Ring of Bone: Collected Poems
A new expanded collected edition of Lew Welch’s poetry. Wanderings, spirituality, and verbal rhythm echo together like a single ring.
Work Information
Beat poetry reverberates as a single ring.
The collection revisits Lew Welch’s core poems with a foreword by Gary Snyder. Both personal history and poetic experiment are strongly present.
Book Information
- Publisher
- City Lights Publishers
- Published
- 2012-06-19
- Pages
- 256 pages
- Language
- 英語
- Size
- 14.61 x 1.91 x 22.86 cm
- ISBN-13
- 9780872865792
- ISBN-10
- 9780872865792
- Price
- 4522 JPY
- Category
- 洋書/Literature & Fiction/History & Criticism/Movements & Periods/Beat Generation
A San Francisco Chronicle Best Book of 2012 Lew Welch was a brilliant and troubled poet, legendary among his Beat peers. Ring of Bone collects poems, songs and even a few drawings, documenting the full sweep of his creative output, from his early years until just before his death. This new edition includes a biographic timeline and a statement of poetics gleaned from Welch's own writing. Welch entered Reed College in 1948, and the following year moved into a house with Gary Snyder; they were soon joined by Philip Whalen. With the emergence of the Beat movement, Welch's friends began receiving national attention and his desire to devote himself completely to his poetry was galvanized. He soon became a part of the San Francisco poetry scene. Legendary editor Donald Allen included Welch's poetry in The New American Poetry— the seminal anthology published in 1960. That same year Welch's first book, Wobbly Rock , was released. He continued to write extensively, and in 1965 published three books. Despite his burgeoning success, Welch suffered from bouts with depression, and on May 23, 1971, Gary Snyder went up to Welch's campsite in the Sierra Nevada mountains and found a suicide note. Despite an extensive search, Welch's body was never recovered. "Lew Welch writes lyrical poems of clarity, humor, and dark probings . . . jazz musical phrasings of American speech is one of Welch's clearest contributions."—Gary Snyder " . . . Music permeates his poems, which range from scored lyrics to epistolary correspondence to formal villanelles... It's fascinating to trace the evolution of this artist, from his early, lax, exultant style to his later, less jubilant work, characterized by benedictions, invocations, and requests. This is a necessary read for anyone interested in the greater Beat movement and its progenitors."—Booklist "His luminous poems feel as vibrant today as when they first burst from the wellsprings of creativity in his own head. . . . A postmodern Walt Whitman . . . "—San Francisco Chronicle "In the poet's own words, [Ring of Bone] is a spiritual autobiography . . . no better description of him exists than that which came in his own vision, deep in the wilds of the Klamath Mountains, the poem after which the collection is titled. . . . These 40 years later, Lew, you are missed."— The Rumpus " Ring of Bone: Collected Poems is Welch's major work. Exuberant, funny, dark, hypnotic, Welch's poems are as infused with nature as [Gary] Snyder's and as spiritually alive as [Philip] Whalen's. They're technically brilliant, grounded in form and wildly experimental. . . . "— The Oregonion
Lew Welch was born August 16, 1926 in Phoenix, Arizona. He entered Reed College in 1948, and the following year moved into a house with Gary Snyder; the following year they were joined by Philip Whalen. By the fall of 1949 Welch was co-editor of the school's literary magazine and was writing constantly. He wrote his senior thesis on Gertrude Stein and graduated in 1950. For a number of years Welch showed his poetry only to close friends. With the emergence of the Beat movement, however, Welch's friends Philip Whalen and Gary Snyder began receiving national attention. Welch's desire to devote himself completely to his poetry was revived, and he soon became a part of the San Francisco poetry scene. Donald Allen included one of Welch's poems in The New American Poetry —the important anthology published in 1960. That same year Welch's first book, Wobbly Rock , was published. He was drinking heavily during this time, but he continued to write extensively, and in 1965 published three books. Despite his burgeoning success, Welch's bouts with depression and heavy drinking continued. On May 23, 1971, Gary Snyder went up to Welch's campsite in the Sierra Nevada mountains and found a suicide note in Welch's truck. Despite an extensive search, Welch's body was never recovered. Donald Allen published much of Welch's work posthumously via Grey Fox Press, now an imprint of City Lights Books. Gary Snyder is an American poet (often associated with the Beat Generation and the San Francisco Renaissance), as well as an essayist, lecturer and environmental activist (frequently described as the "poet laureate of Deep Ecology"). Snyder is a winner of a Pulitzer Prize for Poetry. His work, in his various roles, reflects an immersion in both Buddhist spirituality and nature. Snyder has translated literature into English from ancient Chinese and modern Japanese. For many years, Snyder served as a faculty member at the University of California, Davis, and he also served for a time on the California Arts Council.
Reviews
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Great underrated poet. Wonderful book.
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Noticed this book on the "New Release" shelf at my local library and read it due to being intrigued with the odd cover plus a poet I had been heretofore unaware of. (Bad girl). Anyway, this Lew Welch was odd and powerful and angry and a bunch of other things too. Perfect. Plus, he (Welch), toys with a lot of words or concepts and language in an (again), intriguing way. So, my brother's birthday was coming up. (He's fond of The Beats), and yet, I was unclear if he had been familiar with Welch. Purchased his gift thus, from Amazon, along with another little book of Kerouac's haikus. All arrived clean, timely, etc. Good work! Thank you Amazon!
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A handsome book, "Ring of Bone" assures Lew Welch a firm place in the galaxy of Beat poets. Welch was comrades with Gregory Corso, Jack Kerouac and especially Gary Snyder and Philip Whalen. Reading his poetry I see him moving toward what Jonathan Stalling calls the "Poetics of Emptiness," the Zen influence prevalent in Beat poetry, especially West Cost Beat poetry. While I enjoy his poetry, the detailed observation of nature, the self-enforced solitudes and his appreciation for language, I wish he had seen his mundane life as legitimate material for his poetry. He worked as a cab driver (and does have a series of "rider" poems that I particularly like), on the docks, as copy editor for Ward's catalogue, and even acted in a Hollywood movie, but all of this experience seems purposely excluded from his poetry. Obviously, from his statement about poetics, he understood where Words come from, but he did not privilege his blue-collar reality. Surely rust on iron drums abandoned along the docks is as mystical as lichen. An important poet, if he had not tragically deleted so much of his life (both aesthetically/editorially and by his suicide at 45) he might even have been a great poet.
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I honestly had no idea what to expect since I only knew of Lew Welch through Jack Kerouac's novels but wanting to explore the Beat poets fully, I bought this. I was really blown away by Welch's masterful writing. His writing is concise, mysterious, entertaining, and brilliant. His grasp on the english language is exquisite. I highly recommend buying this.
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Be aware: print-on-demand copy!!