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Douglas Kearney

ダグラス・カーニー

Dagurasu Kānī

Profile

Gender
Male
Born
1974 (Altadena, California, United States)
Nationality
United States
Languages
English
Residence History
Altadena, California (origin) → Minneapolis, Minnesota (residence/work)

Career

Occupations
Poet, Performer, Writer, Librettist, Professor
Active Years
2000-2025
Affiliations
University of Minnesota (faculty), California Institute of the Arts (past affiliation), Howard University (alumnus)
Nominations
Hurston/Wright Legacy Award nominee

Education

Howard University
Degree: B.A.
Country: United States
Undergraduate studies completed (year unknown)
California Institute of the Arts (CalArts)
MFA program
Degree: M.F.A.
Year of Graduation: 2004
Country: United States
Received MFA in 2004

Awards

Coat Hanger Award
2006
Work: Swimchant for Nigger Mer-folk
Result: Winner
Whiting Award
2008
Work: Self
Organization: Whiting Foundation
Result: Winner
California Book Awards (Poetry)
2014
Work: Patter
Category: Poetry
Organization: Commonwealth Club
Result: Winner
California Book Awards (Poetry)
2017
Work: Buck Studies
Category: Poetry
Organization: Commonwealth Club
Result: Silver
CLMP Firecracker Award (Poetry)
2017
Work: Buck Studies
Category: Poetry
Organization: Community of Literary Magazines and Presses
Result: Winner
Roethke Memorial Poetry Prize
Organization: Unknown
Result: Winner
Campbell Opera Librettist Prize
2021
Organization: Opera America
Result: Winner
National Book Award (Poetry)
2021
Work: Sho
Category: Poetry
Organization: National Book Foundation
Result: Finalist
Griffin Poetry Prize (International)
2022
Work: Optic Subwoof
Organization: Griffin Trust for Excellence in Poetry
Result: Winner
CLMP Firecracker Award (Creative Nonfiction)
2023
Work: Optic Subwoof
Category: Creative Nonfiction
Organization: Community of Literary Magazines and Presses
Result: Winner
Poetry Foundation Pegasus Award (Poetry Criticism)
2023
Category: Criticism
Organization: Poetry Foundation
Result: Winner
Pulitzer Prize (Music)
2025
Work: The Comet (libretto)
Category: Music (libretto collaboration)
Organization: Pulitzer Prizes
Result: Finalist

Awards & Nominations

Works

Major Works

FEAR, SOME

2006 Poetry

An early collection featuring experimental language play and explorations of voice.

IdentityVoice and performance

The Black Automaton

2009 Poetry

Poems interrogating machinery and embodiment, exploring intersections of technology and Blackness.

TechnologyEmbodimentBlack experience

PATTER

2014 Poetry

An experimental collection emphasizing linguistic rhythm and vernacular; received critical recognition.

RhythmLanguage experimentation

Mess and Mess and

2015 Poetry

A fragmented, disruptive set of poems characterized by deconstruction and reassembly of form.

FragmentationReconstruction

Someone Took They Tongues

2016 Poetry

A collection that questions ownership of language and voice, intersecting politics and bodily expression.

Ownership of languagePolitics

Buck Studies

2016 Poetry

Long-form and fragmentary poems that intersect history and personal memory.

MemoryHistory

Sho

2021 Poetry

A book moving across diverse forms; was a finalist for the National Book Award.

Formal experimentationCultural reference

Optic Subwoof

2022 Poetry / creative nonfiction elements

A work that crosses poetic experiment and critical essay; winner of major prizes including the Griffin.

VisualityMedia criticism

I Imagine I Been Science Fiction Always

2025 Poetry

A recent work (2025) exploring futurity and science-fictional imagination poetically.

FuturityScience fiction imagination

Bibliography

  • FEAR, SOME
  • The Black Automaton
  • PATTER
  • Mess and Mess and
  • Someone Took They Tongues
  • Buck Studies
  • Sho
  • Optic Subwoof
  • I Imagine I Been Science Fiction Always

Adaptations

  • Crescent City (opera; libretto collaboration with Anne LeBaron)
  • The Comet (music by George Lewis; libretto by Douglas Kearney; 2025 Pulitzer finalist)

Style & Themes

Literary Style
Experimental poeticsEmphasis on oral/performative voiceDeconstruction and reassembly of form
Recurring Motifs
BlacknessMusicality (rhythm, sound)Body and technologyMemory and history

Legacy

A contemporary poet who expands the boundaries between poetry and performance. Through prize-winning collections and libretto work for opera, he is highly regarded at the intersection of literature and music.

Academic Societies

  • Poetry Society of America (named Notable New American Poet)

Trivia

  • Not only a poet but also writes libretti for opera.
  • Recipient of fellowships including Cave Canem.
  • Serves as an associate professor at the University of Minnesota (at time of record).