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The Gilda Stories: A Novel

Lambda Literary Awards

The Gilda Stories: A Novel

Jewelle Lydia Gomez

Tells the story of an escaped slave who comes of age across two centuries, reframing vampire mythology from a lesbian feminist perspective; explores community and generational linkages.

feminismBlack women's experiencescommunity and legacyidentity across time

Work Information

A lesbian feminist reimagining of vampire mythology.

Lambda Literary Award-winning novel that follows an escaped slave across two centuries and reframes vampire mythology through a lesbian feminist lens.

Book Information

Publisher
Firebrand Books
Published
1991-06-01
Pages
240 pages
Language
英語
Size
13.97 x 1.91 x 22.23 cm
ISBN-13
9780932379948
ISBN-10
093237994X
Price
2999 JPY
Category
洋書/Gay & Lesbian/Literature & Fiction/Fiction/Lesbian

Over a two hundred year period Gilda witnesses the evils of slavery and racism in North and South America

Reviews

  • Jewelle Gomez's book is considered a classic in lesbian literature and the nice thing about classics is that they can be discovered by other people long after they are published. Gomez recently announced that she's working on another volume of stories about Gilda, so reviewing the first book seems especially appropriate now. It would be simple to say that this is a vampire novel, but it goes beyond that. During her travels, Gilda witnesses the rise of African American culture, the civil rights movement and feminism. She also deals with sexuality, racism and environmental issues. Gomez created a different type of vampire, especially for the time when this book was written. Most of these vampires don't kill humans unless forced to do so and the act of taking blood is portrayed as a mutually beneficial exchange. Gilda is taught to look into people's thoughts and find something that is important to them; then she is to leave them with the belief that they can achieve it. Gomez relies on some of the vampire myths, but the purpose of this book isn't to be horror fiction. The motif of the vampire gives her the ability to take her character through time and observe the changes that take place. Gilda's story is one of being the ultimate "outsider." As a black female lesbian vampire she's about as outside as a character can be. She lives in the times that are examined, but she's also not part of those times. It gives her a unique perspective as she examines humans in their development, especially the areas where they have failed to improve. This is a conflicted character, but coming from four minorities makes this seem natural. What she does do is gain strength over time and that reflects the changes that have occurred in American society. The most speculative chapter is the last one which takes Gilda into an almost apocalyptic 2050. What is most interesting is that Gomez had to guess twenty years ago where the world would be in approximately sixty years due to environmental degradation. What is sad is that, as the earth has moved closer to that date, her predictions have become more accurate. Gilda ends the book as she started it, being hunted, but she also ends it with hope and love. The Gilda Stories can appeal to a wide range of readers. The story moves along very smoothly and is very informative. Vampire lovers, feminists, lesbians and African Americans will all find something in this book. That's why it's a classic.

  • Very interesting perspective on the vampire story. I enjoyed it very much. Gilda is an interesting but enigmatic heroine, I was left unsure what she was searching for but impressed with her courage and humanity.

  • I had to read this book as an compulsory reading for university but it was a very nice book. The vampire myth is renewed by Black Atlantic female writers as Jewelle Gomez.

  • Excellent writing and great story

  • Gilda is almost the opposite of what we have learned of vampires. We hear of rich vampires, ruthless, full of their implied superiority. And white. They think like empires. Gilda is rich for practical purposes, never, never ruthless, nor ever condescensing. Gilda carries the personal outrage of enslavement, of toxic masculinity, the courage of breaking out, the love for her people, her love for women, her ability to always give back. Because she lives. She forms family.

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