Ruth Lilly Poetry Prize
1 appearances
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Edition 1 (1986) Winner
アドリエン・セシル・リッチ
Adrienne Cecile Rich
| Institution | Faculty | Department | Degree | Period | Country |
|---|---|---|---|---|---|
| Radcliffe College (Harvard University) | — | Literature / Poetry | BA | 1946–1951 | United States |
| Year | Award | Work | Category | Organization | Result |
|---|---|---|---|---|---|
| 1951 | Yale Younger Poets Award | A Change of World | — | Yale University Press | 受賞 |
| 1974 | National Book Award for Poetry (split award) | Diving into the Wreck | 詩 | National Book Foundation | 受賞(共同) |
| 1994 | MacArthur Fellowship | — | — | MacArthur Foundation | 受賞 |
| 2003 | Bollingen Prize for American Poetry | — | — | Yale / Bollingen Foundation | 受賞 |
| 2010 | Griffin Poetry Prize (Lifetime Recognition) | — | — | Griffin Poetry Prize Foundation | 受賞(生涯功労) |
| 1986 | Ruth Lilly Poetry Prize (inaugural) | — | — | Ruth Lilly Foundation | 受賞 |
| 1994 | MacArthur Fellowship | — | — | MacArthur Foundation | 受賞 |
| 1997 | National Medal of Arts | — | — | National Endowment for the Arts / U.S. government | 辞退(受賞を拒否) |
| 1999 | Lannan Lifetime Achievement Award | — | — | Lannan Foundation | 受賞 |
| 1992 | Poets' Prize | An Atlas of the Difficult World | — | Poets' Prize | 受賞 |
Her first collection of poems, selected by W. H. Auden for the Yale Younger Poets series; introductory work establishing her early voice.
A landmark collection exploring feminism, identity, and historical recovery; split winner of the 1974 National Book Award for Poetry.
A collection addressing lesbian love, solidarity among women, and the intertwining of political and personal themes.
A collection that interweaves social and political concerns with personal history; recipient of several awards in 1991.
One of the leading figures in modern American poetry; significant influence on feminist and queer theory in poetry and on politically engaged poetics. Helped bring women's voices into public literary discourse.
We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.