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The English Patient

Booker Prize

The English Patient

Michael Ondaatje

At the end of the Second World War, four people shelter in a damaged villa in northern Italy and tell fragments of memory, love, and betrayal around the badly burned English patient. The novel is steeped in the silence of war’s end and in the way the past keeps seeping into the present.

warmemorylove and lossfragmented narrationthe desert

Work Information

Around a body scarred by war, old love and old secrets slowly return.

Inside a villa scarred by bombing, a past desert crossing and the war-torn present collide. The novel moves in both lyricism and catastrophe, leaving a deep and lingering aftertaste.

Book Information

Publisher
Bloomsbury Publishing PLC
Published
2004-08-02
Pages
336 pages
Language
英語
Size
12.9 x 2 x 19.8 cm
ISBN-13
9780747572596
ISBN-10
9780747572596
Price
612 JPY
Category
洋書/Literature & Fiction/Literary

The final curtain is closing on the Second World War, and Hana, a nurse, stays behind in an abandoned Italian villa to tend to her only remaining patient. Rescued by Bedouins from a burning plane, he is English, anonymous, damaged beyond recognition and haunted by his memories of passion and betrayal. The only clue Hana has to his past is the one thing he clung on to through the fire - a copy of The Histories by Herodotus, covered with hand-written notes describing a painful and ultimately tragic love affair.

Michael Ondaatje was born in Sri Lanka and lives in Toronto. The English Patient won the Booker Prize in 1992 and was made into an Oscar-winning film directed by Anthony Minghella.

Reviews

  • That is what love is supposed to be like, isn’t it?

    I am not sure, but in my opinion, as civilization advances, the society will be more complex and diverse and one will have much more to rely on than one had in the past. Perhaps one is less likely to devote oneself in only love in modern times than in the past; that is to say that the style of love has changed. It seems to me that love which people today speak about, is generally “common sense love”. There is no passion in “common sense love”. Their inclinations are tempered with prudence and controlled by common sense. Real love has no truck with these estimable qualities. Real love is connected with ego, and sometimes with madness. This novel portrays that if a man loves a woman truly, it is possible that he easily betrays his country, and that the same thing can be said about a woman. “My darling, I'm waiting for you — how long is a day in the dark, or a week? The fire is gone now, and I'm horribly cold. I really ought to drag myself outside but then there would be the sun. . . I'm afraid I waste the light on the paintings and on writing these words. We die, we die rich with lovers and tribes, tastes we have swallowed, bodies we have entered and swum up like rivers, fears we have hidden in, like this wretched cave. We are the real countries, not the boundaries drawn on maps with the names of powerful men. I know you will come and carry me out into the palace of winds. That's all I've wanted — to walk in such a place with you, with friends, on earth without maps...” When she wrote the above-mentioned sentences, the world was of only him and her. The war outside had nothing to do with them, and it did not matter to them which side won. No matter what you may say about their acts, that is what love is supposed to be like, isn’t it?

  • Profound, beautiful and enigmatic

    第二次世界大戦末期、イタリア・トスカーナ地方の廃墟となった僧院に混沌の時期を共有した4人。 従軍看護婦だったカナダ人のハナ、彼女の父親の友人で泥棒(のちにスパイ)のカラバッジョ、不発弾や地雷処理の仕事を専門とするインド人でシーク教徒の工兵キップ、そして砂漠の調査探検家、「イギリス人の患者」と呼ばれている重傷を負った男。 それぞれの人生に戦争が大きく覆いかかり、失意や危険のなかに辛うじて生きている4人は、偶然の出会いからしだいに心を通わせていく。ほのかな愛も生まれたかにみえる。 それぞれの辿った人生が現在と過去が錯綜する形でしだいにあきらかになり、戦争の悲惨さ、残酷さも容赦なくつきつけられる。「イギリス人の患者」は砂漠の中で愛した女について語り始める・・・・。 平易な語彙で実に美しい詩的な表現が随所にみられ、心に染み通る。同時にあまりに詩的で難解な部分も。 最終場面ではヒロシマの原爆が物語の展開に大きな要素となっている。アジアと欧米の対峙は作者がスリランカ人たる所以だろうか。 1992年ブッカー賞受賞作。

  • 土屋政雄氏の翻訳に助けられながら――翻訳とは何か

    18年来の宿題だった “The English Patient” を読み終えた。1996年から97年にかけて ALT として一緒に働いたカナダ人女性 Alison Tobin さんが、おまえは本を読むのが好きだからこれも読んで欲しいと、日本を離れる時に下さった本、当時のベストセラーだった。感想を手紙に書いて送りたくてすぐに読み始めたのだが、当時の私の英語力では全く刃が立たず、数十ページを読んで諦め、ずうっと放ってあった本である。 或ることが切掛けで、このたび再挑戦した。当時に較べれば私の英語力も少しは向上したはず、きっと読めるだろう、そう思った。が、2ヶ月も掛かってしまった。それも、土屋政雄氏の翻訳に助けられながらである。 現代の作家が書いた本でこんなに難しい本はそんなに多くはないだろう。もし土屋氏の翻訳がなかったなら、今回もきっと挫折していたに違いないと思う。ともかく poetic と云おうか、enigmatic と云おうか……。辞書に載っていない俗語が多くて読み難い、と云うのではない。使われている語彙はほとんど辞書に載っているし、ペダンティックな語彙もほとんどない。むしろ語彙自体は易しいと云ってよいのだが、何が書かれているのかを掴むむのがとても困難なのだ。それは勿論私の想像力の欠如、詩的感受性の欠如が一番の原因ではあるが、 Ondaatje の文体のせいも大きいと思う。 その1つとして、例えば、体言止めの文が多いということがあげられよう。その体言止めの文は、前の文を受けての目的語なのか、前の文の或る名詞と同格になっているのか、はたまた、動詞以下を省略した主語なのか。それが判らない。英語教師の立場から云うなら、いわゆる SVOCの5文型 から逸脱した文が次から次へと出てくる。 翻訳を横に置きっぱなしにして、常にそれを参照しながら英文を読んだのは学生時代以来である。土屋政雄氏にはいくら感謝しても感謝しきれない。氏はカズオ・イシグロの翻訳をはじめとして数々の名訳をなさった現代の中野好夫とも云える人であるが、今回ほどその力に圧倒されたことはない。勿論明らかに誤訳と思われる箇所、或いは私の考えと違う箇所も何カ所かある。が、それは小さな瑕疵だ。よくぞここまで翻訳してくださったと感謝、感謝の気持である。 土屋氏の翻訳で、呆気にとられ、なおかつ感心させられたのは、文の順番の入れ替えである。翻訳では、補訳だとか、段落分けの変更と云うのは結構頻繁に行なわれる。(土屋氏も勿論行なっている。) しかし、文の順番を入れ替えてしまうと云う思いきった翻訳にはこれまで殆どお目に掛かったことがない。例えば或る1つの段落が、A,B,C,D,E と云う5つの文で成り立っているとする。普通の翻訳家は、それはそのまま ABCDE の順で訳してゆく。しかし土屋氏はそれを、例えば ACDEB とか BCEAD とか ADECBとか、自由自在に入れ替えてしまうのである。時には、或る段落にあった文をその段落に置かずに次の段落に移動してしまうという離れ業まで行なっている。 成る程、考えてみれば、英文を日本語に訳す時、私達は1つの文の中では(日本語らしい日本語にするために)平気で語句の順番を入れ換えているのだ。ならば、段落の中で文自体の順番を入れ替えることも、その方が日本語の呼吸として自然に感じられるなら、してもおかしくないことなのである。 結論: “The English Patient” は、その文学的香りゆえに充分に読むに値する本である。が、普通の日本人(英語の達人以外)は、土屋政雄氏の翻訳を横に置いて読んだほうがよいだろう。原文だけではその50%も理解できないであろうからだ。また、将来翻訳をしてみたいと思っている人にとっては、氏の翻訳を横に置いて読むことで、翻訳とは何かと云うことを様々な面から考えることが出来るであろうから。

  • Bello

    Bella la storia, il libro in sè, la copertina. Ottimo sia l' imballaggio che il tempo di spedizione e di consegna. Sono molto soddisfatta di questo acquisto

  • a delicious ride

    Can you literally be drunk on words? Yes, you can. And The English Patient cleared my doubts. It is such a delicious ride to dissolve into different feelings and emotions the characters delve into, and the very different worlds they take us in. Such varied places yet you feel at home always, coming back in that Villa Girolamo. The book grows on you like a smooth whisky. 50 pages down the book, I wanted to shout out loud that I am in love with this book. At the back c, there is a review by The Observer, I couldn't agree more with it. There were moments when the life in the lives of the characters was so evidently oozing, I did have to stop and stare. These characters felt like the people I have always known, and not just through the pages of the book. They are so accomplished in their own stories, I felt like I too lived with them. I absolutely love the book. Reading it was like spending a night talking with an old friend.

  • Sublime and subtle story of love and war.

    I was 'inspired' to read this astonishingly moving novel when I recently saw the DVD of the movie adaptation, which I hadn't seen since it was first screened nearly 20 years ago - I hadn't realised, either, that the book had won the Booker before that. I was not in the least disappointed: the novel is a good deal more subtle than the film and characters are 'fleshed out' more convincingly, for example the sapper Kip. The plot differs from the movie in that the first three chapters, extending for over a hundred pages, are all set in Italy at the end of the war; this helps establish the relationship between the nurse, Hana, and her 'English' patient, who relates, first to Hana, then to Caravaggio and Kip, separately, his life's work as a map-maker and the love affair with Katharine Clifton, the love of his life, in the Egyptian/Libyan desert in the '30s. Michael Ondaatje is a true poet: his writing moved me deeply; it is both profound and exquisitely beautiful. Read it and see - I guarantee you won't be disappointed.

  • Boring

    Boring read. Unorganized story. Felt unsatisfied after reading this.

  • Complex story with fascinating characters

    The rich writing conveys the desert setting, powerful love affair and intriguing adventures of five main characters. It keeps readers on their toes as it jumps from past to present, one character's point of view to another's but is well worth the effort required . Themes and nuances are many. The book is worthy of a dissertation topic. Reading the book and then seeing the film make a very fascinating duo. Surprisingly, each is strong in its own way.

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