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I Hotel

American Book Awards

I Hotel

Karen Tei Yamashita

A ten-part novel that traces Asian American activism and community memory in San Francisco during the 1960s and 1970s.

linked novelsAsian American lifepolitical activismSan Franciscohistorical fiction

Work Information

A city’s history emerges in ten linked movements.

Yamashita reconstructs a city’s history through activists, workers, and migrants gathered around the International Hotel. Its formal ambition mirrors the density of the movement it portrays.

Book Information

Publisher
Coffee House Pr
Published
2010-06-01
Pages
613 pages
Language
英語
Size
15.24 x 3.71 x 22.86 cm
ISBN-13
9781566892391
ISBN-10
1566892392
Category
洋書/Literature & Fiction/Literary

2010 National Book Award Finalist 2010-2011 Asian/Pacific American Library Association (APALA) Book Award Winner in Adult Fiction 2010 California Book Award Winner Dazzling and ambitious, this hip, multi-voiced fusion of prose, playwriting, graphic art, and philosophy spins an epic tale of America’s struggle for civil rights as it played out in San Francisco’s Chinatown. Divided into ten novellas, one for each year, I Hotel begins in 1968, when Martin Luther King and Bobby Kennedy were assassinated, students took to the streets, the Vietnam War raged, and cities burned. As Karen Yamashita’s motley cast of students, laborers, artists, revolutionaries, and provocateurs make their way through the history of the day, they become caught in a riptide of politics and passion, clashing ideologies and personal turmoil. And by the time the survivors unite to save the International Hotel—epicenter of the Yellow Power Movement—their stories have come to define the very heart of the American experience.

Heralded as a "big talent" by the Los Angeles Times, Karen Tei Yamashita is an American Book Award and Janet Heidinger Kafka Award winner. A California native who has also lived in Brazil and Japan, she is Professor of Literature and Creative Writing at the University of California-Santa Cruz, where she received the Chancellor's Award for Diversity in 2009. Leland Wong is an illustrator, photographer, and screen printer renowned for his documentation of the Asian American experience. He lives in San Francisco. Sina Grace is a comic book artist and graphic novelist who lives in Los Angeles. Karen Tei Yamashita is the author of Through the Arc of the Rain Forest , Brazil-Maru , Tropic of Orange , Circle K Cycles , and Anime Wong , all published by Coffee House Press. I Hotel was selected as a finalist for the National Book Award and awarded the California Book Award, the American Book Award, the Asian/Pacific American Librarians Association Award, and the Association for Asian American Studies Book Award. She has been a US Artists Ford Foundation Fellow and is currently Professor of Literature and Creative Writing and the co-holder of the University of California Presidential Chair for Feminist & Critical Race & Ethnic Studies at the University of California, Santa Cruz.

Reviews

  • The most significant book to read in order to understand the Asian American movement

    I deem I-Hotel by Karen Tei Yamashita as the one novel to read if you want to understand the foundation of Asian America—its culture and art, its politics and aspirations. This book pushes aesthetic boundaries as seen in form, and it innovates in its delivery on every level. I would make this required reading for Asian American Studies and stick this on a university level American Literature syllabus. It’s fun! It’s cool. It’s cinematic. There’s something for everyone. This. Is. Art. For my fellow Asian Americans who missed Asian American studies class (there was no class, you couldn’t be bothered, your parents wanted you to be more practical, you felt socially rejected by the guy who was the Asian American Studies cool person, this is your go-to one book you should read now…and in doing so, you can gain some cool points). This is the story of how and why Asian America came into being, how Asian people began to construct an American identity. Yamashita chronicles the cultural moment when Asian Americans declared themselves part of the creative American project and galvanized their communities, built alliances across ethnicities and races, and paved the way for our existence today. What you’ll find and understand—the how and whys of the Black Asian alliance, class struggle and belonging, the manong, communism, food, film, dance, global organization, performance art, jazz, the questions of gender, and romance and all the while asking: how do we belong? I did a dissertation chapter on this book. I believe it to be one of the most significant novels written by an Asian American for its aesthetics, form, and content, and predict that this will be one of the books that will be read in the decades to come. It is ahead of its time. Read it now.

  • Good read, but you have to commit to it.

    Great book - it's slightly episodic, because it ties the themes together in a way that's not primarily narrative-driven, but I still thoroughly enjoyed the read. The writing is, dare I say, sexy - it drags a little in the latter part, but the characters and events described are all very enticing.

  • I wish this book had won the National Book Award instead of just being a finalist.

    Wow. What an ambitious and massive and mind-altering work. It wasn't an easy book to read, and there were moments I wasn't sure she was going to pull it all together, even though I'd already decided I was along for the whole ride and was going to give her a shot. Boy, did she pull it together. I am sure this book means different things to different readers, but for me it became "about" the elderly Filipino migrant workers--the ones Yamashita mentions in her author's note--who, because of immigration quotas, racism, and available labor, really have no one but one another and no home but the one they're being forced from. But the myriad tiny side stories are so often and so deeply affecting. I know it is a heavy book, but I wish I could put it in everybody's hands and invite them to think closely about what it means to be American.

  • Wonderful Book!!!!

    I love this book!!!!

  • I Hotel Review

    I was so disappointed because I was supposed to read this for my book club and can't remember when I literally could not get through the first chapter of a book I disliked it so much. I live in San Francisco, travel a great deal internationally and was really looking forward to this, based on what I'd heard - what a waste of money! Thank goodness I didn't pay full price but still made me sorry I don't go to the library like most of my friends! We haven't had our meeting for this book yet (this month) but I've spoken / heard from at least three other members who had the same experience - it's going to be interesting "reviewing" a highly acclaimed book no one could manage to read.

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