James Tait Black Memorial Prizes
The Towers of Trebizond (New York Review Books Classics)
Book Information
- Publisher
- NYRB Classics
- Published
- 2003-11-30
- Pages
- 296 pages
- Language
- 英語
- Size
- 12.88 x 1.65 x 20.17 cm
- ISBN-13
- 9781590170588
- ISBN-10
- 159017058X
- Price
- 7537 JPY
- Category
- 洋書/Literature & Fiction/Genre Fiction/Action & Adventure
"'Take my camel, dear,' said my aunt Dot, as she climbed down from this animal on her return from High Mass." So begins The Towers of Trebizond , the greatest novel by Rose Macaulay, one of the eccentric geniuses of English literature. In this fine and funny adventure set in the backlands of modern Turkey, a group of highly unusual travel companions makes its way from Istanbul to legendary Trebizond, encountering potion-dealing sorcerers, recalcitrant policemen, and Billy Graham on tour with a busload of Southern evangelists. But though the dominant note of the novel is humorous, its pages are shadowed by heartbreak—as the narrator confronts the specters of ancient empires, religious turmoil, and painful memories of lost love.
Rose Macaulay (1881-1958) was born in Rugby, England, into a family of eminent scholars and Anglican clerics. The second of seven children, a tomboy who hoped one day to join the Navy, she spent much of her childhood in Varezze, a small Italian seaside town, where she enjoyed considerable independence for an English child of her era. In 1894, her family returned to Britain, and after studying modern history at Somerville College, Oxford, she began a career as a writer and quickly succeeded in supporting herself as a novelist, journalist, and critic. During World War I, she worked as a nurse and as a civil servant in the War Office before assuming a position in the British Propaganda Department. There she met Gerald O’Donovan, a sometime Irish Catholic priest, novelist, and married man, with whom she had a romantic relationship which was to last until his death in 1942. Rose Macaulay was the author of thirty-five books—twenty-three of them novels—and is best remembered for Potterism, a satire of yellow journalism; a biography of Milton; her haunting post-World War II novel, The World My Wilderness; two travel books, They Went to Portugal and Fabled Shore; and her masterpiece, The Towers of Trebizond . A mentor to Elizabeth Bowen and a friend to such luminaries as Ivy Compton-Burnett, Rupert Brooke, E.M. Forster, and Rosamond Lehmann, Macaulay was a well-known figure in London’s literary world and a fabled wit. She was named a Dame Commander of the British Empire shortly before her death in 1958. Jan Morris was born in 1926, is Anglo-Welsh, and lives in Wales. She has written some forty books, including the Pax Britannica trilogy about the British Empire, studies of Wales, Spain, Venice, Oxford, Manhattan, Sydney, Hong Kong, and Trieste, six volumes of collected travel essays, two memoirs, two capricious biographies, and a couple of novels—but she defines her entire oeuvre as “disguised autobiography.” She is an honorary D.Litt. of the University of Wales and a Commander of the Order of the British Empire.
Reviews
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The Travels of Aunt Dot, Father Chantry - Pigg and Laurie
I have read this superb novel so many times and always with immense joy and delight: I would therefore like to bring it to the attention of readers who have perhaps not come across Rose Macauley and this tale full of wit and wisdom, travel, history, philosophy, humour and sadness, nostalgia , views on life and religion, love and loss. And who could resist a book whose opening words are " "Take my camel, dear" said my Aunt Dot, as she climbed down from this animal on her return from High Mass" Oh yes, there is The Camel! I buy this book for everyone I care about. Please read it!
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Witty and somewhat iconoclastic .
Witty and somewhat iconoclastic.
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Winnie the Pooh grows up!
“Same-same but different!”, Arabian Gulf pidgin that my daughters often hear behind their backs when out walking near their homes on the Gulf. The pidgin repeats words for emphasis, in this case probably the passers-by are noting that my daughters are clearly related but obviously not twins. Recently, I received as gifts both Rose Macaulay’s 1956 novel: The Towers of Trebizond about a trip on camel back through Turkey and also Jesse Zink’s 2014: Backpacking through the Anglican Communion. With both books set in the context of “The Worldwide Anglican Communion”, I guessed they might also be “same-same but different” so I thought to read them simultaneously. As a life-long American Episcopalian, for me “The Worldwide Anglican Communion” exists in mythic, fairy lands somewhere east of C.S. Lewis’s “Narnia” and west of the (original, not Disney!) A.A. Milne’s Pooh books. For all I know (or care) Milne may have been a stout atheist, it doesn’t much matter… it just seems to me that a chorus of “I Sing a Song of the Saints of God” would be a good way to finish any reading aloud of a chapter in Winnie-the-Pooh or … You know, “you can meet them in school, or in lanes, or at sea, in church or in trains, or in shops or at tea…” About a third of the way through both books, I decided that “Trebizond” was written by Winnie the Pooh as an adult, while “Backpacking” was by an adult Christopher Robin. I finished “Backpacking” hopeful that a third book in the set will be written someday, authored by some Kanga or Rabbit or Tigger, just now being baptized in Nigeria or the South Sudan or maybe China. Macaulay’s “Trebizond” starts as a light-hearted journey by Laurie and her aunt Dot, with Dot’s nameless and insane white camel and with the aptly named divine, “Father Chantry-Pigg”. The narrator, Laurie, is as winsome and accessible as Winnie-the-Pooh. The English trio travel by ship from England, up the Aegean coast of Turkey, to Istanbul and then by Black Sea steamer to the eastern city of Trebizond. They are off on a mission to evangelize Turkey, as aunt Dot is of the opinion that Turkish women would be better served by her unveiled Anglican faith, as a replacement to their veiled Islam. Aunt Dot has many opinions…. Same-same but different. Zink’s book is serious, but like Macauley’s narrator, Zink is fair and open minded. He travels to individual Anglican churches set around the world, from China to South America; but mostly in Africa: like South Africa, South Sudan, Nigeria and Uganda. He reports on their buildings, their people, their challenges and their joys. The differences between the individual congregations are striking: he debunks the American/European stereotype of a monolithic “African Church”. It’s also clear that each church congregation is set in its country and culture: from the prosperity theology he sees in the worship of Anglicans in booming chaotic Nigeria to the subsistence survival focus of theology students at Bishop Gwynne College in Juba, South Sudan. Same-same but different. On the way to Trebizond, Laurie’s narrative “voice”, really an impressive creation, is introduced. The first stages of the journey are charmingly recounted, but it seemed to be moving along paths maybe a bit too “precious”, through the same country covered by Virginia Hudson’s thin, winsome but oh-too-twee “O Ye Jigs & Juleps”, beloved of my mother (also a life-long Episcopalian). Of course the 1950s setting of “Trebizond” was a different time for Anglicans, as it was for most all “Western” institutions, and but still I worried that with “Trebizond” I had committed to a novel length slog, rather like having second thoughts after setting off on a 10 day bus tour through Luxemburg; just too much of a so-so thing. Not too worry. In Trebizond, the story takes conjurer’s potion and crystallizes into Laurie’s personal journey. Her travels home see her back through Turkey, Syria, Jordan, the new-then state of Israel (those were the days, to travel by camel from Syria to Haifa!), and back home to England. Yes, there is a love story, as I said, this is Winnie-the-Pooh as an adult. This was one of Macaulay’s last works and her descriptions of Turkish scenery and Middle Eastern settings are wonderful… I love travelogues and it’s rare for a work of fiction to be so satisfactory as a travelogue. While, as fiction, her characters are not as rich as Zink’s, the book’s sub-text: the unique nature of an individual’s spiritual journey, is a strong harmonic counterpoint to “Backpacking”’s subtext: the unique setting of each congregation’s path. Both sub-texts settle comfortably in the latitudinarian folds of “The Worldwide Anglican Communion”. Same-same but different. As a travel writer, Zink is at his best describing people…. They come alive and the conversations seem as real as the breakfast table talks at my house. He is such an enthusiastic journeyer and trekker down off-the-beaten paths that I can only wish his skills at conjuring up the images to share with “mind’s eye travelers” will improve… Just thinking of the places he’s taken his readers through makes me want to sign up for a return journey-read after he completes a year at, say, “The Iowa Writers Workshop”. (His bona fides as a divine having already been stamped at Yale Divinity School). Aside from people he chats up on visits to churches in England, it seems that in his conversations in the “Third World”, most wanted to see Zink’s American Episcopal Church through their reaction to its modern, “Western” acceptance of diverse sexual orientation, especially as crystallized for the Africans in the ordination of Gene Robinson, an openly gay man, as bishop of New Hampshire. “Is he bishop only for gays?” As Christopher Robin would, Zink presents these conversations without cringing and without condescension. The book’s strongest point is his steering these discussions towards “what we share in common as Anglican Christians”; navigation even more difficult than the four-wheel-drive slides through muddy tracks along back roads in South Sudan, exchanges charged with risky potential that seemed as explosive as the mines, armed men and automatic weapons sown deeply in the soil of that just-born country.. The end of Zink’s travels is to make his case: for each individual church congregation he’s visited, with its own setting, with its own strengths and challenges, the local communities engendered by the Anglican tradition can provide a path towards a Christ-redeemed, Spirit-enlightened, God-illuminated world. Same-same but different.
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Thanks
Thanks
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A ROSE BY THE NAME OF MACAULAY
I came upon Ms. Macaulay when I was searching for a female writer born on August 1 to use in my “Writer’s Wit” citation for that date. The book sounded interesting because according to the woman’s biography, she struggled at times with whether she would live a secular life or a Christian one, and her work reflected such a conversation. The book obviously takes place in Turkey, throughout the Middle East of a much earlier time. And obviously, neither men nor women could easily travel there today. Information I’ve adapted from the back cover tells the plot in a nutshell: The narrator, Laurie, relates the story of herself, her Aunt Dot and camel (whom Laurie borrows from time to time), and Father Hugh Chantry-Pigg. They are traveling from Istanbul to Trebizond to spread Christianity; Laurie is perhaps more devoted than her Aunt Dot, though they both seem to fade in and out on that matter. Along the way this troupe encounters spies, a Greek sorcerer, an ape, and Billy Graham with a busload of evangelists. The novel is part travelogue and part comedy of manners, “a bracing meditation on the perils of love, doubt, faith, and spirituality in the modern world.” This novel is considered by many to be Macaulay’s finest. I found it interesting, but I must confess that it would have been more entertaining had I ever traveled to that part of the world myself . . . and if I’d studied more ancient history; many of the references were lost on me. And I believe her “wit” to be a bit anachronistic, perhaps understandable to the British and/or those who lived as adults at the time she wrote this book. I have the hard copy if anyone should want to borrow it! Let me know.