a loose autobiography, based on Ballard's own experiences of the fall of Shanghai and the civilian internment camp at Lunghua, as he was aged between 11 and 14. The themes covered include the loss of innocence, the breakdown of civilisation, survival and the question of freedom. I was particularly struck by the imagery in the book, the constant juxtaposition of brutal and harrowing images against the remnants of the 1930s British ex-pat life with its cricket bats, gramophones and tennis racquets, like a Betjeman poem against the backdrop of a recurring nightmare. The honesty and matter-of-factness of young Jim's acceptance of the horrors as he wheels and deals his way around the camp, and his relish of the war and hero-worship of the Japanese may be upsetting for some, but I can sense that these feelings are exactly those experienced by the author at the time. This is a book that I certainly won't forget in a hurry.

  • Humanity, stripped to its core

    My first introduction to this story was, like many others, through Steven Spielberg's adaptation. For me, the hauntingly beautiful "Suo Gan" that serves as that movie's de facto theme song perfectly captures the fragile yet enduring beauty of humanity that Spielberg so successfully captures in his movie version. The movie abounds with poignant moments of hope, warmth, and exhilaration amongst the great struggles that befall Jim and his band of acquaintances. I enjoyed the movie, and Jim's story and haunting memory of Suo Gan made a lasting impression. Years later, I encountered the original story--J.G. Ballard's novel that served as Spielberg's inspiration. Just as the newsreels and magazines that tell of the war fascinate Jim in the book because they describe a war so different than the one he knows, so does Spielberg's movie tell a different tale from Ballard's book. The events are by and large the same, but the tone of the story, the horrors experienced by Jim, and the lessons and impressions instilled by the novel are on a different order of magnitude from the movie. I enjoyed the movie on its own merits, but I imagine the order in which you encounter them colors your impression--for people like me who saw the movie first, it was easy to appreciate the movie, and then be blown away by the power of the book. For those who read the book first, I would imagine the movie would be a disappointing, sanitized version of the original work. The novel overpowers the reader from start to finish by Ballard's stark account of Jim's survival against all odds, in conditions stacked heavily against him. Death, betrayal, illness, and hunger surround Jim and yet somehow he always managed to survive because he never despairs, never gives up, always keeps his wits about him, and as he himself explains, because he "takes nothing for granted." The world of WWII Shanghai strips humanity to its bare, naked, ugly core. Growing up in this environment, Jim becomes a remarkably complex character in spite of (or perhaps because of) his young age. Jim is intelligent, naive, loyal, callous, hopeful, curious, delusional, and yet oddly lucid--all at the same time. The image of flight is strong throughout the story, as a form of escape, and in some ways the only vestige of childhood granted to this boy as he goes through a life full of cruel ironies--first, the inability despite repeated attempts to surrender to an enemy that he needs infinitely more than they need him; then, the odd realization that this "enemy" is his greatest protector and in many instances, friend; finally, that even with the war over he is in greater danger and further from his parents than ever. War, peace, friend, foe, cause, effect, even the distinction between life and death ... these cease to have meaning for Jim. Finally, Jim is saved in an almost deus ex machina fashion by the heroic Dr. Ransome, a man whose selfless actions mildly amuse and baffle Jim, who cannot quite understand this brand of humanity which is quite different from the one he learned through his own experiences. Ransome's life is one that takes certain things for granted. Jim has not been afforded this luxury. Jim's reunion with his parents is another, critical difference between the movie and the book. The "happily-ever after" ending in the movie is filled with hope and relief. Jim and his parents don't recognize each other at first. Then they do. This symbolizes that the war is finally over for Jim, now he can go back to a normal life. The End. In the book, however, the ending is much more nuanced. Despite returning "home" to Shanghai, Jim's home will forever be Lunghua in the novel version. Normalcy will never be a suburban life in England, for Jim it is wartime Shanghai. The odds of Jim being able to live what most of us would call a "normal life" are practically zero ... after all, he has just experienced a lifetime of events more "real" and vivid than "normal life" could ever be; the war never ends for Jim. Seeing the far-from-normal life Ballard himself has led, and the fiction he has written, one realizes that even though "Jim" and "J.G. Ballard" may not quite be the same person (one crucial difference--Ballard is never separated from his parents), Ballard is still the adult that Jim would have grown up to be. It is this honest and uncompromising portrayal of Jim as a true tragic hero that separates the book from the movie, and makes this book one of the truly great accounts of surviving a brutal war that knows and shows no mercy.

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