Heavy: An American Memoir
重みのある身体、秘密、依存、家族の関係を軸に、黒人男性として生きることの圧力を率直に掘り下げた回想録。個人的な痛みを社会的な構造へと開いていく。
作品情報
ひとりの身体に刻まれた記憶から、社会の重力を読み解く。
自伝的な語りを通じて、記憶、食、身体、暴力、階級が絡み合う現実を描く。率直さと緻密さの両方を持つ文章が、個人史を社会批評へと変えていく。
書籍情報
- 出版社
- Scribner
- 発売日
- 2018-10-16
- ページ数
- 256ページ
- 言語
- 英語
- サイズ
- 13.97 x 2.79 x 21.27 cm
- ISBN-13
- 9781501125652
- ISBN-10
- 1501125656
- 価格
- 4394 JPY
- カテゴリ
- 洋書/Politics & Social Sciences/Politics & Government/Specific Topics/Censorship
*Named a Best Book of 2018 by The New York Times , Publishers Weekly, NPR, Broadly , Buzzfeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly , and The New York Times Critics * *WINNER of the Andrew Carnegie Medal and FINALIST for the Kirkus Prize * In this powerful and provocative memoir, genre-bending essayist and novelist Kiese Laymon explores what the weight of a lifetime of secrets, lies, and deception does to a black body, a black family, and a nation teetering on the brink of moral collapse. Kiese Laymon is a fearless writer. In his essays, personal stories combine with piercing intellect to reflect both on the state of American society and on his experiences with abuse, which conjure conflicted feelings of shame, joy, confusion and humiliation. Laymon invites us to consider the consequences of growing up in a nation wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we’ve been. In Heavy , Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. A personal narrative that illuminates national failures, Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family that begins with a confusing childhood—and continues through twenty-five years of haunting implosions and long reverberations.
Born and raised in Jackson, Mississippi, Kiese Laymon is the Ottilie Schillig Professor in English and Creative Writing at the University of Mississippi and author of the novel Long Division, the memoir Heavy , and the essay collection How to Slowly Kill Yourself and Others in America . He was recently named a 2022 MacArthur Fellow.
レビュー
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Jesus Laymon hits another grand slam
Heavy: An American Memoir, by Kiese. Laymon (Scribner, 2018) is a complexly layered book. On its face it is the memories of a man who began his life as a poor child in Mississippi and how his experiences accumulated to make him the man, the author and the professor he is today. It is a journey in search of authentic love, authentic connections, authentic grasp of self in spite of the cultural and historic forces that would deprive him of all three. It is a brutal story. It is a tender story. A memoir is by definition a recounting of events the author lived through. It is told from the perspective of the author. In all human stories there are other people involved, other points of view, other memories of the same events seen through other eyes. Precisely because it is a memoir, a telling of the author’s experience, it must be taken seriously. In Laymon’s case I think it especially important to listen carefully and respect his voice, for it is the voice of one man who is part of a subset of Americans who are seldom taken seriously, seldom listened to carefully, seldom taken into account in the national conversation. Voices like Kiese Laymon are often dismissed, belittled, ignored. Some readers will be appalled at some of the experiences Laymon recounts. Others may dismiss events as exaggerated or from the past, things that wold not take place today. Others will read some parts of the book and walk away smug in their belief that Blacks are the architects of fractured Black families; there is nothing here that remotely supports such a reading of life in America—Black or white. Throughout the book Laymon is speaking to his mother, telling her his becoming. His experience is that none of the significant people in his life tell the truth about things that matter most deeply. (I intentionally am not providing any examples from the book: I don’t know how to give examples here without taking away from the power of Laymon’s voice. I encourage—nay, urge—you to engage him unfiltered through a reviewer.) He openly struggles with understanding and telling the truth. His struggle is one with which anyone who has successfully transitioned from adolescence to adulthood can identify. I said earlier that this Memoir is a layered book. It is easy to see it as one man’s story. It is easy to begin to identify ones self in this story. It is less easy to see this story as an engagement of one man with main stream America. Somewhere in the last third of the book it dawned on me that the story can be read from the perspective that the author’s mother represents American culture, that she is a stand in for the ways the culture did and did not nurture him. There are no good words to describe how we are nurtured/formed, given a hand up or kicked down in American life by the systemic way the culture works. I know that American culture nurtured me differently from Keise Laymon simply because I come from an educated, privileged white family and Keise Laymon is a descendant of enslaved people. Even acquiring an education was more difficult for him than for me by an order of magnitude. The difficulty is the result of institutionalized white male supremacy fallacies, and privilege. It has nothing to do with any Black innate shortcoming. Race is a social construct; it has no basis in biology. If you doubt that assertion or are uncomfortable with it, then I urge you to read the scientific literature that is the basis for that statement. (Google “the biological basis of race” and read the first half dozen hits that come up. For starters.) Finally, the author has written a love letter to America. He is inviting all of us—privileged and ”other” (See Toni Morrison’s (The Origin of Other, Harvard University Press, 2017) to engage in a conversation about our shared 400 year history. And he invites a conversation about our shared future. This is a most timely, urgent conversation. Who are we? What kind of a people do we want to be? What choices can we make that will strengthen our chances of leaving a livable future for our children and grandchildren. What choices will foul the Eagles nest? I urge you to read this book during this holiday season, at least once, and to write your reactions to his Memoir and share it with someone important to you. Laymon is a voice to take seriously. November 23, 2018
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Coming into Being
This stunning, deeply affecting book by Kiese Laymon cannot easily be summarised - poetic, ragged, interior - a tribute to a Mississippi grandmama - about the effects of racism - professional academic endeavours - the "privilege" of "white" - the heaviness of history - of being other - and the political dimension above all.
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Incredible
I just don’t have enough praise for this book. Just an outstanding, emotive, honest voice. A must read.
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Excellent Book
This book is authentic, raw and honest and up lifting in its depth and insightfulness. I recommend it.
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Powerful
Beautiful, brutal and brave. Grateful to have discovered this incredible writer
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