世界・海外・国外の文学賞

受賞作品新刊

受賞作品の新書情報を確認できます

クリア

3476 件の新刊

The Luminaries: A Novel (Man Booker Prize)
Little, Brown and Company

The Luminaries: A Novel (Man Booker Prize)

Eleanor Catton

1860年代のニュージーランドの金鉱町を舞台に、占星術的な構成と多数の視点を通じて、失踪事件や金、欲望、運命が複雑に絡み合う長編小説。精緻な構築と謎解きの推進力が同時に立ち上がる。

青い鳥
講談社

青い鳥

モーリス・メ-テルリンク, 宇野 亜喜良, 江國 香織

幸せの青い鳥を探す兄妹の旅を通して、身近な世界にある希望や想像力を描く幻想劇。寓話の形を取りながら、幸福を探す人間の視線そのものを見つめ直す。

The Little Walls
Macmillan Bello

The Little Walls

Winston Graham

Winston Graham's The Little Walls won the first Crossed Red Herring Award, now known as the Gold Dagger Award. Why did he do it? The purpose of Philip Turner’s journey to Amsterdam is to investigate the apparent suicide of his bother Grevil. He has not seen him for several years. His enquiries lead him from Holland to Capri in search of a mysterious girl to whom Grevil had written a cryptic farewell note. What part does the shadowy Jack Buckingham play? Why can he not be found? Martin Coxon is the only man who has ever known Buckingham well, but it is the girl who seems to have all the answers if she can be persuaded to talk.

The Code Busters Club, Case #2: The Haunted Lighthouse
EgmontUSA

The Code Busters Club, Case #2: The Haunted Lighthouse

Penny Warner

コード解読を得意とする子どもたちが、アルカトラズ島への課外授業をきっかけに謎の宝探しへ向かう。遊び心のある仕掛けが、読者の参加感を高める児童向けミステリ。

Dear Life
Penguin Canada

Dear Life

Alice Munro

晩年に発表された短編集で、自伝的な色彩を帯びた短編群を収める。日常の些細な出来事や回想を通じて人生の節目や記憶、家族関係の複雑さを繊細に描写し、短編という形式の可能性を極めた作家の代表的な作品群。

Parallax
Carcanet Pr

Parallax

Sinead Morrissey

政治、歴史、私的記憶を多面的に重ね、視点のずれそのものを詩にした連作。

The Guest in the Wood: A Selection of Poems 2004-2007
Chelsea Editions

The Guest in the Wood: A Selection of Poems 2004-2007

Elisa Biagini, Diana Thow, Sarah Stickney, Eugene Ostashevsky, Angelina Oberdan

Poetry. Translated from the Italian by Diana Thow, Sarah Stickney, and Eugene Ostashevsky. Introduction by Angelina Oberdan. THE GUEST IN THE WOOD offers selections from L'ospite / The Guest (2004) and Nel Bosco / Into the Wood (2007). Cryptic, searching, probing, these are innovative poems of the mysteries of the body, of everyday life, of mortality. In the preface, Angelina Oberdan compares Biagini's concise diction to Emily Dickinson, her lines to Kay Ryan, her terseness to Ellen Bryant Voight. Oberdan writes that in her intense interaction with contemporary American poets, many of whom she has translated into Italian, Biagini "started to feel the responsibility to write about the taboo or what makes us uncomfortable." "There's masochism and martyrdom as in family life and love gone weary. Domestic images of food, kitchenware, ironing board, are laced with the threat of violence in which the poet might eat her guest, or be eaten. Maps lead nowhere. Yet anyone reading these surreal poems will find in them a mirror. For are we not each lost? Are we not each entrapped? Are we not each fearfully mortal? Of our inescapable human situation, Biagini has created, as if under a spell, a rare and compelling beauty."—Alicia Ostriker

罪人を召し出せ
早川書房

罪人を召し出せ

ヒラリー マンテル, Hilary Mantel, 宇佐川 晶子

『ウルフ・ホール』に続く三部作第二部。1535年のイングランド宮廷を舞台に、トマス・クロムウェルがアン・ブーリン失脚へ向かう政治の渦をさばきながら、王の気まぐれと国家の危機のあいだで生き延びようとする歴史長編。