作品情報

奴隷制における消費と欲望の関係を検証する学術書。

NYU Press から2014年に刊行された研究書で、奴隷制下の身体・欲望・消費を批判的に読み解く。編者 Dwight McBride と Justin A. Joyce による編集で、学際的な視点から U.S. slave culture を再考する。

書籍情報

出版社

New York Univ Pr

発売日

2014-06-27

ページ数

311ページ

言語

英語

サイズ

15.88 x 2.54 x 22.86 cm

ISBN-13

9780814794616

ISBN-10

0814794610

価格

15634 JPY

カテゴリ

洋書/History/Americas/United States/Civil War/Abolition

Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person’s claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture. Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith’s slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison’s Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.

Vincent Woodard (Author) Vincent Woodard (1971–2008) was Assistant Professor of English at the University of Colorado-Boulder. He received his PhD in English from the University of Texas, Austin in 2002. Dwight McBride (Editor) Dwight A. McBride is President of The New School in New York City. Prior to his appointment at The New School, Dr. McBride was Provost and Executive Vice President for Academic Affairs at Emory University, where he also held the position of Asa Griggs Candler Professor of African American Studies, Distinguished Affiliated Professor of English, and Associated Faculty in Women’s, Gender, and Sexuality Studies. A leading scholar of race and literary studies, Dr. McBride's books include James Baldwin Now, Impossible Witnesses: Truth Abolitionism, and Slave Testimony, Black Like Us: A Century of Lesbian, Gay, and Bisexual African American Fiction, and A Melvin Dixon Critical Reader . His book Why I Hate Abercrombie and Fitch: Essays on Race and Sexuality won the Lambda Literary Award for LGBTQ Studies and was a finalist for the Hurston-Wright Legacy Award. Justin A. Joyce (Editor) Justin A. Joyce is Postdoctoral Fellow at Northwestern University. He holds a PhD from the University of Illinois at Chicago and is coeditor of A Melvin Dixon Critical Reader. E. Patrick Johnson (Foreword by) E. Patrick Johnson is the Carlos Montezuma Professor of African American & Performance Studies at Northwestern University. He is the author of two award-winning books, Appropriating Blackness: Performance and the Politics of Authenticity (2003) and Sweet Tea: Black Gay Men of the South—An Oral History (2008). Most recently, he is also the author of Honeypot: Black Southern Women Who Love Women (2019), and Black. Queer. Southern. Women--An Oral History (2019).

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