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Daphne A. Brooks

ダフネ・ブルックス

Daphne Burukkusu

Profile

Gender
Female
Born
1968-11-16 (Redwood City, California, USA)
Nationality
United States
Languages
English
Residence History
San Francisco Bay Area (origin) → New Haven, Connecticut (Yale University affiliation)

Career

Occupations
Scholar, Writer, Music critic
Active Years
1997-
Affiliations
Yale University
Influenced By
Nina Simone, Billie Holiday, Rock artists (e.g., Led Zeppelin, Queen)

Education

University of California, Berkeley
English
Degree: BA
Country: United States
University of California, Los Angeles
English
Degree: MA
Country: United States
University of California, Los Angeles
English
Degree: PhD
Year of Graduation: 1997
Country: United States
PhD awarded (June 1997)

Awards

Errol Hill Award for Outstanding Scholarship on African American Performance
Work: Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910
Organization: ASTR
Result: 受賞

Awards & Nominations

Works

Major Works

Jeff Buckley’s Grace

2005 Music criticism / Non-fiction

A short non-fiction study examining Jeff Buckley’s musical development and how diverse cultural influences shaped his singing and artistry.

Music and cultureIdentityInfluence networks

Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910

2006 Scholarly work / Performance studies

A scholarly study exploring how African American performance from the mid-19th to early 20th century used the body to express racial subjectivity and resistance, examining figures such as Henry Box Brown.

PerformanceEmbodimentResistance and liberationAfrican American history

Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound

2021 Scholarly work / Cultural and sound studies

Explores the intellectual history of Black feminist approaches to sound, reevaluating Black women’s cultural production through the intersection of sonic practice and feminist theory.

Black feminismSound studiesGender and race

Bibliography

  • Jeff Buckley’s Grace (2005)
  • Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910 (2006)
  • Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound (2021)

Style & Themes

Literary Style
Scholarly and analytical proseCritical music-writing perspectiveArgumentation informed by feminist theory
Recurring Motifs
Performance and embodimentBlack subjectivityIntersections of music and culture

Legacy

Daphne Brooks is recognized for significant contributions to performance studies and Black cultural studies, valued for her distinctive linkage of music and embodiment. Her interdisciplinary work has influenced discussions in Black feminism and sound studies.

Quotes

  • To me, performance studies is a discipline that enables you to radically contextualize how we think about the production of culture and, as a black feminist scholar it enables me to think about the body and the corporeal as being central to our understanding of cultural production.
    Source: Interview transcript / cited on Wikipedia (ref. 6)

Trivia

  • Has been a devoted fan of rock music since childhood, which influenced her research interests.
  • Youngest of three siblings.