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South of Pico: African American Artists in Los Angeles in the 1960s and 1970s

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South of Pico: African American Artists in Los Angeles in the 1960s and 1970s

Kellie Jones

ロサンゼルスの黒人アーティストたちが、構造的差別の中でどのように創造的共同体と展示空間を作ったかを追う美術史研究。移住、都市政策、ブラック・アーツ運動を結びつける。

美術史ロサンゼルス黒人アーティスト都市史

作品情報

ピコ通りの南から、ロサンゼルス美術史の地図が描き直される。

1960年代から1970年代のロサンゼルスを中心に、ベティ・サール、チャールズ・ホワイト、ノア・ピュリフォイらの活動を社会史と接続する。

レビュー要約

  • 綿密な研究と視野の広さが評価されている。見過ごされてきた作家とコミュニティを美術史の中心へ置き直す点が重要視される。

書籍情報

出版社
Duke Univ Pr
発売日
2017-04-07
ページ数
396ページ
言語
英語
サイズ
14.99 x 3.3 x 22.86 cm
ISBN-13
9780822361640
ISBN-10
0822361647
価格
5564 JPY
カテゴリ
洋書/Politics & Social Sciences/Social Sciences/Specific Demographics/African American Studies

Named a Best Art Book of 2017 by the New York Times and Artforum In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico , Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.

Kellie Jones, a 2016 recipient of a MacArthur "Genius Grant," is Associate Professor of Art History at Columbia University and the author of several books, including EyeMinded: Living and Writing Contemporary Art , also published by Duke University Press. Jones has curated numerous national and international exhibitions, including Now Dig This! Art and Black Los Angeles, 1960–1980 and Witness: Art and Civil Rights in the Sixties .

レビュー

  • South of Pico is a pleasure to read

    Such an excellently written and informative work. Ms. Jones writing style flows like a good story while giving the reader a fact laden history. The color plates are awesome. This is one of my now treasured books!

  • A Must Read

    Ms. Jones is one of the fines writers of our time. Her work and research on topics such as this are meaningful and so helpful in looking at the canon of African Anerican Art in the western world. I was so happy with this book that I purchased a copy for my daughter who is studying fine art and art history in college. Anything that Ms. Jones writes is a must on any real collectors bookshelf. Thank you Ms. Jones!

  • Care and attention to book was on full display

    This book matched the condition described on Amamon website. Perfect match. And it arrived quickly and was thoughtfully wrapped for protection in a plastic pocket. Really grateful.

  • Important Art History

    Exciting to have this art and community history to guide a richer future

  • Five Stars

    Loved it. Very informative about a great era in African American history

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